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Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
By the time of the Crusades, the Islamic world had developed its own sophisticated styles of fortification. Distinctive and highly effective, the region's unique military architecture continued to evolve in response to the Crusader and Mongol threats, and also drew upon the traditions of their foes and neighbors. The resulting Islamic concepts of military architecture had an influence upon fortifications in Western Europe, including Italy and the Iberian Peninsula. Rather than providing security for feudal aristocracies, however, as was increasingly the case in Europe, Islamic fortifications continued to focus upon the defence of cities and frontiers Covering fortifications as far apart as North Africa, Afghanistan and northern India, this volume focuses on the Islamic side of the conflict, highlighting the fortifications in use when the Crusaders sought to reconquer the Holy Land, as well as the eventual absorption of the territories of Byzantium into the Islamic world.
Medieval Christian writers distorted the teachings of Islam and caricatured its believers in a variety of ways. This book provides a comprehensive study of Christian polemical responses to Islam in the Middle Ages.
The fall of Acre in 1291 inspired many schemes for crusades to recover Jerusalem. One of these proposals is How to Defeat the Saracens, written around 1317 by William of Adam, a Dominican who traveled in the eastern Mediterranean, Persia, and parts of India. Extensive notes guide the reader through the historical context of this fascinating work
Peter the Venerable's extensive literary legacy includes poems, a large epistolary collection, and polemical treatises. The first of his four major polemics targeted a Christian heresy, the Petrobrussians (Against the Petrobrusians); the rest took aim at Jews and Saracens. Catholic University of America Press has published his Against the Inveterate Obduracy of the Jews. This present volume will make available in their entirety Peter the Venerable's twin polemics against Islam - A Summary of the entire heresy of the Saracens and Against the sect of the Saracens - as well as related correspondence. These works resulted from a sustained engagement with Islam begun during Peter's journey to Spain in 1142-43. There the abbot commissioned a translation of sources from the Arabic, the so-called Toledan Collection, that include the Letter of a Saracen with a Christian Response (from the Apology of [Ps.] Al-Kindi ); Fables of the Saracens (a potpourri of Islamic hadith traditions); and Robert of Ketton's first Latin translation of the whole of the Qur'an. Thanks to Peter's efforts, from the second half of the twelfth century Christians could acquire a far better understanding of the teachings of Islam, and Peter may rightly be viewed as the initiator of Islamic studies in the West.