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A new approach to the idea of grace. The author isolates certain common themes consistently present in the traditional language of grace and reinterprets them in terms of the concept of liberation.
Hawkins explores both traditional and contemporary ways grace has been handled in literature. The traditional representation of grace is explained using, among other things, the parables of Jesus. Then he turns to more contemporary literature, including O'Connor's A Good Man is Hard to Find, Percy's The Second Coming, and Murdoch's A Word Child. Through these novels and short stories, Hawkins highlights the impoverishment of spirit and imagination when religious language fails us. He presents three writers struggling to bridge the gap between ourselves and those mysterious realities we can no longer talk about.
Paul’s Language of Grace in Its Graeco-Roman Context was originally published by Mohr Siebeck in 2003 and is now reprinted by Wipf and Stock with a new introduction by its author, James R. Harrison. The book was the first major investigation of charis (‘grace’, ‘favor’) in its social, political, and religious context since G. P. Wetter’s pioneering 1913 monograph on the topic. Focusing on the evidence of the inscriptions, papyri, philosophers, and Greek Jewish literature, Harrison examined the operations of the eastern Mediterranean benefaction system, probing the dynamic of reciprocity between the beneficiary and benefactor, whether human or divine. Before Paul’s converts were first exposed to the gospel, they would have held a variety of beliefs regarding the beneficence of the gods. The apostle, therefore, needed to tailor his language of grace as much to the theological and social concerns of the Mediterranean city-states in his missionary outreach as to the variegated traditions of first-century Judaism. In terms of human grace, although Paul endorses the reciprocity system, he redefines its rationale in light of the gospel of grace and transforms its social expression in his house churches. The explosion of ‘grace’ language that occurs in 2 Corinthians 8–9 regarding the Jerusalem collection is unusual in its frequency in comparison to the honorific inscriptions, underscoring the apostle’s distinctive approach to giving. Regarding divine beneficence, Paul accommodates his gospel to contemporary benefaction idiom. But he retains a distinctiveness of viewpoint regarding divine charis: it is non-cultic; it is mediated through a dishonored and impoverished Benefactor; it overturns the do ut des expectation (‘I give so that you may give’) regarding divine blessing in antiquity. Harrison’s book still remains the authoritative coverage of the Graeco-Roman context of charis.
Few concepts are more important in Catholic theology than that of grace, but most adult Catholics never move beyond a schoolchild's understanding of grace. Charles Journet explores philosophy, revelation and history to explain grace fully. Journet lays out both the doctrinal development of grace and corrects persistent mistakes that Catholics make about grace. He covers habitual grace, actual grace, predestination, justification, merit, and much more. He even includes a revealing exploration of Adam's earthly paradise and how the nature of the Fall called forth God's response of grace.
"[Suzan-Lori Parks'] dislocating stage devices, stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous."—Time "An original whose fierce intelligence and fearless approach to craft subvert theatrical convention and produce a mature and inimitable art that is as exciting as it is fresh."—August Wilson Named one of the "100 Innovators for the Next New Wave" by Time magazine, Suzan-Lori Parks is a truly original voice of the American theater. Winner of the Pulitzer Prize and a MacArthur "Genius" Award, Parks is renowned for her groundbreaking language, theatricality, and an aesthetic that continues to evolve in unexpected ways. Her first full-length play since her award-winning Topdog/Underdog, The Book of Grace is a scorching three-person drama in which a young man returns home to south Texas to confront his father, unearthing deep-seated passions and ambition. The play premiered in spring 2010 at the Public Theater, where Parks is in the midst of a three-year residency as the first recipient of the theater's master writer chair. Suzan-Lori Parks is a playwright, screenwriter, songwriter, and novelist. Her plays include Topdog/Underdog (winner of the 2002 Pulitzer Prize), In the Blood (a 2000 Pulitzer Prize finalist), Venus (OBIE Award winner) and Imperceptible Mutabilities in the Third Kingdom (OBIE Award, Best New American Play).
During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.
Announcing a special new release from Bible teacher John MacArthur...a select collection of powerful Scripture readings and prayers that inspire heartfelt communion with God and gratitude for all that He is and has done for us. For more than 40 years, John MacArthur has steadfastly committed himself to the careful and faithful teaching of God's Word. A key outgrowth of his study of Scripture is the profoundly God-centered prayers that precede his sermons. John's prayers are the offerings of a heart that is fully committed to honoring God, proclaiming and obeying His Word, and calling others to do the same. In this book, prayers and Scripture readings from across his years of ministry have been brought together to stir Christians toward more meaningful and edifying communion with God. This book will guide readers, in the most intimate way possible, before God's throne of grace...giving them a renewed passion and appreciation for their Lord.
Grace explains why having a small hand with no fingers only makes her special, not stupid or strange, and how it can make things easier and harder for her at school and at home.
This collection of poetry explores an immigrant woman's lived experiences, from coming out to a deeply religious mother, to idolizing the "bad boy" of the NBA, to understanding how to relate to her ever-changing Chinese-Canadian identity. A meditation on family, food, and falling in love, The Language We Were Never Taught to Speak reveals how the stories of immigrants in Canada contain both universal truths and singular nuances.
For half a century, Madeleine L'Engle has spun magic with words, touching millions of lives and earning a devoted readership with her award-winning fiction, candid reflections on her personal and family life and graceful meditations on faith. Now, Glimpses of Grace captures the essence of L'Engle's literary gift in one unprecedented volume. Ranging freely throughout L'Engle's remarkable lifework of more than 40 volumes of fiction and nonfiction, adventure stories, family dramas, autobiography and religious commentary, editor Carole P. Chase has collected evocative passages and arranged them as daily readings that offer illuminating bits of wisdom, provocative insight, and, above all, engaging and intelligent daily inspiration. With enduring power and resonance, each of these 366 rich selections speaks to the simple joys and sorrows of daily life and the deepest questions of the human heart and spirit, while reflecting the exhilarating artistry of one of the most spiritually alive and articulate storytellers of this century.