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Daughter of a bastard branch of French royalty, Jeanne de La Motte-Valois descends like a whirlwind on 1780s Paris. Jeanne rises by luck and pluck from the depths of childhood beggary to the pinnacle of court and Paris society, and cannot rest until she amasses the riches needed to support a life style befitting a princess. When she crosses paths with Prince Cardinal Louis de Rohan, the handsome, wealthy scion of the mighty house of Rohan, his own obsessive ambitions play perfectly into her plans. Add to this volatile mix the crown jewelers Bohmer and Bassenge, who in their bid for artistic immortality create a diamond necklace whose purchase would bankrupt a nation. From the glittering intricacies of the royal court to the dark cells of the Bastille, the La Motte woman concocts a masterful swindle that will rock the French throne and drag Marie Antoinette's name into the gutter.
This war has been described as "Months of boredom, punctuated by moments of intense fright." The writer of these sketches has experienced many "months of boredom," in a French military field hospital, situated ten kilometres behind the lines, in Belgium. During these months, the lines have not moved, either forward or backward, but have remained dead-locked, in one position. Undoubtedly, up and down the long-reaching kilometres of "Front" there has been action, and "moments of intense fright" have produced glorious deeds of valour, courage, devotion, and nobility. But when there is little or no action, there is a stagnant place, and in a stagnant place there is much ugliness. Much ugliness is churned up in the wake of mighty, moving forces. We are witnessing a phase in the evolution of humanity, a phase called War-and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly. There are many little lives foaming up in the backwash. They are loosened by the sweeping current, and float to the surface, detached from their environment, and one glimpses them, weak, hideous, repellent. After the war, they will consolidate again into the condition called Peace. After this war, there will be many other wars, and in the intervals there will be peace. So it will alternate for many generations. By examining the things cast up in the backwash, we can gauge the progress of humanity. When clean little lives, when clean little souls boil up in the backwash, they will consolidate, after the final war, into a peace that shall endure. But not till then.
This gripping memoir tells the true story of a scandal that rocked the French court in the 18th century. It is a must-read for fans of historical true crime. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The true crime author of Lady Killers presents a roundup of history’s most notorious female con artists and their bold, outrageous scams. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best—or worst. In 18th century Paris, Jeanne de Saint-Rémy scammed the royal jewelers out of a priceless diamond necklace by pretending to be best friends with Queen Marie Antoinette. In 19th century Rochester, NY, Kate and Maggie Fox accidentally started a religious movement by pretending they could speak to spirits. In the 20th century, a woman named Margaret Lydia Burton embezzled money all over the country—and stole upwards of forty prized show dogs. A few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. Confident Women investigates how these and other notorious women were able to so spectacularly dupe and swindle their victims . . .
Using unexamined sources, including diaries and unpublished manuscripts, this biography traces the life and work of nurse, writer, and activist Ellen N. La Motte (1873-1961), examining how she developed as a professional in the early twentieth century.
In May 1758, a bailiff named Jean Moriceau de La Motte was arrested for carrying seditious flyers and uttering mauvais discours against Louis XV. When he was questioned at the Bastille over the next several months, La Motte was unequivocal in his loyalty to the king, but his insistence failed to convince the police and probably hurt his case more than would have a simple admission of guilt. He was sentenced to be hanged on the Place de Grève after making his amends on the steps of Nôtre Dame. His punishment seemed severe, if not unwarranted, to an increasingly literate and informed Parisian populace that found censorship hard to support, either theoretically or practically, in the face of intellectual and cultural changes wrought by the Enlightenment. By looking at the police files for cases such as La Motte's, Lisa Jane Graham uncovers fascinating clues to the conflicting attitudes of eighteenth-century French subjects toward royal authority. Individuals like La Motte often failed to see the subversive implications of their words and protested their fidelity to the king in impassioned language. The crown's inability or refusal to accommodate a wider range of political speech turned the opinions of these indivduals into bitter grievances and sometimes crimes. Ironically, the decision to repress seditious speech not only alienated essentially loyal French men and women; by marking them as opponents of monarchical authority, it strengthened their sense of their own autonomy and legitimacy as social actors. The complex and surprising web of motivations lying at the heart of such loyalty, as revealed in the police files Graham examines, undermines some deeply rooted assumptions about the Enlightenment and its links to modernity. Graham's book presents the eighteenth century as the critical historical moment for studying how the premodern virtue of loyalty gave way to new ideas and vocabularies about the relationship between individuals and government. If the King Only Knew attests to the powerful emotional and ideological conflicts this difficult transition unleashed.