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In this parable-like short story from American author James Fenimore Cooper, a sage Native American relates the tragic tale of a young upstart named See-wise who bucks tribal tradition and tries to convince his fellow fisherman to flout seasonal restrictions on fishing. For this transgression, he is doomed to an eternal punishment.
"The Lake Gun" by James Fenimore Cooper. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The Lake Gun is a satirical short story by James Fenimore Cooper fi rst published in 1850. The title of the story comes from a mysterious loud exploding sound coming from Seneca Lake, called “The Lake Gun” by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.
James Fenimore Cooper was a prolific and popular American writer of the first half of the 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. This volume contains Cooper’s novel and some of his short stories. "The Spy" was Cooper's second novel, published in 1821. The action takes place during the American Revolution. Garvey Birch is a modest American who pretends to be a regular peddler, but in fact collecting military information for the Continental Army in territory controlled by British army. "The Lake Gun" is a satirical short story named after the mysterious loud exploding sound coming from Seneca Lake, called The Lake Gun by European American settlers to the area, and known today as the Seneca Guns. These sounds remain unexplained to this day, with no clear or agreed-upon cause.
David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.
This Is A New Release Of The Original 1886 Edition.
What does it mean to claim your space in a world that’s ending? Sarah M. Sala’s Devil’s Lake breaks open the American moment of unchecked gun violence, climate changes, and the growing rift between "us" and "them" with formal daring. Like a prism, this startling debut fractures into shades of possibility and memory, queering science, nature, and form to lay bare the colors of joy despite a world that seems intent on its destruction.
How do people live in a country that has experienced rebellions and state-organised repressions for decades and that is still marked by routine forms of violence and impunity? What do combatants do when they are not mobilised for war? Drawing on over ten years of fieldwork conducted in Chad, Marielle Debos explains how living by the gun has become both an acceptable form of political expression and an everyday occupation. Contrary to the popular association of violence and chaos, she shows that these fighters continue to observe rules, frontiers and hierarchies, even as their allegiances shift between rebel and government forces, and as they drift between Chad, Libya, Sudan and the Central African Republic. Going further, she explores the role of the globalised politico-military entrepreneurs and highlights the long involvement of the French military in the country. Ultimately, the book demonstrates that ending the war is not enough. The issue is ending the 'inter-war' which is maintained and reproduced by state violence. Combining ethnographic observation with in-depth theoretical analysis, Living by the Gun in Chad is a crucial contribution to our understanding of the intersections of war and peace.