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This book is another effort to return to society, some of the wisdom gleaned from living life. The purpose is to guide men into their diving order, without "religious" implications. "Gentlemen Only Ladies Forbidden" is a serious but candid look at the real life through the rigors of the game of golf. May God receive a hundredfold on his investment.
I will not say I am from the streets, but my parents, on the other hand, were all from the good streets of our hometown, Evanston, where we learned to read and write just to join gangs and fight, stay out, be another teen dropout, or keep going to monthly court dates from selling drugs all night. Our hometown, Evanston, was more like living that Chicago life. But walking in my shoes at another view, I was in a private school. They made me kinda book smart, learning different types of information as a younger fool, reading letters out of the encyclopedia, and learning words I didn’t know, which I look up in a dictionary.
A celebration of the exciting future and explosive growth taking place in women's golf-a powerful mix of hope, perspective, insight and humor for the fastest-growing segment of the game.
It is a great truism of golf that the game cannot be learnt from a book. Yet it is equally true that there are some things every golfer must know before setting foot on the course, lest he risk making an utter ass of himself. These are things your local golf pro can't or won't tell you: the unwritten rules of golf. This humble little volume gathers together a collection of the wisest counsel and advice on the Noble Sport in all its forms. Whether you are making up a friendly foursome with your choicest cronies or entering into a vicious fight for this year's club cup, G.O.L.F. will ensure you come off with top honours even when the odds are against you.
The Happy Endings Book Club Boxed Set Books 4-6 includes three full-length novels: Formal Arrangement, Bad Boy Done Wrong, and Mess With Me. Join the club and get your happy ending! Formal Arrangement Lauren Bishop has her whole summer planned out—working as a nanny for a desperate single dad and finding the elusive Mr. Right. She even signed up for the local matchmaking guru’s Make Love Bloom (TM) service end-of-summer guarantee! But somehow her plans got derailed because now she finds herself longing for her emotionally unavailable employer. When his two-year-old’s molars turn his little sunshine into a demon from hell, single dad Alex Campbell finds himself longing for the simpler days of teddy bear picnics. This is a parenting nightmare! Then sweet Lauren drops into their life like an angel sent from above. Alex doesn’t do relationships, which is why he turns down every woman who comes his way, but he can’t afford to lose this nanny. Can he convince her to stay even though she’s looking for the one thing he can’t give her? Bad Boy Done Wrong Good girl nurse Carrie Young only has to catch one glimpse of bad boy Zach Harrison with his wild hair, full beard, and hooded eyes to know he’s exactly what she needs to get over all those wasted years with a repressed and controlling ex. Full seduction ahead! Only the next morning, her bad boy doesn’t disappear after having his wicked way with her and he’s making her breakfast! What the fudge! Did she do the bad boy thing all wrong? Zach’s no dummy. He knows a good thing when it falls into his lap. And if that means pretending to be a bad boy, he’s game. No harm in a little role play, he figures. Besides, his work as an anthropologist will soon take him overseas. He’s destined to be a lone wolf forever—near the action, not embroiled in it—great for his career and for ruining relationships. In the meantime, there’s one naughty girl in need of a bad boy and he aims to please. Mess With Me Ally Bloom attends her college reunion on a mission—a second chance with her first love. Turns out he’s single and…not interested. Their love is doomed! But when Ethan Case, the sexy cop friend of a friend, finds her crying in her spiked punch, he invites her for coffee with his date. Knowing he’s taken and she doesn’t need to impress him, Ally blurts the entire sucky men saga that is her love life. But wait! There he is at her Happy Endings Book Club meeting. And pulling her over for speeding. And in her classroom to talk to the kids about safety. Is the man just messing with her, or is this the beginning of something real? The Happy Endings Book Club series continues with Book 7, Resisting Fate, plus more! Happy Endings Book Club Series Hidden Hollywood (Book 1) Inviting Trouble (Book 2) So Revealing (Book 3) Formal Arrangement (Book 4) Bad Boy Done Wrong (Book 5) Mess With Me (Book 6) Resisting Fate (Book 7) Chance of Romance (Book 8) Wicked Flirt (Book 9) An Inconvenient Plan (Book 10) A Happy Endings Wedding (Book 11) For more humorous contemporary romance, check out all of Kylie's books! The Clover Park Series The Opposite of Wild (Book 1) Daisy Does It All (Book 2) Bad Taste in Men (Book 3) Kissing Santa (Book 4) Restless Harmony (Book 5) Not My Romeo (Book 6) Rev Me Up (Book 7) An Ambitious Engagement (Book 8) Clutch Player (Book 9) A Tempting Friendship (Book 10) Clover Park Bride: A Clover Park Short - Nico and Lily’s Wedding A Valentine’s Day Gift (Book 11) Maggie Meets Her Match (Book 12) Clover Park STUDS Series Almost Over It (Book 1) Almost Married (Book 2) Almost Fate (Book 3) Almost in Love (Book 4) Almost Romance (Book 5) Almost Hitched (Book 6) The Rourkes Series Royal Catch (Book 1) Royal Hottie (Book 2) Royal Darling (Book 3) Royal Charmer (Book 4) Royal Player (Book 5) Royal Shark (Book 6) Rogue Prince (Book 7) Rogue Gentleman (Book 8) Rogue Rascal (Book 9) Rogue Angel (Book 10) Rogue Devil (Book 11) Rogue Beast (Book 12) Keywords: contemporary romance, romantic comedy, chick lit, funny romance, humorous romance, humorous fiction, women's fiction, small town romance, series romance, series, clover park, happy endings book club series, romance, romantic, family life, dating, boxed set, box set, romance boxed set, anthologies, romance anthologies, humor, marriage, love, family life, friendship, Kylie Gilmore, USA Today bestselling author, sagas, romantic comedy series, friends to lovers romance, steamy romance, romance series, romance books, smart romance, hot romance, kylie gilmore romance, beach read, romcom, long romance series, quirky romance
