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The Kyrenia ship, a Greek merchantman built around 315 BC and sunk off the north coast of Cyprus 294-291 BC, was excavated between 1967 and 1972 under the direction of Michael Katzev. The importance of this ship lies in the extraordinary state of preservation of the hull, allowing great insights into ancient shipbuilding, and in the cargo it was carrying. Its hold was full of Rhodian transport amphoras and its cabin pottery was also mostly made on Rhodes, which was probably its home port. Its trade route ran between Rhodes, Cyprus, the Levant, and possibly Egypt. This first of a planned multi-volume publication includes a detailed history of the excavation of the ship, as well as the most important objects for determining the date of its sinking. These include the primary cargo, transport amphorae, with four different types from Rhodes; fewer examples from Samos and the Cyclades (Paros), and possibly northern Greece, Cyprus and the Levant. The Rhodian amphora stamps date the shipwreck to between 294 and 291 BC. The second most-helpful dating material comprises vessels and utensils (cups and saucers, cooking pots and grills, serving bowls and spoons, water jars and pitchers) used by the crew. For most categories, four examples were found, suggesting a crew of four. Scientific analyses show that the majority were again made in Rhodes. Seven bronze coins were recovered, five of which were minted in the name of Alexander the Great and one in the name of Ptolemy I in Cyprus. Together, these objects document not only the date of the sinking but also give evidence of the probable Rhodian home port and trade route of the Kyrenia ship’s final voyage.
The Kyrenia Ship, a Greek merchantman built around 315 BC, which sank off the north coast of Cyprus, was excavated between 1968 and 1972 under the direction of Michael L. Katzev of the University of Pennsylvania and Oberlin College. The importance of this ship lies in the exceptionally well-preserved hull that provided new insights into ancient shipbuilding, as well as the cargo it carried. The hold was stacked with transport amphoras of various types made on Rhodes, with a few examples from Samos, Kos, Knidos and Cyprus (?), supplemented by a consignment of millstones, iron billets and almonds. The cabin pottery from Rhodes also suggests this was the vessel’s home port, a conclusion supported by most of the scientific ceramic analyses. Its trade route included Rhodes, Cyprus and the Levant with perhaps Egypt as a final destination. This volume provides a detailed history of the excavation followed by definitive studies of the amphora cargo and the pottery associated with shipboard life. Some of the amphora stamps suggest that the ship sank between 294 and 291 BC, dates corroborated by the cabin wares. The repetition of four drinking cups (kantharoi), oil containers (gutti), wine measures (olpai), as well as bowls and saucers, suggests that the ship was sailed by a crew of four. Seven bronze coins were recovered, five minted in the name of Alexander the Great and one well-known type of Ptolemy I produced only on Cyprus.
Shipwrecks have captured our imagination for centuries. Here acclaimed historian Sam Willis traces the astonishing tales of ships that have met with disastrous ends, along with the ensuing acts of courage, moments of sacrifice and episodes of villainy that inevitably occurred in the extreme conditions. Many were freak accidents, and their circumstances so extraordinary that they inspired literature: the ramming of the Essex by a sperm whale was immortalized in Herman Melville's Moby Dick. Some symbolize colossal human tragedy: including the legendary Titanic whose maiden voyage famously went from pleasure cruise to epic catastrophe. From the Kyrenia ship of 300 BC to the Mary Rose, through to the Kursk submarine tragedy of 2000, this is a thrilling work of narrative history from one of our most talented young historians.
J. Richard “Dick” Steffy stood inside the limestone hall of the Crusader castle in Cyprus and looked at the wood fragments arrayed before him. They were old beyond belief. For more than two millennia they had remained on the sea floor, eaten by worms and soaking up seawater until they had the consistency of wet cardboard. There were some 6,000 pieces in all, and Steffy’s job was to put them all back together in their original shape like some massive, ancient jigsaw puzzle. He had volunteered for the job even though he had no qualifications for it. For twenty-five years he’d been an electrician in a small, land-locked town in Pennsylvania. He held no advanced degrees—his understanding of ships was entirely self-taught. Yet he would find himself half a world away from his home town, planning to reassemble a ship that last sailed during the reign of Alexander the Great, and he planned to do it using mathematical formulas and modeling techniques that he’d developed in his basement as a hobby. The first person ever to reconstruct an ancient ship from its sunken fragments, Steffy said ships spoke to him. Steffy joined a team, including friend and fellow scholar George Bass, that laid a foundation for the field of nautical archaeology. Eventually moving to Texas A&M University, his lack of the usual academic credentials caused him to be initially viewed with skepticism by the university’s administration. However, his impressive record of publications and his skilled teaching eventually led to his being named a full professor. During the next thirty years of study, reconstruction, and modeling of submerged wrecks, Steffy would win a prestigious MacArthur Foundation “genius” grant and would train most of the preeminent scholars in the emerging field of nautical archaeology. Richard Steffy’s son Loren, an accomplished journalist, has mined family memories, archives at Texas A&M University and elsewhere, his father’s papers, and interviews with former colleagues to craft not only a professional biography and adventure story of the highest caliber, but also the first history of a field that continues to harvest important new discoveries from the depths of the world’s oceans.
