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In the land of lines, anything is possible: the connection between a boy and a girl from different worlds, the potential for self-discovery, and the vanquishing of a monster. While exploring mysterious terrain, the characters cascade down geometric cliffs and mountains, navigating the unknown and finding their potential. Readers will immerse themselves in this engaging wordless graphic novel that captures the timeless heroic journey and celebrates the power of art.
96 pages of innocent 50s-style clip art with outrageously evil captions.
Lines on the Land Writers, Art, and the National Parks Scott Herring The nineteenth-century photographer William Henry Jackson once complained of the skepticism with which early descriptions of Yellowstone were met: the place was too wondrous to be believed. The public demanded proof, and a host of artists and writers obliged. These early explorers possessed a vigorous devotion to the young nation's wilderness--the naturalist John Muir famously toured the land from Wisconsin to Florida on foot--and through their work established aesthetic categories that exist to this day. In Lines on the Land, Scott Herring contends that these writers and artists were canon makers, recognizing the national parks as naturally occurring works of art and conferring upon them a cultural prestige: the parks were the splendid focal points of the American landscape. These early, canonizing works are homages to a vast, untouched wilderness. This praise would gradually give way, however, to a distinctly American anger--what Herring calls "outraged idealism." Later generations were faced with a changing culture that had imperfectly absorbed, and even misrepresented, the national-park aesthetic. The postwar park was overrun by cars and tourists who could not possibly match the pioneering naturalists' profound commitment to and appreciation for their surroundings. The collective tone of the parks' chroniclers, as a result, evolved from celebration of awesome beauty to indignation over the perceived corruption of the parks, both as an ideal and as actual physical settings. Herring traces this shift through the work of a wide spectrum of creative minds, from early figures such as Muir and Thomas Moran to later observers of the parks such as Ansel Adams, Sylvia Plath, Edward Abbey, and Rick Bass. The text is punctuated by autobiographical "interchapters," in which Herring relates the book's chief themes to his own experiences in Yellowstone National Park. Under the Sign of Nature: Explorations in Ecocriticism
The last fifteen years have been a period of dramatic change, both in the world at large and within the fields of ecology and conservation. The end of the Cold War, the dot-com boom and bust, the globalizing economy, and the attacks of September 11, among other events and trends, have reshaped our worldview and the political environment in which we find ourselves. At the same time, emerging knowledge, needs, and opportunities have led to a rapid evolution in our understanding of the scientific foundations and social context of conservation. Correction Lines is a new collection of essays from one of our most thoughtful and eloquent writers on conservation, putting these recent changes into perspective and exploring the questions they raise about the past, present, and future of the conservation movement. The essays explore interrelated themes: the relationship between biological and social dimensions; the historic tension between utilitarian and preservationist approaches; the integration of varied cultural perspectives; the enduring legacy of Aldo Leopold; the contrasts and continuities between conservation and environmentalism; the importance of political reform; and the need to "retool" conservation to address twentyfirst-century realities. Collectively the essays assert that we have reached a critical juncture in conservation—a "correction line" of sorts. Correction Lines argues that we need a more coherent and comprehensive account of the past if we are to understand our present circumstances and move forward under unprecedented conditions. Meine brings together a deep sense of history with powerful language and compelling imagery, yielding new insights into the origins and development of contemporary conservation. Correction Lines will help us think more clearly about the forces that have changed, and are changing, conservation, and inspire us to address current realities and future needs.
It's time for America to move beyond zoning, argues city planner M. Nolan Gray in Arbitrary Lines: How Zoning Broke the American City and How to Fix It. With lively explanations, Gray shows why zoning abolition is a necessary--if not sufficient--condition for building more affordable, vibrant, equitable, and sustainable cities. Gray lays the groundwork for this ambitious cause by clearing up common misconceptions about how American cities regulate growth and examining four contemporary critiques of zoning (its role in increasing housing costs, restricting growth in our most productive cities, institutionalizing racial and economic segregation, and mandating sprawl). He sets out some of the efforts currently underway to reform zoning and charts how land-use regulation might work in the post-zoning American city. Arbitrary Lines is an invitation to rethink the rules that will continue to shape American life--where we may live or work, who we may encounter, how we may travel. If the task seems daunting, the good news is that we have nowhere to go but up
India's fault lines run wide and deep. Some of them go back centuries, others are of comparatively recent origin. The myriad villains these fault lines have spawned include rapists, murderers, terrorists, prophets of religious hatred, corrupt politicians, upholders of abhorrent caste traditions, opponents of free speech and dissent, apologists for regressive cultural practices, and external adversaries who try to destabilize our borders. All of them are responsible for impeding the country's progress, destroying the lives of numberless innocents, usually the poorest and most vulnerable of our people, and besmirching the democratic, plural, free and secular nature of our society. Set against these enemies of our nation's promise are the heroic ones-the poor, illiterate woman who was gang-raped but helped change the nation's attitude towards women through her determined fight for justice; the young soldier whose courage and sacrifice in the high Himalayas was an inspiration to his comrades fighting the Kargil War; the wife whose husband was beheaded by Maoist terrorists, yet sought not revenge but succour for the poor and underprivileged; and the son of the village blacksmith who was lynched by a mob of religious fundamentalists appealing for an end to discord and sectarian violence. These stories, and dozens of others like them, map our country's fault lines. In this book, Barkha Dutt recounts the ones that have left an indelible mark on her. Taken together, they provide a vivid, devastating and unforgettable portrait of our unquiet land.
