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What really counts in this life? For the writer, Alexander McCall Smith, it is friendship and love – themes that crop up time and again in his novels. And it is these themes that he explores in this collection of poems. In this book, divided into nine sections, the author takes you on a journey across the globe from Africa to Greece, London to Mumbai, and back home to Edinburgh. In a Time of Distance is a captivating celebration of place and people, but also of animals and books. Looking at the world through the lens of this writer it is a better, more humane place. Throughout these poems there are moments of swoop and soar, descriptions that will make you laugh and realign your view. In this collection, Alexander McCall Smith reminds us to look at the world differently, to stop once in while and look up at the sky.
Spanning the centuries from Sappho's Greece to tenth-century Japan, from nineteenth-century Chile to Zindziswa Mandela's twentieth-century South Africa, the voices of these women poets express themes of love, injustice, motherhood, and loss, and the oppressions of race and sex. The sequence of the poems moves from youth to old age, and they bear witness to the triumphs as well as the pain and frustration of women in many times and in many places. Among the many poets whose work is included are Anna Akhmatova, Maya Angelou, Judith Kazantzis, Gabriela Mistral, Marge Piercy, Irina Ratushinskaya and Alice Walker. Illona Linthwaite began gathering this collection several years ago, initially for a theatrical performance. Here, in this unique exchange between women of many races, affirming their differences and what they have in common, are more than 150 poems which assert the black abolitionist Sojourner Truth's challenge, "Ain't I a Woman!" In addition to the poems, there are biographies of the 91 contributors.
This collection of poems explores a number of interesting topics from Ninjas and Shoguns, to Robin Hood, Britain's Got Talent, to poems on Nature, Elvis Presley, the Piccadilly Line and the History of London.Warren Brown has been writing Poetry since the age of Eighteen and has published a number of his poems in magazines, newspapers, blogs,poetry.com and in the Anthology of Poetry, published by the Watermark Press, USA.Warren enjoys writing poems and has also tried his hand at writing a variety of verse, from the Limerick to the Clerihew. In a number of his poems, Warren likes to narrate a story, while creating a character and a situation, using powerful word imagery.The Reader will find the poems of Warren Brown to be both inspiring and educational, with a lot of positive expressions related to life, the nature of man, the growth of the person, the development of society, in our Modern Age and the evolution of the human race.
"A powerful meditation on grief and the radiating effects of violence against women. "Because it is easier to miss a stranger / with your mother's name," Allison Benis White instead writes about five women named Wendy as a way into the complex grief that still lingers after the death of a sixth Wendy, the author's long-absent mother. A series of epistolary poems addressed to Wendy O. Williams becomes an occasion for the speaker to eulogize as well as reflect on the singer's life and eventual suicide: "What kind of love is death, I'm asking?" In the section devoted to Wendy Torrance, the fictional wife from The Shining who was bludgeoned to death by her husband, the speaker muses on the inadequacy of language to resolve or even contain grief in the wake of trauma: "A book is a coffin. Hoarsely. A white sheet draped over the cage of screaming." Ultimately, The Wendys is a book of silences and space in which tenderness and violence exist in exquisite tension. "If to speak is to die," Benis White writes in "Ignis Fatuus," "I will whisper.""--
An Ancient Collection Reimagined Composed around the Buddha’s lifetime, the Therigatha (“Verses of the Elder Nuns”) contains the poems of the first Buddhist women: princesses and courtesans, tired wives of arranged marriages and the desperately in love, those born into limitless wealth and those born with nothing at all. The original authors of the Therigatha were women from every kind of background, but they all shared a deep-seated desire for awakening and liberation. In The First Free Women, Matty Weingast has reimagined this ancient collection and created a contemporary and radical adaptation that takes the essence of each poem and highlights the struggles and doubts, as well as the strength, perseverance, and profound compassion, embodied by these courageous women.
Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.
A dazzling debut collection of raw and explosive poems about growing up in a sexist, sensationalized world, from a thrilling new feminist voice. i’m a good girl, bad girl, dream girl, sad girl girl next door sunbathing in the driveway i wanna be them all at once, i wanna be all the girls I’ve ever loved —from “Girl” Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim? In precise, searing language, she illustrates how what happens to our bodies can make us who we are. Praise for Life of the Party “Delicately devastating, this book will make us all ‘feel less alone in the dark.’ ”—Miel Bredouw, writer and comedian, Punch Up the Jam “Gatwood writes about the women who were forgotten and the men who got off too easy with an effortlessness and empathy and anger that yanked every emotion on the spectrum out of me. Imagine, we get to live in the age of Olivia Gatwood. Goddamn.”—Jamie Loftus, writer and comedian, Boss Whom Is Girl and The Bechdel Cast “I’ve read every poem in Life of the Party. I’ve read each of them more than once. In some parts of the book the spine is already breaking because I’ve spent so much time poring over it and losing hours in this world Olivia Gatwood has partly created, but partly just invited the reader to enter on their own, caution signs be damned. This book is enlightening, inspiring, igniting, and f***ing scary. I loved every word on every page with a ferocity that frightened me.”—Madeline Brewer, actress, The Handmaid’s Tale, Orange Is the New Black, and Cam
This exceptional collection contains a rich cross-section of Lawrence's work, including the title poem, "A Collier's Wife," "Monologue of a Mother," "Fireflies in the Corn," and several others.