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NOW A NATIONAL INDIE BESTSELLER A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street...” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young. “Transporting...witty, poignant and sparkling.” —People (People Picks Book of the Week)
“Never before has the delight and wonder experienced in young love, in which is implicit physical discovery, been conveyed with such touching honesty or with rhapsody so involving unconscious pathos. Those who seek to drag any honest writing through the gutters of their own minds will do the same with this. Those who are not afraid of the strange miracle of life will understand this brave verse.” —William Rose Benét
Headstrong American heiress Lillian Bowman has come to England to find an aristocratic husband. Unfortunately, no man is strong enough to tame the stubborn beauty's fierce will. Except, perhaps, the powerful and arrogant Earl of Westcliff—a man Lillian despises more than anyone she's ever met. Marcus, Lord Westcliff, is famous for his icy English reserve and his supreme self-control. But something about the audacious Lillian drives him mad. Whenever they're in the same room, they can't stop themselves from battling furiously to gain the upper hand. Then one afternoon, a stunningly sensuous encounter changes everything . . . and Lillian discovers that beneath the earl's reserved façade, he is the passionate and tender lover of her dreams. What neither Westcliff nor Lillian suspect, however, is that a sinister conspiracy threatens to destroy any chance of happiness. After a shocking betrayal endangers Lillian's safety—and possibly her life—will Marcus be able to save her before it's too late?
First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.
This is a tale about love which parodies and depicts French society in the period of the Bourbon Restoration. It concerns the affection — emotionally vibrant but never consummated — between Félix de Vandenesse and Henriette de Mortsauf.