A gripping novel about a woman who sets out to find the father who left her years ago, and ends up discovering herself. When Eden was ten years old she found her father, David, bleeding on the bathroom floor. The suicide attempt led to her parents’ divorce, and David all but vanished from Eden’s life. Twenty years later, Eden runs a successful catering company and dreams of opening a restaurant. Since childhood, she has heard from her father only rarely, just enough to know that he’s been living on the streets and struggling with mental illness. But lately there has been no word at all. After a series of failed romantic relationships and a health scare from her mother, Eden decides it’s time to find her father, to forgive him at last, and move forward with her own life. Her search takes her to a downtown Seattle homeless shelter, and to Jack Baker, its handsome and charming director. Jack convinces Eden to volunteer her skills as a professional chef with the shelter. In return, he helps her in her quest. As the connection between Eden and Jack grows stronger, and their investigation brings them closer to David, Eden must come to terms with her true emotions, the secrets her mother has kept from her, and the painful question of whether her father, after all these years, even wants to be found. The result is an emotionally rich and honest novel about making peace with the past—and embracing the future.
A profoundly different way of looking the Israeli-Palestinian conflict Reporting from Jerusalem for The New York Times and Fox News respectively, Greg Myre and Jennifer Griffin, witnessed a decades-old conflict transformed into a completely new war. The West has learned a lot about asymmetrical war in the past decade. At the same time, many strategists have missed that the Israeli-Palestinian conflict has become one of them. This book shows the importance of applying these hard-won lessons to the longest running, most closely watched occupation and uprising in the world. The entire conflict can seem irrational -- and many commentators see it that way. While raising their own family in Jerusalem at the height of the violence, Myre and Griffin look at the lives of individuals caught up in the struggles to reveal how these actions make perfect sense to the participants. Extremism can become a virtue; moderation a vice. Factions develop within factions. Propaganda becomes an important weapon, and perseverance an essential defense. While the Israelis and the Palestinians have failed to achieve their goals after years of fighting, people on both sides are prepared to make continued sacrifices in the belief that they will eventually emerge triumphant. This book goes straight to the heart of the conflict: into the minds of suicide bombers and inside Israeli tanks. We hear from Palestinian informants who help the Israeli military track down and kill Palestinian militants. Israeli settlers in isolated outposts explain why they are there, and we hear the frustrations of a Palestinian farmer who has had his olive grove cut in half by Israel's security barrier Shows the important lessons that can be learned by viewing the Israeli-Palestinian conflict as an example of modern, asymmetrical war Authored by long-time reporters on the Middle East, the book provides a balanced and detailed look at the fighting based on first-hand experience and hundreds of interviews Explains how the landscape of the conflict changed and why the traditional approach to peacemaking is no longer valid With a new perspective on what's really going on in Israel and the Palestinian territories, The Familiar War is a book that will inform the debate on the Middle East and the future of the peace process, as well as our understanding of other conflicts around the world.
Through a comparative analysis of six case studies, this volume illustrates key conflict-resolution techniques for peacebuilding. Outside parties learn how to facilitate cooperation by engaging local leaders in intensive, interactive workshops. These opposing leaders reside in small, ethnically divided countries, including Burundi, Cyprus, Estonia, Guyana, Sri Lanka, and Tajikistan, that have experienced communal conflicts in recent years. In Estonia and Guyana, peacebuilding initiatives sought to ward off violence. In Burundi and Sri Lanka, initiatives focused on ending ongoing hostilities, and in Cyprus and Tajikistan, these efforts brought peace to the country after its violence had ended. The contributors follow a systematic assessment framework, including a common set of questions for interviewing participants to prepare comparable results from a set of diverse cases. Their findings weigh the successes and failures of this particular approach to conflict resolution and draw conclusions about the conditions under which such interactive approaches work, as well as assess the audience and the methodologies used. This work features research conducted in conjunction with the Working Group on Preventing and Rebuilding Failed States, convened by the Wilson Center's Project on Leadership and Building State Capacity.
Born in Scotland over 250 years ago, William Playfair was a dreamer who ñsaw the world differently from other people.î Unfortunately, this skill didnÍt easily translate into the fame and fortune he hoped for. In fact, it often got him into trouble with family, friends and bosses. But WillÍs innovative vision did inspire a big idea that would set him apart: he turned numbers into pictures by creating line graphs, bar graphs and pie charts! Numbers as pictures? ThereÍs an idea thatÍs off the charts!