"William Herbert (1580-1630), third earl of Pembroke, and Lady Mary Wroth (1587?-1653?) were first cousins, the nephew and niece of Sir Philip Sidney, whose family was one of remarkable literary and political importance. Herbert was a poet, a voluminous letter writer, and one of the Jacobean court's richest and most powerful courtiers and politicians. Wroth was arguably the most important woman writer of the period; she authored the first Petrarchan poetic sequence, the first prose romance, and one of the first plays in English by a woman. In addition to their connections as cousins and as writers, they were lovers and the parents of two illegitimate children." "The Sidney Family Romance is both a "cultural biography" and a symptomatic reading of the sexual and textual relationships of Herbert and Wroth. Waller's analysis of their letters and literary works relies on a variety of critical apparatuses - social history, current political and social theories of the Jacobean period, and most notably (feminist) psychoanalytic theory. In both his biographical information and interpretive comments, Waller focuses on subject construction and gender construction of the early modern period, to find that Herbert's poems proceed from his life at court to engage in the gender politics of Petrarchan poetry, while Wroth's work proceeds from her disempowered position to project a desire for an autonomy which would lead to mutuality between the sexes." "Waller tries to find ways of analyzing the "inner lives" of his subjects, in the absence of direct evidence, and with a paucity of documentation. He examines historical documents, including the writings of the two cousins, and recent historical research, along with contemporary studies of family interactions and gender construction and detailed case histories drawn from nearly a century of clinical and therapeutic studies. The author concludes with a discussion of the crisis of gender in the seventeenth century as a contemporary crisis as well." "Family history has long been central to Renaissance studies. The Sidney Family Romance proceeds far beyond any previous works in bringing to bear the very rich and complicated network of ideas, observations, and literary images in the works of Herbert and Wroth."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon-formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved. It is widely accepted among literary scholars that canon-formation began in the eighteenth century when scholarly editions and critical treatments of older works, designed to educate readers about the national literary heritage, appeared for the first time. In The Making of the English Literary Canon Trevor Ross challenges this assumption, arguing that canon- formation was going on well before the eighteenth century but was based on a very different set of literary and cultural values. Covering a period that extends from the Middle Ages to the institutionalisation of literature in the eighteenth century, Ross's comprehensive history traces the evolution of cultural attitudes toward literature in English society, highlighting the diverse interests and assumptions that defined and shaped the literary canon. An indigenous canon of letters, Ross argues, had been both the hope and aim of English authors since the Middle Ages. Early authors believed that promoting the idea of a national literature would help publicise their work and favour literary production in the vernacular. Ross places these early gestures toward canon-making in the context of the highly rhetorical habits of thought that dominated medieval and Renaissance culture, habits that were gradually displaced by an emergent rationalist understanding of literary value. He shows that, beginning in the late seventeenth century, canon-makers became less concerned with how English literature was produced than with how it was read and received. By showing that canon-formation has served different functions in the past, The Making of the English Literary Canon is relevant not only to current debates over the canon but also as an important corrective to prevailing views of early modern English literature and of how it was first evaluated, promoted, and preserved.
Drunkcow landmines are wickedly-unusual-but-oddly-believable stories that have been passed along by someone who believes the story to have happened to a friend of a friend.
While most research on inequality focuses on impoverished communities, it often ignores how powerful communities and elites monopolize resources at the top of the social hierarchy. In Privilege at Play, Hugo Ceron-Anaya offers an intersectional analysis of Mexican elites to examine the ways affluent groups perpetuate dynamics of domination and subordination. Using ethnographic research conducted inside three exclusive golf clubs and in-depth interviews with upper-middle and upper-class golfers, as well as working-class employees, Ceron-Anaya focuses on the class, racial, and gender dynamics that underpin privilege in contemporary Mexico. His detailed analysis of social life and the organization of physical space further considers how the legacy of imperialism continues to determine practices of exclusion and how social hierarchies are subtlety reproduced through distinctions such as fashion and humor, in addition to the traditional indicators of wealth and class. Adding another dimension to the complex nature of social exclusion, Privilege at Play shows how elite social relations and spaces allow for the resource hoarding and monopolization that helps create and maintain poverty.