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This new story is the sequel to, ‘Otters, Girls, and Witches.’ The story is set in a beautiful Scottish glen, where the unimaginable happens. Illustrated by French artist Flopy.
The Kurion captain appears on the platform before a large map of Scotland. “Welcome home. We will soon disembark.” He points to the map, north of Cape Wrath. “Here is relatively inaccessible. Remember this. We are the hunted! We must be quick and alert. Prepare to exit.”
V.1 Foundational essays -- V.2 Critical Texts -- V.3 Disciplinary texts: Humanities and social sciences -- V.4 Legal studies, psychoanalytic studies, visual arts and architecture.
A collection of twelve essays by female scholars published in 1989 in honour of Joyce Reynolds. Topics range across Greek and Roman archaeology, history, literature, philosophy and reception, all bound by a focus on 'authority'.
Ancient authors debated proper verbal and non-verbal signs as representations of divinity. These understanding of signs were based on ideas drawn from language and thus limited due to a their partial understanding of the multi-functionality of signs. Charles S. Peirce’s semiotics, as adapted by anthropological linguists including Michael Silverstein, better explains the contextual linkages ("performativity") of ancient religious signs such as divine names. Sign meaning is always dependent on processes of interpretation and is always open to reinterpretation. Focusing on these processes permits a more detailed analysis of the ancient evidence. Examples are drawn from ancient Israelite verbal and non-verbal divine representation, the apostle Paul’s linguistic letter/spirit model, Christian debates about the limits of language to best represent the deity, Josephus’ aniconic advertisement of Jewish rites, the multi-layered divine representations in the Dura-Europos synagogue, the diverse "performativity" of Jewish ascent liturgies, and—the single modern example—the role of art at Burning Man. Divine representation is the basis for ritual efficacy even as sign meaning is a constant source of contention.
First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
Mr. Casson's book is designed to show that the prehistoric and Hellenic sites in the island deserve much more notice than they have received. Mr. Casson emphasises the peculiarities of Cypriote art and usage; the Greeks evidently had reason to regard the Cypriote " character " or style as exceptional. Mr. Casson's illustrations of sculptures at Nicosia and in London show that his tempered praise of Cypriote art is justified.