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An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.
This in-depth critical assessment of the work of French psychoanalyst and literary theorist, Julia Kristeva, brings together for the first time readings both classical and new. Kristeva's writing on literature and psychoanalysis, language and social issues, as well as her fiction, are all considered. Each reading confronts questions raised by Kristeva's thought and contributes to giving an overview of her concerns. Chapters written especially for this volume take the reader into the most recent work of this most eminent thinker of the post-War era. Essays Address: yKristeva's writings in the 1960s and 1970s on the semiotic and on poetic language yThe implications for feminism, art, psychoanalysis and cultural difference of the works of the 1980s yKristeva's theory of revolt and the feminine genius in the writings of the 1990sBoth the non-specialist reader and the Kristeva scholar will find this to be an essential collection of criticism. Key Features yFull coverage of Kristeva's thought and writings yExplanatory and contextualising headnotes at the beginning of each reading yPrimary bibliography of Kristeva's works and a secondary bibliography of works cited yGlossary of key terms.
This in-depth critical assessment of the work of French psychoanalyst and literary theorist, Julia Kristeva, brings together for the first time readings both classical and new. Kristeva's writing on literature and psychoanalysis, language and social issues, as well as her fiction, are all considered.Each reading confronts questions raised by Kristeva's thought and contributes to giving an overview of her concerns. Chapters written especially for this volume take the reader into the most recent work of this most eminent thinker of the post-War era. Essays address: *Kristeva's writings in the 1960s and 1970s on the semiotic and on poetic language*The implications for feminism, art, psychoanalysis and cultural difference of the works of the 1980s*Kristeva's theory of revolt and the feminine genius in the writings of the 1990sBoth the non-specialist reader and the Kristeva scholar will find this to be an essential collection of criticism.Features: *Full coverage of Kristeva's thought and writings *Explanatory and contextualising headnotes at the beginning of each reading*Primary bibliography of Kristeva's works and a secondary bibliography of works cited *Glossary of key ter
" . . . both an excellent introduction and a thoroughgoing analysis of Kristeva's writing." —Signs "The book is a brilliant combination of a recuperative and a critical reading of Kristeva's work." —Changes: An International Journal of Psychology & Psychotherapy " . . . a thorough, detailed, and critical analysis of the writings of Julia Kristeva." —Elizabeth Grosz ". . . the most involved and engaging study of Julia Kristeva's work to date . . ." —The Year's Work in Critical and Cultural Theory This first full-scale feminist interpretation of Kristeva's work situates her within the context of French feminism. Oliver guides her readers through Kristeva's intellectual formation in linguistics, Freud, Lacan, and poetics. This comprehensive introduction to Kristeva makes accessible her important contributions to philosophy, linguistics, and psychoanalytic feminism.
A clear introduction to Kristeva examining her work on language and textuality, subjectivity, feminism and sexuality, politics, identity and nationality.
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Not only a meditation on Proust, this is a commentary on how the experience of literature is manifested in time and sensation. Kristeva uses Proust as a starting point to reflect upon broader notions of character, time, sensation, metaphor, and history.
Drawing on the work of psychologist Helene Deutsch and the writer Germaine de Stael. Kristeva turns her attention in the second half of New Maladies of the Soul to women's experience and contributions within the broader context of contemporary history. Delving into art, literature, autobiography, and theories of language, she continues with an exploration of cultural products ranging from the Bible to the work of Leonardo da Vinci.
This resource collects for the first time some of the best criticism on Artaud's life and work from writers such as Jacques Derrida, Julia Kristeva, Maurice Blanchot, Herbert Blau, Leo Bersani and Susan Sontag. Antonin Artaud was one of the most brilliant artists of the twentieth century. His writing influenced entire generations, from the French post-structuralists to the American beatniks. He was a key figure in the European cinema of the 1920s and '30s, and his drawings and sketches have been displayed in some of the major art galleries of the Western world. Possibly best known for his concept of a 'theatre of cruelty', his legacy has been to re-define the possibilities of live performance. Containing some of the most intellectually adventurous and emotionally passionate writings on Artaud, this book is essential reading for Artaud scholars working in arts disciplines including theatre, film, philosophy, literature and fine art.
Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva's status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva's definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva's signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva's actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Céline in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva's most pertinently "literary" theoretical concepts, by way of synopses of the texts in which she presents them.