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Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate. "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-—New York Times Book Review "Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-—The Spectator "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-—New York Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
Coromandel is an area of the east coast of India between the Godava River and Nagapatnam. Contrary to what its name implies, Coromandel lacquer does not come from this region but from China. Although almost all museums with a major Oriental art collection own a Coromandel screen, no monograph has so far been dedicated to that theme. This is the first book to directly address this subject. Aimed at a public with an interest in Oriental art, this book is divided in to four parts. The first part gives a brief overview of trade relations between East and West. In order to place the emergence of Coromandel screen in its proper context, the first part also details the evolution of Chinese lacquer. The second part deals with the origin of Coromandel lacquer technique and the third part describes the various decorative patterns to be found in the screens featured in the book. By comparing the style of the dated screens with that of undated ones, the authors have formed a theory of how the Coromandel style developed. Part four includes a research into the materials and techniques used in the manufacture of a Coromandel screen. Here old Chinese texts on lacquer techniques are consulted and fragments of Coromandel lacquer are examined. This book provides the first step toward broader and deeper research on the subject and should encourage more discussions on the subject. It will become one of the classic references that breaks new ground in this much-neglected subject.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate. "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."---New York Times Book Review "Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."---The Spectator "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."---New York Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
A detective story set in 7th century China. In this tale Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears that he is losing his mind and will kill his wife.
In 663, Judge Dee is the young magistrate in the fictional Chinese town of Peng-lai. On a visit to a senior magistrate Teng in Wei-ping, he is shown a beautiful lacquer screen which is mysteriously altered to show a murder scene instead of a love scene. With the senior magistrate Teng convinced he is going insane, a wealthy banker in town appears to kill himself, though it might be murder. Judge Dee and his servant Chiao Tai disguise themselves to go undercover and join a gang of robbers to solve the case.
"The Lacquer Lady" by Fryniwyd Tennyson Jesse. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.