A collection of first-hand accounts by archaeologist from all over the world provides vivid descriptions of historical shipwrecks, from Cemal Pulak's exploration of a royal ship that sank more than 3,300 years ago off the Aegean coast of Turkey, to Donny Hamilton's report about the infamous pirate stronghold of Port Royal, Jamaica, to Robert Ballard's undersea discovery of the Titanic.
This beautifully illustrated book offers a wide-ranging overview of the greatest archaeological sites and discoveries from ancient Greece. The contributors--a veritable who's who of the most venerable names in Greek archaeology--include both those who have excavated at the sites in question and scholars who have spent a lifetime studying the monuments about which they write. Presented here are the legendary sites of ancient Greece, including the Athenian Acropolis, Olympia, Delphi, Schliemann's Mycenae, and the Athenian Agora; the most iconic sculptures in the Greek world, such as the Aphrodite of Melos and the Nike of Samothrace; and several fascinating chapters on underwater archaeology discussing the Kyrenia and Uluburun shipwrecks and the astonishing bronze masterpieces raised from the sea. This is the first book to bring together the archaeological legacy of ancient Greece in a concise and accessible way while still preserving the excitement of discovery.
This title is a comprehensive survey of maritime archaeology as seen through the eyes of nearly fifty scholars at a time when maritime archaeology has established itself as a mature branch of archaeology.
Second edition of the technical and historical background to the reconstruction of a Greek warship.
Archaeologist are increasingly focusing on the transformation of artifacts from their use in the past to their appearance in the archaeological record, trying to identiy the natural and cultural processes that created the archaeological record we study today. In Classical Archaeology, attention to these processes received an impetus by J. Theodore Pena's 2007 monograph, Roman Pottery in the Archaeological Record, which considered how ceramic vessels were made, used and stayed in use serving various secondary purposes, before finally being discarded. Pena relied mainly on evidence from Roman Italy, which raises the question of the impact of similar cultural forces on pottery from other periods and places. His work accentuates the need to continue the process of building and developing explicit interpretive models of ceramic life-histories in Mediterranean archeology. With a view to beginning to address these challenges, the editors invited a group of specialists in the pottery of Greece and the rest of the Eastern Mediterranean to a colloquium in Athens in June 2008, asking the contributors to recondiser Pena's general models, approaches and examples from their own particular geographic and cultural perspectives. This publication constitutes the proceedings of this colloquium.
J. Richard “Dick” Steffy stood inside the limestone hall of the Crusader castle in Cyprus and looked at the wood fragments arrayed before him. They were old beyond belief. For more than two millennia they had remained on the sea floor, eaten by worms and soaking up seawater until they had the consistency of wet cardboard. There were some 6,000 pieces in all, and Steffy’s job was to put them all back together in their original shape like some massive, ancient jigsaw puzzle. He had volunteered for the job even though he had no qualifications for it. For twenty-five years he’d been an electrician in a small, land-locked town in Pennsylvania. He held no advanced degrees—his understanding of ships was entirely self-taught. Yet he would find himself half a world away from his home town, planning to reassemble a ship that last sailed during the reign of Alexander the Great, and he planned to do it using mathematical formulas and modeling techniques that he’d developed in his basement as a hobby. The first person ever to reconstruct an ancient ship from its sunken fragments, Steffy said ships spoke to him. Steffy joined a team, including friend and fellow scholar George Bass, that laid a foundation for the field of nautical archaeology. Eventually moving to Texas A&M University, his lack of the usual academic credentials caused him to be initially viewed with skepticism by the university’s administration. However, his impressive record of publications and his skilled teaching eventually led to his being named a full professor. During the next thirty years of study, reconstruction, and modeling of submerged wrecks, Steffy would win a prestigious MacArthur Foundation “genius” grant and would train most of the preeminent scholars in the emerging field of nautical archaeology. Richard Steffy’s son Loren, an accomplished journalist, has mined family memories, archives at Texas A&M and elsewhere, his father’s papers, and interviews with former colleagues to craft not only a professional biography and adventure story of the highest caliber, but also the first history of a field that continues to harvest important new discoveries from the depths of the world’s oceans.