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The complete sixth series of the BBC comedy sketch show hosted by Ronnie Barker and Ronnie Corbett, which in its heyday was as much of a British institution as roast beef and Yorkshire pudding. Each programme begins and ends with the pair seated behind a desk reading quick-fire 'news' reports. In between, 'in a packed programme tonight...', there are sketches, drama serials, musical routines and a rambling monologue from Ronnie Corbett, before the pair finally sign off with their famous catchphrase: 'It's goodnight from me.' 'And it's goodnight from him.' 'Goodnight'.
Gianluca Delfino’s study of one of the Caribbean’s most controversial authors paves the way for looking at Wilson Harris’s body of work in a new light. Harris’s imaginative approach to reality is discussed in relation to the categories of history and time with reference to several novels, with a special focus on The Infinite Rehearsal, Jonestown, and The Dark Jester, spanning more than forty years of his vast literary production. Delfino’s analysis, encompassing critical perspectives ranging from African philosophy to Jungian readings through historiography and anthropology, demonstrates that Harris’s works as a whole show a remarkable unity of thought rooted in their author’s complex imagination. As a result, the cross-cultural quality of Harris’s thought emerges as a healing outcome of the traumatic colonial encounter, bringing together elements of Amerindian, African, and European origin in an ongoing dialogue with time, nature, and the psyche.
Looking at myths and folktales from around the world, Jeremy Taylor reveals parallels between these ancient sacred stories and the dreams of contemporary people, showing how the universal archetypal symbols continue to shape our lives.
The long-awaited new novel from the author of the global bestseller and modern classic, The Shadow of the Wind. As a child, Daniel Sempere discovered among the passageways of the Cemetery of Forgotten Books an extraordinary novel that would change the course of his life. Now a young man in the Barcelona of the late 1950s, Daniel runs the Sempere & Sons bookshop and enjoys a seemingly fulfilling life with his loving wife and son. Yet the mystery surrounding the death of his mother continues to plague his soul despite the moving efforts of his wife Bea and his faithful friend Fermín to save him. Just when Daniel believes he is close to solving this enigma, a conspiracy more sinister than he could have imagined spreads its tentacles from the hellish regime. That is when Alicia Gris appears, a soul born out of the nightmare of the war. She is the one who will lead Daniel to the edge of the abyss and reveal the secret history of his family, although at a terrifying price. The Labyrinth of the Spirits is an electrifying tale of passion, intrigue and adventure. Within its haunting pages Carlos Ruiz Zafón masterfully weaves together plots and subplots in an intricate and intensely imagined homage to books, the art of storytelling and that magical bridge between literature and our lives. 'For the first time in 20 years or so as a book reviewer, I am tempted to dust off the old superlatives and event to employ some particularly vulgar clichés from the repertoire of publishers' blurbs. My colleagues may be shocked, but I don't care, I can't help myself, here goes. The Shadow of the Wind is a triumph of the storyteller's art. I couldn't put it down. Enchanting, hilarious and heartbreaking, this book will change your life. Carlos Ruiz Zafón has done that exceedingly rare thing - he has produced, in his first novel, a popular masterpiece, an instant classic' Daily Telegraph
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
A groundbreaking look at the phenomenon of the labyrinth, connecting this ancient symbol to modern scientific principles. • Illustrated with labyrinths from around the world and throughout history. • Demonstrates how the labyrinth differs from a maze and how it is a tool for interpreting ancient myths and religious beliefs. • Draws parallels between the labyrinth and quantum physics, showing how through the secrets of the labyrinth we can unlock the mystery of life itself. The powerful symbol of the labyrinth exists in countless cultures spanning the globe from Africa and ancient Greece to India, China, and pre-Colombian North and South America. For centuries they have been used for religious rituals, meditation, and spiritual and physical healing. In the labyrinth humanity finds a model of the quintessential sacred space that depicts the most profound levels of consciousness. Its center is regarded in many cultures as a door between two worlds, thus providing individuals with the ideal place for self questioning and meditation. In a comprehensive exploration of this time-honored symbol, Patrick Conty shows how the geometrical construction of the ancient labyrinth corresponds exactly with today's modern geometry, illustrating that recent developments in math and physics parallel the science of ancient civilizations. By looking at the way the two systems complement each other, Conty draws new conclusions about the ancient world and how that world can benefit us right now. Conty explores not only physical labyrinths but also reveals how the same transcendent principles are at work in Celtic knot work; the designs of ancient Chinese cauldrons; the tattoos and tracings of primitive art; the textiles of Africa, Peru, and Central America; and the geometric patterns in Islamic art.