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A vanished corpse leads a hard-drinking PI on a madcap chase More than forty corpses fill the cold Chicago basement, but no crime has been committed here. After all, there are supposed to be bodies in the city morgue. Tonight, one is attracting particular attention: a beautiful young woman whose apparent suicide captured the imagination of every newspaper editor in town. Learning how and why she died is too great a task for any cub reporter. Only Detective Bill Crane is up to the job. A few minutes after Crane wakes from a nap in the morgue, the mysterious woman’s body has disappeared. With the howls of the mental patients as a soundtrack, Crane leads the police on a wild search through the hospital and across Chicago, stopping for a nap or a cocktail whenever the situation demands. It may be a matter of life and death, but that is no reason to rush.
"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
In this true story—a haunting saga of medical murder set in an era of steamships and gaslights—Gregg Olsen reveals one of the most unusual and disturbing criminal cases in American history. In 1911 two wealthy British heiresses, Claire and Dora Williamson, arrived at a sanitorium in the forests of the Pacific Northwest to undergo the revolutionary “fasting treatment” of Dr. Linda Burfield Hazzard. It was supposed to be a holiday for the two sisters, but within a month of arriving at what the locals called Starvation Heights, the women underwent brutal treatments and were emaciated shadows of their former selves. Claire and Dora were not the first victims of Linda Hazzard, a quack doctor of extraordinary evil and greed. But as their jewelry disappeared and forged bank drafts began transferring their wealth to Hazzard’s accounts, the sisters came to learn that Hazzard would stop at nothing short of murder to achieve her ambitions.
Thirtysomething ex-cop-turned-P.I. Cal Corwin faces her most puzzling murder case yet. When a friend of a friend dies in suspicious circumstances, the police believe it's open-and-shut. As Cal digs deeper to get to the bottom of the mystery, she finds herself a target for those who want the truth dead and buried.
They’ll never see her coming. . . . When Evangeline Stone wakes up naked and bruised on a cold slab at the morgue—in a stranger’s body, with no memory of who she is and how she got there—her troubles are only just beginning. Before that night she and the two other members of her Triad were the city’s star bounty hunters, mercilessly cleansing the city of the murderous creatures living in the shadows, from vampires to shape-shifters to trolls. Then something terrible happened that not only cost all three of them their lives but also convinced the city’s other Hunters that Evy was a traitor—and she can’t even remember what it was. Now she’s a fugitive, piecing together her memory, trying to deal some serious justice—and discovering that she has only three days to solve her own murder before the reincarnation spell wears off. Because in three days Evy will die again—but this time there’s no second chance. . . .
A reporter becomes his own story when he wakes up next to a corpse Sam Clay wakes with a dry mouth, a hammering headache, and only the faintest memory of what he did the night before. He remembers dancing, jazz, taxi rides, and a brandy-fueled ride on a roller coaster, but he has no idea how he got home, and he is lost as to the identity of the straw-haired beauty beside him. He is just about to introduce himself when he notices the blood on the sheets, the wounds on her chest, and the ice-cold pallor of her skin. His bedmate is dead. Clay is a newspaperman, and sharp enough to know that he is being framed. But by whom? Clay will have to stay two steps ahead of the cops to track down this story, which will lead him either to the scoop of a lifetime or to a long nap in a cold grave.
Just days from meeting the reaper, a convicted murderer hires Chicago’s most hard-boiled PI to save his neck—before the executioner can claim it Robert Westland’s death is just around the corner when he finally decides to fight the murder rap that’s sending him to the electric chair. Fingered for his wife’s grisly demise, Westland is in a bind, and his last hope is Bill Crane, a booze-soaked detective who’s as ruthless with a quip as he is when trawling the streets for Chicago’s most brutal criminal element. Crane’s got just a few days to suss out the real killer—someone clever enough to off Westland’s wife and lock her in a room whose only key belongs to Westland himself. Fueled by an abundance of liquor and a habit of bad manners, Crane sets his sights on a cast of oddball characters among whom hides a murderer. But in 1930s Chicago, everyone’s got a secret, and the pressure is on for Crane to separate the dangerous from the truly homicidal before it’s too late.
This companion volume to Mystery Movie Series of 1940s Hollywood (McFarland, 2010) focuses on 22 series and 167 individual films, primarily released during the 1930s. It was a decade that featured some of the most famous cinema detectives of all time, among them Charlie Chan, Nick and Nora Charles, Philo Vance, Nancy Drew, and such lesser known but equally entertaining figures as Hildegarde Withers, Torchy Blane, Mr. Moto, Mr. Wong, and Brass Bancroft. Each mystery movie series is placed within its historical context, with emphasis on its source material and the changes or developments within the series over time. Also included are reviews of all the series' films, analyzing the quality and cohesiveness of the mystery plotlines. For titles based on literary sources, a comparison between the film and the written work is provided.
While Universal's Dracula and Frankenstein (both 1931) have received the most coverage of any of the studio's genre releases, it is the lesser known films that have long fascinated fans and historians alike. Starting with The Last Warning, a 1929 movie released as both a silent and a talkie, Universal provided a decade of films that entertained audiences and sometimes frustrated critics. Each of Universal's horror, science fiction and "twisted mystery" films receives an in-depth essay for each film. The focus is first on the background to the making of the movie and its place in the Universal catalog. A detailed plot synopsis with critical commentary follows. Filmographic data for the film conclude the entry. Universal's The Shadow short film series is covered in an appendix. Many rare illustrations and movie posters are also included.