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This Is A New Release Of The Original 1890 Edition.
Originally published in 1992, this volume provided an up-to-date overview of recent research concerning the links between family and peer systems. Considerable work in the past had focused on family issues or peer relationships, but these systems had typically been considered separately. This volume bridges the gap across these two important socialization contexts and provides insights into the processes that account for the links across the systems – the ways in which the relationships between these systems shift across development. In addition, the variations in the links between family and peers are illustrated by cross-cultural work, studies of abused children, and research on the impact of maternal depression. In short, the volume provides not only a convenient overview of recent progress at the time but lays out an agenda for future research.
Ladd's magisterial work on New Testament theology has well served thousands of seminary students since its publication in 1974. Enhanced and updated here by Donald A Hagner, this comprehensive, standard evangelical text now features augmented bibliographies and two completely new chapters on subjects that Ladd himself wanted to treat in a revised edition—the theology of each of the Synoptic Evangelists and the issue of unity and diversity in the New Testament—written, respectively, by R. T. France and David Wenham.
These captivating stories are great for young boys (and girls) from ages 8 to 12. Twelve-year-old Josh Ladd longs to see his best friend who moved to Hawaii. On the way home from his California school Josh is approached by a stranger asking suspicious questions. This small incident turns into major danger when Josh and his family fly to Hawaii and the mysterious stranger follows them. The friends are thrust into all kinds of high adventure throughout the 15-book series. Each book is teeming with adventure and enforces Christian ethics and morals. These books are great for reluctant readers.
After years of battling the Ladd family, Annie Owens has finally procured her daughter’s legacy, title to Ladd Springs, a mecca of streams and springs in the eastern Tennessee mountains—only she can’t afford to keep it. Cal Foster’s father owns the biggest bank in town and has devised a way to help Annie retain the property, but when hotel developer Jillian Devane offers to buy the land outright, Annie is torn. She’s tempted by the huge sum of money—money that will secure her daughter Casey’s future, something Cal cannot guarantee. According to Annie’s sister, Lacy Ward, an insider with the Ladd family, Jillian’s proposal is tainted by revenge—the depth of which Annie has no idea. She only knows the woman is out to compete with the upcoming Ladd hotel making any deal with Jillian Devane tantamount to betrayal. When Cal is offered a position with Hotel Ladd, Annie is backed against a wall. Selling to Jillian will end any hope for a future together with Cal, a man she has come to love. But it isn’t until Casey’s romance with Troy Parker blows apart that Annie’s decision is made. Will “selling out” exile Annie from the Ladd family, including any chance for happiness with Cal Foster? Or can she find a way to make amends, ending a long-standing feud once and for all? Find out in this episode of Ladd Springs...
Josh Ladd joins officers of the Alaskan Fish and Game Department to fly a tranquilized "nuisance" bear from Anchorage to be released in a primitive area. Bad weather forces the float plane down where it sinks in a remote mountain lake.
In this sweet Regency romance, two star-crossed lovers must contend with families on either side of the violent clash between progress and tradition. Henry Stockton, heir to the Stockton fortune, returns home from three years at war seeking refuge from his haunting memories. Determined to bury the past, he embraces his grandfather’s plans to modernize the family’s wool mill, ignoring the grumblings from local weavers. When tragedy strikes shortly after his arrival, Henry will have to sort truth from suspicion if he is to protect his family’s livelihood and legacy. Loyalty has been at the heart of the Dearborne family for as long as Kate can remember, but a war is brewing in their small village, one that has the power to rip families asunder—including her own. As misguided actions are brought to light, she learns how deep her father’s pride and bitterness run, and she begins to wonder if her loyalty is well-placed. As unlikely adversaries, Henry and Kate must come together to find a way to create peace for their families, their village, and their souls—even if it means risking their hearts in the process. Praise for The Weaver’s Daughter “A gently unfolding love story set amidst the turmoil of the early industrial revolution. It’s a story of betrayal, love, and redemption, all beautifully rendered in rural England.” —Elizabeth Camden, RITA award-winning author A stand-alone, clean Regency romance Full-length novel at 90,000 words Romeo and Juliet set-up but with a happily ever after Includes discussion questions for book clubs
Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.
A young Christian inadvertently places his family in danger on Hawaii's Kona Coast when he videotapes the dramatic rescue of two drowning children which leads to his father's kidnapping.