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Style icon Aerin Lauder reveals what it means to live beautifully Extravagant and fun to be around, Estée Lauder, Aerin's grandmother, loved jewelry and chocolate-covered marshmallows. She adored flowers and rooms full of exuberant patterns. When Aerin was a child, weekend visits with Estée meant ice-cream-and-late-night-TV adventures and spending time together at her grandmother's dressing-room table with its intriguing lipsticks and creams. From an early age, Aerin understood that Estée's passion for family was equal to her love of beauty. Now, Aerin has made this legacy her own. For the first time, she shares memories of the family celebrations and world travel that formed her sense of style. Aerin opens the doors to her New York apartment, where on any given night she might host a relaxed dinner with firends under a vintage French chandelier or, just as often, an impromptu get-together for her sons. Aerin also reveals how she preserved Estée's heritage in her former Hamptons home while adding her own twists. The traditions Aerin has created in her own family--from pool parties with her sons to walks along the beach collecting sea glass to breezy summer lunches--blend elegance and fun in equal measure. Throughout this book, evocative photographs by Simon Upton show Aerin's world in inspiring detail and enhance Aerin's insights into surrounding oneself with beauty and family in every aspect of life.
Mary takes her "bendy," gooseneck lamp wherever she goes, much to the dismay of her parents and classmates, but after leaving it at home during summer camp, Mary finds that she has outgrown her need for her odd companion.
Brooklyn-based design studio Workstead masterfully combines traditional inspiration with contemporary elegance. Workstead designs one-of-a-kind interiors and pieces that balance beauty with necessity, and this book presents a special blend of their tour-de-force historic renovations and innovative yet elegant new constructions. Over the past decade, the multidisciplinary design firm has earned rapid and wide acclaim for both their residential interiors as well as for larger-scale projects, such as the Wythe Hotel in Brooklyn and the Rivertown Lodge in Hudson, New York. In all their projects, Workstead considers both clients and community, working with local artisans to create meticulously crafted modern interiors, architecture, and furniture designs inflected by history. As T: The New York Times Style Magazine put it, Workstead “are known as sophisticated pack rats who surround themselves with objects that have a story to tell,” and described their collective design philosophy as “a cozy, updated version of early Americana, with wood plank floors and a mix of vintage and refined custom-built furniture pieces that are almost Scandinavian in their restraint.”
Sixteen-year-old Molly Fraser works as a nurse with Florence Nightingale during the Crimean War to earn a salary to help her family survive in nineteenth-century England.
The Lamp Maker has a Dr. Seuss-like rhythm with a dash of Max Lucado charm that connects with young readers while its deep spiritual truths resonate with adults and children alike. In this story, the Lamp Maker represents the Almighty God who created all mankind to shine with the light of Christ. A powerful and relevant metaphor, this charming story encourages those who hear it to respond to Jesus and to let His light shine through them. This heirloom book features a letter to The Lamp Maker on the back page that allows the reader to commemorate the start of their relationship with Christ, with their name and date. Whether it's the need for a light bulb, to be plugged into the power, or the reminder to stop using one's "free-will switch" to shut off the Lord's light, this book challenges everyone who hears it to respond to Jesus.
Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.