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A wholly new collection of Lamoille Stories from Vermont author, Bill Schubart. Many of the original characters in the 2008 edition like Jeeter, Pete, Theron and Lila are back in this new set of stories. · Hiding his beer from his wife, Willy discovers that if he buries a 12 oz. bottle of Old Fitzgerald beer in the woods, in time it’ll grow into a quart. · Auctioneer, Art Messier, comes unhinged when, at the end of his auction, his nemesis Pete and his boys bid up the value on an end-lot box of junk. · David unwillingly discovers the mysteries of the female sex when he loses his VW keys. · Eugenie raises pigs, but ever since childhood has dreaded the chaos of slaughter, until she cooks up the ultimate anesthetic send-off for her pets. · After 60 years of marriage, Theron’s wife Lila succumbs to diabetes on their farm. Theron defies local funeral traditions and, with the help of his friend Dr. Phil, lays Lila to her final rest. “Lamoille Stories II” extends Bill Schubart’s collection of rural Vermont tales – some uproarious, some heartbreaking – about the characters that enriched his early years there.
A humorous short-story collection based on real people and events from the fifties in a small agrarian town in Northern Vermont. - the misdeeds, tricks and eccentricities of rural Vermonters are told by one who experienced them. A perennial best seller.
It seems that everywhere an author turns, someone is waving their hands and yelling "Over here! We've got the best publishing deal for you over here!"So how do you choose what's best for your career, your book, and your wallet?Should you start your own publishing company? What's involved with that? Is it wise financially to stick with the traditional publishing route? Are electronic books a better way to go than books on paper? What about those companies that market themselves as self-publishers? Are they a good deal?And what if you simply want to make books to give to your family and friends? What's the best way to do that?Author and publishing professional Sonja Hakala maintains that there is no one-size-fits-all-authors way to publish a book. Different circumstances, different budgets, and different publishing goals call for unique strategies.Based on her workshops and extensive one-on-one work with authors, Sonja has put together a book that shines a bright light on the career and financial advantages and disadvantages of all the major publishing options for contemporary writers, including: Independent publishing. Private publishing. Self-publishing companies. Traditional publishing. Electronic publishing.There is no other book that gives you all of this information in one place. There is no other book that guides you to the best publishing choice for your work, your wallet, and you.Join Sonja Hakala as she guides you through the publishing jungle to success. She hasn't lost an author yet!
The Priest follows a working class altar boy's decision to become a Catholic priest, and explores the struggle many boys have becoming men, especially around sexuality. Pierre finds safety within the vocational confines and celibacy of his Catholic faith, only then to be astonished as he experiences life vicariously in the shadow of the confessional. Ultimately, he must confront his own emerging sexuality in the real world and reconcile the inevitable collision between the security of doctrine and the risks of being human - all of which takes him to a surprising place.
Nadine Hoover was sighted at birth and blinded by the drunken doctor bringing her into the world. The daughter she had herself as a teenager by a foster father who raped her became her greatest friend and comfort and Nadine kept her close until she died. Nadine renamed herself “Baybie” when she and her friend Virginia Brown moved to the streets of New York City where, she became a licensed minister and founded her church in an abandoned apartment in Brooklyn. If you lived in Manhattan and ever shopped at Bloomingdale’s in the late 60’s and early 70s, you met Baybie and Virginia singing there by the main entrance.
This collection of fifty outlaw tales includes well-knowns such as Butch Cassidy and the Sundance Kid, Frank and Jesse James, Belle Starr (and her dad), and Pancho Villa, along with a fair smattering of women, organized crime bosses, smugglers, and of course the usual suspects: highwaymen, bank and train robbers, cattle rustlers, snake-oil salesmen, and horse thieves. Men like Henry Brown and Burt Alvord worked on both sides of the law either at different times of their lives or simultaneously. Clever shyster Soapy Smith and murderer Martin Couk survived by their wits, while the outlaw careers of the dimwitted DeAutremont brothers and bigmouthed Diamondfield Jack were severely limited by their intellect, or lack thereof. Nearly everyone in these pages was motivated by greed, revenge, or a lethal mixture of the two. The most bloodthirsty of the bunch, such as the heartless (and, some might argue, soulless) Annie Cook and trigger-happy Augustine Chacón, surely had evil written into their very DNA.
Panhead is an exploration of hill farm life in Vermont in the sixties. Paul and Glenda are growing up on a small hill farm. Their lives change when they leave for college and change yet again when Paul returns home to help his father keep the farm. Paul's trip home raises the question of when life is worth living and when it stops being so.
In this second edition of their classic text, Klyza and Trombulak use the lens of interconnectedness to examine the geological, ecological, and cultural forces that came together to produce contemporary Vermont. They assess the changing landscape and its inhabitants from its pre-human evolution up to the present, with special focus on forests, open terrestrial habitats, and the aquatic environment. This edition features a new chapter covering from 1995 to 2013 and a thoroughly revised chapter on the futures of Vermont, which include discussions of Tropical Storm Irene, climate change, eco-regional planning, and the resurgence of interest in local food and energy production. Integrating key themes of ecological change into a historical narrative, this book imparts specific information about Vermont, speculates on its future, and fosters an appreciation of the complex synergy of forces that shaped this region. This volume will interest scholars, students, and Vermonters intrigued by the state's long-term natural and human history.
What if society looked at addiction without judgement? Unstitched shares the powerful story of one librarian’s quest to understand the impact of addiction fed by stigma and inevitable secrecy. The opioid epidemic has hit people in communities large and small and across all socio-economic classes. What should each of us know about it, and do about it? Unstitched moves readers from feelings of helplessness and blame into empathy, ultimately helping friends, family, and community members separate the disease of addiction from the person underneath. A stranger, rumored to be a heroin addict, repeatedly breaks into the small-town library Brett Ann Stanciu runs. After she tries to get law enforcement to take meaningful action against him—elementary school children and young parents with babies frequent the place after all—he dies by suicide. When she realizes how little she knows about opioid misuse, she sets out on a mission, seeking insight from others, such as people in recovery, treatment providers, the town police chief, and Vermont's US attorney. Stanciu’s journey leads to compassionate generosity, renewed faith, and ultimately a measure of personal redemption as she realizes she has a role to play in helping the people of her community stitch themselves back together.
Schubart tackles the difficult subject of people and their relationship with food. The 14 stories he tells are by turns poignant and evocative, touching on all facets of obesity-addictive behavior, the pressure of prejudice, and the intimate psychological development of people for whom food becomes both companionship and family.