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The fourth book by the great Russian writer (author of The Accompanist, The Italics Are Mine) to be translated into English. Three stories which chronologically paint a picture of the dawn of the Russian Revolution, the flight from its turmoil, and the plight of an exile in a new and foreign place -- all of which Berverova knew from personal experience. Copyright © Libri GmbH. All rights reserved.
A trio of novellas on the Russian Revolution. One is set at the dawn of the revolution, a second describes the flight from its turmoil and a third, The Big City, is set in New York and deals with the experience of exile and the loneliness of immigrant life. Zoya Andreyevna -- The big city.
His swift banishment to the far reaches of the vast Russian empire changes his life forever; he'll never have a home again and is moved about the realm like a pawn to prevent his tarnishing of the family name."--Jacket.
“Readers fascinated with the Romanovs and this tumultuous period in Russian history will be enthralled by this deliciously dark and memorable novel.” —Publishers Weekly Inspired by real characters, this transporting historical fiction debut spins the fascinating story of two princesses in the Romanov court who practiced black magic, befriended the Tsarina, and invited Rasputin into their lives—forever changing the course of Russian history. As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra, who—as an Anglo-German—is also an outsider and is not fully accepted by members of the court. After numerous failed attempts to precipitate the birth of a son and heir, the Tsarina is desperate and decides to place her faith in the sisters’ expertise with black magic. Promising the Tsarina that they will be able to secure an heir for the Russian dynasty, Militza and Stana hold séances and experiment with rituals and spells. Gurus, clairvoyants, holy fools, and charlatans all try their luck. The closer they become to the Tsarina and the royal family, the more their status—and power—is elevated. But when the sisters invoke a spiritual shaman, who goes by the name of Rasputin, the die is cast. For they have not only irrevocably sealed their own fates—but also that of Russia itself.
In this book, which has important implications for our vision of the female past, Suzanne Lebsock examines the question, Did the position of women in America deteriorate or improve in the first half of the nineteenth century? Focusing on Petersburg, Virginia, Professor Lebsock is able to demonstrate and explain how the status of women could change for the better in an antifeminist environment. She weaves the experiences of individual women together with general social trends, to show, for example, how women's lives were changing in response to the economy and the institutions of property ownership and slavery. By looking at what the Petersburg women did and thought and comparing their behavior with that of men, Lebsock discovers that they placed high value on economic security, on the personal, on the religious, and on the interests of other women. In a society committed to materialism, male dominance, and the maintenance of slavery, their influence was subversive. They operated from an alternative value system, indeed a distinct female culture.
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.
In this book, which has important implications for our vision of the female past, Suzanne Lebsock examines the question, Did the position of women in America deteriorate or improve in the first half of the nineteenth century?
This unique collection is prepared for the heroines of the future:_x000D_ Novels:_x000D_ Little Women _x000D_ Anne of Green Gables Series_x000D_ Rose in Bloom _x000D_ Pride and Prejudice_x000D_ Emma_x000D_ Jane Eyre_x000D_ Heidi _x000D_ Emily of New Moon _x000D_ Alice in Wonderland _x000D_ The Wonderful Wizard of Oz_x000D_ The Secret Garden _x000D_ A Little Princess _x000D_ Peter and Wendy_x000D_ The Girl from the Marsh Croft_x000D_ The Nutcracker and the Mouse King _x000D_ The Princess and the Goblin _x000D_ At the Back of the North Wind _x000D_ A Girl of the Limberlost_x000D_ Rebecca of Sunnybrook Farm_x000D_ Mother Carey's Chickens_x000D_ Pollyanna _x000D_ A Sweet Girl Graduate _x000D_ Daddy Long-Legs _x000D_ Understood Betsy_x000D_ The Luckiest Girl in the School _x000D_ What Katy Did _x000D_ Patty Fairfield_x000D_ Two Little Women on a Holiday _x000D_ Mildred Keith_x000D_ The Wide, Wide World_x000D_ The Silver Skates _x000D_ Six to Sixteen_x000D_ The Wind in the Willows _x000D_ The Box-Car Children_x000D_ Five Children and It_x000D_ The Phoenix and the Carpet_x000D_ The Story of the Amulet_x000D_ The Railway Children _x000D_ Journey to the Centre of the Earth _x000D_ Great Expectations _x000D_ And Both Were Young _x000D_ Rapunzel_x000D_ Cinderella_x000D_ Snow-white_x000D_ The Twelve Brothers_x000D_ Little Match Girl_x000D_ Little Mermaid_x000D_ Thumbelina…_x000D_ The Heroines of the Past: Biographies & Memoirs _x000D_ Helen Keller: The Story of My Life _x000D_ Harriet, The Moses of Her People _x000D_ Joan of Arc _x000D_ Saint Catherine _x000D_ Vittoria Colonna_x000D_ Mary Queen of Scots_x000D_ Pocahontas_x000D_ Priscilla Alden_x000D_ Catherine the Great_x000D_ Marie Antoinette_x000D_ Catherine de' Medici_x000D_ Fanny Burney_x000D_ Elizabeth Cady Stanton_x000D_ Susan B. Anthony_x000D_ Catherine Douglas_x000D_ Lady Jane Grey_x000D_ Flora Macdonald_x000D_ Madame Roland_x000D_ Grace Darling_x000D_ Sister Dora_x000D_ Florence Nightingale_x000D_ Augustina Saragoza_x000D_ Charlotte Bronte_x000D_ Dorothy Quincy _x000D_ Molly Pitcher_x000D_ Harriet Beecher Stowe_x000D_ Madame de Stael_x000D_ Elizabeth Van Lew_x000D_ Ida Lewis_x000D_ Clara Barton_x000D_ Virginia Reed_x000D_ Louisa M. Alcott_x000D_ Clara Morris_x000D_ Anna Dickinson_x000D_ Lucretia _x000D_ Sappho_x000D_ Xantippe_x000D_ Aspasia of Cyrus_x000D_ Portia_x000D_ Octavia_x000D_ Cleopatra_x000D_ Julia Domna_x000D_ Eudocia_x000D_ Hypatia_x000D_ The Lady Rowena_x000D_ Queen Elizabeth_x000D_ The Lady Elfrida_x000D_ The Countess of Tripoli_x000D_ Jane, Countess of Mountfort_x000D_ Laura de Sade_x000D_ The Countess of Richmond_x000D_ Elizabeth Woodville_x000D_ Jane Shore_x000D_ Catharine of Arragon_x000D_ Anne Boleyn_x000D_ Jane Addams ….