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'Violette Leduc's novels are works of genius and also a bit peculiar' Deborah Levy, from the introduction An old woman lives alone in a tiny attic flat in Paris, counting out coffee beans every morning beneath the roar of the overhead metro. Starving, she spends her days walking around the city, each step a bid for recognition of her own existence. She rides crowded metro carriages to feel the warmth of other bodies, and watches the hot batter of pancakes drip from the hands of street-sellers. One morning she awakes with an urgent need to taste an orange; but when she rummages in the bins she finds instead a discarded fox fur scarf. The little fox fur becomes the key to her salvation, the friend who changes her lonely existence into a playful world of her own invention. The Lady and the Little Fox Fur is a stunning portrait of Paris, of the invisibility we all feel in a big city, and ultimately of the hope and triumph of a woman who reclaims her place in the world. 'A moving, beautiful and authentic classic. We must be grateful to the Penguin European Writers series, a precious venture in these dark times, for bringing it back to us.' John Banville, Booker prize-winning author of The Sea 'The great French feminist writer we need to remember' Guardian
In Lady into Fox, Silvia Tebrick, the 24-year-old wife of Richard Tebrick, suddenly becomes a fox while they are out walking in the woods. Mr. Tebrick sends away all the servants in an attempt to keep Silvia's new nature a secret, although Silvia's childhood nurse returns. While Silvia initially acts human, insisting on wearing clothing and playing piquet, her behavior increasingly becomes that characteristic of a vixen, causing the husband a great deal of anguish. Eventually, Mr. Tebrick releases Silvia into the wild, where she gives birth to five kits, whom Tebrick names and plays with every day. Despite Tebrick's efforts to protect Silvia and her cubs, she is ultimately killed by dogs during a fox hunt. Tebrick, who tried to save Silvia from the dogs, is badly wounded, but eventually recovers. In A Man in the Zoo, Josephine Lackett and John Cromartie walking around London Zoo. They had been dating for some time and John was keen to marry Josephine but they are having an argument about it as her father didn’t approve, presumably due to the lack of money on John’s behalf. Josephine Lackett and John Cromartie walking around London Zoo as they were wont to do on a pleasant weekend. He wants them to be married regardless, but she is reluctant to fall out with her family. Exasperated, John compares his situation with the caged animals they are viewing and decides to join them as an exhibit. John’s proposal is accepted by the Zoo’s Board, and he packs his bags and takes up residence in a new cage in the Ape-house.
A beloved wife is unaccountably transformed into a fox in this modern folktale. Humor, fantasy, allegory, and realism combine in a portrait of a husband's devotion and a woman's struggle to maintain her humanity.
Who would have thought that the Blessed Mother would choose to come to Fatima, that remote farming village on a rocky slope in Portugal? No one was more surprised than Lucia, Jacinta, and Francisco, the little shepherds to whom she appeared in 1917. In this 27th volume of the acclaimed Vision Books series for youth, readers will be enthralled by the story of the village and its people, of the scornful neighbors and the puzzled parents. Above all, it is the warmly human story of the three little ones who insisted that Our Lady had indeed come to Fatima, and from whose faith grew one of the greatest spiritual movements of our time. Illustrated.
Wilfrid Gordon McDonald Partridge lives next door to a nursing home. When he finds out that his special friend, Nancy Alison Delacourt Cooper, is losing her memory he sets out to find what a memory is.
From the New York Times bestselling author Kristin Hannah comes a powerful novel of love, loss, and the magic of friendship. . . . now a #1 Netflix series! In the turbulent summer of 1974, Kate Mularkey has accepted her place at the bottom of the eighth-grade social food chain. Then, to her amazement, the "coolest girl in the world" moves in across the street and wants to be her friend. Tully Hart seems to have it all—beauty, brains, ambition. On the surface they are as opposite as two people can be: Kate, doomed to be forever uncool, with a loving family who mortifies her at every turn. Tully, steeped in glamour and mystery, but with a secret that is destroying her. They make a pact to be best friends forever; by summer's end they've become TullyandKate. Inseparable. So begins Kristin Hannah's magnificent new novel. Spanning more than three decades and playing out across the ever-changing face of the Pacific Northwest, Firefly Lane is the poignant, powerful story of two women and the friendship that becomes the bulkhead of their lives. From the beginning, Tully is desperate to prove her worth to the world. Abandoned by her mother at an early age, she longs to be loved unconditionally. In the glittering, big-hair era of the eighties, she looks to men to fill the void in her soul. But in the buttoned-down nineties, it is television news that captivates her. She will follow her own blind ambition to New York and around the globe, finding fame and success . . . and loneliness. Kate knows early on that her life will be nothing special. Throughout college, she pretends to be driven by a need for success, but all she really wants is to fall in love and have children and live an ordinary life. In her own quiet way, Kate is as driven as Tully. What she doesn't know is how being a wife and mother will change her . . . how she'll lose sight of who she once was, and what she once wanted. And how much she'll envy her famous best friend. . . . For thirty years, Tully and Kate buoy each other through life, weathering the storms of friendship—jealousy, anger, hurt, resentment. They think they've survived it all until a single act of betrayal tears them apart . . . and puts their courage and friendship to the ultimate test. Firefly Lane is for anyone who ever drank Boone's Farm apple wine while listening to Abba or Fleetwood Mac. More than a coming-of-age novel, it's the story of a generation of women who were both blessed and cursed by choices. It's about promises and secrets and betrayals. And ultimately, about the one person who really, truly knows you—and knows what has the power to hurt you . . . and heal you. Firefly Lane is a story you'll never forget . . . one you'll want to pass on to your best friend.
Marie de France, Mme. De Sävignä, and Mme. De Lafayette achieved international reputations during periods when women in other European countries were able to write only letters, translations, religious tracts, and miscellaneous fragments. There were obstacles, but French women writers were more or less sustained and empowered by the French culture. Often unconventional in their personal lives and occupied with careers besides writing?as educators, painters, actresses, preachers, salon hostesses, labor organizers?these women did not wait for Simone de Beauvoir to tell them to make existential choices and have "projects in the world." French Women Writers describes the lives and careers of fifty-two literary figures from the twelfth century to the late twentieth. All the contributors are recognized authorities. Some of their subjects, like Colette and George Sand, are celebrated, and others are just now gaining critical notice. From Christine de Pizan and Marguerite de Navarre to Rachilde and Häl_ne Cixous, from Louise Labe to Marguerite Duras?these women speak through the centuries to issues of gender, sexuality, and language. French Women Writers now becomes widely available in this Bison Book edition.
A feast of observations about everything from the particular beauty of lemons on a table, to the allure of Colette, to the streets of Paris, by the inimitable Deborah Levy. Deborah Levy’s vital literary voice speaks about many things. On footwear: “It has always been very clear to me that people who wear shoes without socks are destined to become my friends and lovers.” On public parks: “A civic garden square gentles the pace of the city that surrounds it, holding a thought before it scrambles.” On Elizabeth Hardwick: “She understands what is at stake in literature.” On the conclusion of a marriage: “It doesn’t take an alien to tell us that when love dies we have to find another way of being alive.” Levy shares with us her most tender thoughts as she traces and measures her life against the backdrop of different literary imaginations; each page is a beautiful, questioning composition of the self. The Position of Spoons is full of wisdom and astonishments and brings us into intimate conversation with one of our most insightful, intellectually curious writers.
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.