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Nearly five hundred years after her violent death, Anne Boleyn, second wife to Henry VIII, remains one of the world's most fascinating, controversial, and tragic heroines. Now acclaimed historian and bestselling author Alison Weir has drawn on myriad sources from the Tudor era to give us the first book that examines, in unprecedented depth, the gripping, dark, and chilling story of Anne Boleyn's final days. The tempestuous love affair between Henry VIII and Anne Boleyn scandalized Christendom and altered forever the religious landscape of England. Anne's ascent from private gentlewoman to queen was astonishing, but equally compelling was her shockingly swift downfall. Charged with high treason and imprisoned in the Tower of London in May 1536, Anne met her terrible end all the while protesting her innocence. There remains, however, much mystery surrounding the queen's arrest and the events leading up to it: Were charges against her fabricated because she stood in the way of Henry VIII making a third marriage and siring an heir, or was she the victim of a more complex plot fueled by court politics and deadly rivalry? The Lady in the Tower examines in engrossing detail the motives and intrigues of those who helped to seal the queen's fate. Weir unravels the tragic tale of Anne's fall, from her miscarriage of the son who would have saved her to the horrors of her incarceration and that final, dramatic scene on the scaffold. What emerges is an extraordinary portrayal of a woman of great courage whose enemies were bent on utterly destroying her, and who was tested to the extreme by the terrible plight in which she found herself. Richly researched and utterly captivating, The Lady in the Tower presents the full array of evidence of Anne Boleyn's guilt—or innocence. Only in Alison Weir's capable hands can readers learn the truth about the fate of one of the most influential and important women in English history. BONUS: This edition contains a The Lady in the Tower discussion guide and an excerpt from Alison Weir's Mary Boleyn.
Spring 1540 I am afraid. You are in grave danger. Mother, will you run away with me if I can free you? The servants call it the Lady Tower: the isolated part of the castle where Eleanor's mother is imprisoned after a terrible accusation. For four years Eleanor's only comfort has been their secret notes to one another. A chance discovery reveals a plot to murder her mother. Now Eleanor must free her before it is too late. But with danger and betrayal at every turn, she can trust no one. Especially not her father. Eleanor must use all her cunning to survive. For she soon realises that it is not just her mother she needs to save . . . but also herself.
One of history’s most complex and alluring women comes to life in this classic novel by the legendary Jean Plaidy. Young Anne Boleyn was not beautiful but she was irresistible, capturing the hearts of kings and commoners alike. Daughter of an ambitious country lord, Anne was sent to France to learn sophistication, and then to court to marry well and raise the family’s fortunes. She soon surpassed even their greatest expectations. Although his queen was loving and loyal, King Henry VIII swore he would put her aside and make Anne his wife. And so he did, though the divorce would tear apart the English church and inflict religious turmoil and bloodshed on his people for generations to come. Loathed by the English people, who called her “the King’s Great Whore,” Anne Boleyn was soon caught in the trap of her own ambition. Political rivals surrounded her at court and, when she failed to produce a much-desired male heir, they closed in, preying on the king’s well-known insecurity and volatile temper. Wrongfully accused of adultery and incest, Anne found herself imprisoned in the Tower of London, where she was at the mercy of her husband and of her enemies.
‘A fascinating portrait of the women who helped make a dynasty’ The Times ‘Bewitching’ Woman & Home ‘Evocative’ Woman’s Weekly
Published in 1999, the ten essays in this collection identify and examine reworkings of identifiable source texts from the medieval or Renaissance periods. The reasons for the modern adaptations depend variously on an individual author’s personal perspectives, the worldview of his or her society, and the individual’s place in it. The various chapters therefore address issues such as why a particular model was chosen and how its retelling depends on the modern author/auteur’s misreading or rereading of medieval chivalric conventions. This book compliments numerous existing studies of medievalism in the Enlightenment and Victorian eras by examining more recent adaptations of the much studied Arthurian romances, but primarily extends the discussion on the nature of revivals to other medieval or Renaissance chivalric texts, especially the Carolingian cycle epic. The collection includes not only literary retellings of medieval texts, but also some in different media, such as theatre and cinema.