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Wrongly believed to be a parodic divertissement by the nineteenth-century English poet Algernon Charles Swinburne, The Statue of John Brute reveals itself as a highly interesting intertextual universe where echoes from Shakespeare, the Restauration drama, Beckford, Gothic fiction, and many other sources of inspiration mix together in an extremely short but explosive text. At the heart of this volume is an absolutely original analysis of this relatively unknown text, meant to acknowledge its paramount importance as Oscar Wilde’s source for his well-known The Picture of Dorian Gray. While trying to confute the hypotheses put forward by critics from the 1920s and 1930s who believed The Statue to be a fin-de-siècle parody of Wilde’s Aesthetic masterpiece, this study anticipates its date of composition by almost twenty years – through an accurate bio-literary and corpus-stylistic analysis – thus recognising it not as a parody, but as a possible hypotext of Dorian Gray.
alike." --Book Jacket.
This four-volume collection of primarily newly transcribed manuscript material brings together sources from both sides of the Atlantic and from a wide variety of regional archives. It is the first collection of its kind, allowing comparisons between the development of the family in England and America during a time of significant change. Volume 4: Managing Families, II In this final volume documents are focused on some of the more negative aspects of family life. Sections focus on authority, power and discontent; violence and conflict; and death and mourning. Topics include estate disputes, contested marriages, spousal abuse, deaths, wills and memorials.
A comprehensive historical review of the debates surrounding women's contributions and roles in science, with emphasis on women's access to education, training, and professional careers. This remarkable work illuminates the debates surrounding women's involvement with science throughout history, covering a broad range of disciplines. Unlike a biographical compendium of great scientists, it examines the question posed throughout history: Are women capable of doing science? Whether people have the right to even ask the question is germane to the debate itself. The coverage discusses Hypatia, the first female scientist about whom we have information; examines the contradictory behavior of the church in the treatment of women during the medieval era; and covers the 17th century debates over women's education. It examines women physicians, discusses feminism and science, and delves into why there are so few women in science—even today. The debate that began during the time of Plato and Aristotle continues to this day.
A Race of Female Patriots is a study of tragic drama after the Glorious Revolution of 1688 that yields new insight into women's involvement in the public sphere and the political and aesthetic significance of feeling.
"In its emphasis on the force of ideas, the struggle of women for inclusion in the concept of the Divine, the repeated attempts by women to form supportive networks, and its analysis of the preconditions for the formation of political theories of liberation, this brilliant work charts new ground for historical studies, the history of ideas, and feminist theory."--Jacket.
The first women Latinists lived in renaissance Italy. The new learning spread from there to the rest of Europe. The original purpose of teaching women Latin was diplomacy, but later women used the language in many ways.
Intelligent Souls? offers a new understanding of Islam in eighteenth-century British culture. Samara Anne Cahill's ambitious study explores two separate but overlapping strands of thinking about women and Islam in the eighteenth century which produce the phenomenon of "feminist orientalism." One strand describes seventeenth-century ideas about the nature of the soul used to denigrate religio-political opponents, and the other tracks the transference of these ideas to Islam during the Glorious Revolution and the Trinitarian controversy of the 1690s.
A pioneering study of the origins of feminist thought in late seventeenth-century England.