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"The Language of Emily Dickinson" provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson.
Traces the roots of Dickinson's unusual, compressed, ungrammatical, and richly ambiguous style of poetry.
Visual artists and poets respond to Dickinson's life and work
A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson
Emily Dickinson (1830-1886) wrote in 19th century American English and referenced long-vanished cultural contexts. A "private poet," she created her own vocabulary, and many of her poems have quite specific local and personal connections. Twenty-first century readers may find her poetry elusive and challenging. Promoting a richer appreciation of Dickinson's work for a modern audience, this book explores unfamiliar aspects of her language and her world.
Emily Dickinson is widely considered to be one of the greatest of American poets. The aphoristic style and wit of much of her verse, its irregular rhymes, directness of expression, and startling imagery have had a profound effect on twentieth-century literature. Over a hundred of Dickinson’s best poems are collected here. These unique and gemlike lyrics are pure distillations of profound feeling and great intellect. They contain a world of imagination, observation, and precisely articulated spiritual and emotional experience. As editor Brenda Hillman says, this small and succinct collection can serve as a guidebook to readers who are exploring the highs and lows of the human experience.
Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world"--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul." And as Billy Collins suggests in his Introduction, "In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art."
Presents humorous retellings of each of Emily Dickinson's nearly eighteen hundred poems.
Facsimile of a dried plant album assembled by the young Emily Dickinson, with interpretive essays and catalog and index of plant specimens.