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The Language of Objects sheds new light on the sub-genre of Greek descriptive epigram, focusing on deictic reference as a springboard to understand three different approaches to the materiality of texts: imagination-oriented deixis, pointing to referents conjured in the reader’s mind; ocular deixis, addressing perceivable referents; displaced deixis, underscoring the subjective response of readers/viewers. Uniquely combining overlooked verse-inscriptions and well-known literary and inscribed texts, which are freshly re-examined through a cognitive lens, this volume explores the evolution of deixis in descriptive epigrams dating from the pre-Hellenistic period to Late Antiquity. With its original analysis, the book pushes forward the study of Greek epigram and current understanding of deixis in ancient poetry.
The book presents an analysis of communicative structures and deictic elements in Hellenistic dedicatory epigrams. Moving from the most recent linguistic theories on pragmatics and considering together both Stein- and Buchepigramme, this study investigates the linguistic means that are employed in texts transmitted on different media (the stone and the book) to point to and describe their spatial and temporal context. The research is based on the collection of a new corpus of Hellenistic book and inscribed dedicatory epigrams, which were compared to pre-Hellenistic dedicatory epigrams in order to highlight the crucial changes that characterise the development of the epigrammatic genre in the Hellenistic era. By demonstrating that the evolution of the epigrammatic genre moved on the same track for book and stone epigrams, this work offers an important contribution to the ongoing debate on the history of the epigrammatic genre and aims to stimulate further reflection on a poetic genre, which, since its origins in the Greek world, has been successful both in ancient and modern literary traditions.
This book explores dialogue between Archaic and Classical Greek epigrams and their readers, and argues for their often-unacknowledged literary and aesthetic achievement.
Important research in recent decades, along with the publication of P.Mil.Vogl. VIII 309 ('the Milan Posidippus papyrus') in 2001, have reinvigorated the study of Hellenistic epigram. Yet, scholarship on this genre often remains fragmented according to disciplinary sub-specialty and approach: some scholars focus on poets of Meleager’s Garland, others on Philip’s; some on inscriptional epigram, others on literary; each approaching the genre with different motives and questions. In this volume, expert scholars offer those less familiar with the genre an introduction to all aspects of Hellenistic epigram—from models and forms inherited from inscriptional epigram to poetology, sub-genera, epigrammatic intertexts, and ancient and modern reception. Even specialists will find here fresh explorations of epigram, along with new directions for scholarship.
Ancient Greek hymns traditionally include a narrative section describing episodes from the hymned deity’s life. These narratives developed in parallel with epic and other narrative genres, and their study provides a different perspective on ancient Greek narrative. Within the hymn genre, the place and function of the narrative section changed over time and with different kinds of hymn (literary or cultic; religious, philosophical or magical). Hymnic Narrative and the Narratology of Greek Hymns traces developments in narrative in the hymn genre from the Homeric Hymns via Hellenistic and Imperial hymns to those in the Orphic tradition and in magical papyri, analysing them in narratological terms in order to place them in the wider context of ancient Greek narrative literature.
Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.
The twelve studies contained in this volume discuss some key-aspects of citizenship from its emergence in Archaic Greece until the Roman period before AD 212, when Roman citizenship was extended to all the free inhabitants of the Empire. The book explores the processes of formation and re-formation of citizen bodies, the integration of foreigners, the question of multiple-citizenship holders and the political and philosophical thought on ancient citizenship. The aim is that of offering a multidisciplinary approach to the subject, ranging from literature to history and philosophy, as well as encouraging the reader to integrate the traditional institutional and legalistic approach to citizenship with a broader perspective, which encompasses aspects such as identity formation, performative aspect and discourse of citizenship.
This volume provides a set of in-depth case studies about the role of questions and answers (Q&A) in ancient Greek medical writing from its Hippocratic beginnings up to, and including, Late Antiquity.
Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound interest on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the evolution of particular subgenres over time, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from explorations of the dynamic interactions between poets and their predecessors and contemporaries, and of the relationship between epigram and its socio-political, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation which generated the collections which survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world which will be of value to scholars and students of Greek epigram and classical literature more broadly.
This book combines careful reading of texts, inscriptions, coins and other archaeological materials to examine how religious practice, material culture and urban landscape changed as Philippi developed from a Roman colony to a major center for Christian worship and pilgrimage.