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A perverse and delicious tell-all view of the Soviet elite in the 1920s. Perhaps only the impeccably perverse imagination of Curzio Malaparte could have conceived of The Kremlin Ball, which might be described as Proust in the corridors of Soviet power. Malaparte began this impertinent portrait of Russia's Marxist aristocracy while he was working on The Skin, his story of American-occupied Naples, and after publishing Kaputt, his depiction of Europe in the hands of the Axis, thinking of this book as a another "picture of the truth" and a third panel in a great composition depicting the decadence of twentieth-century Europe. The book is set at the end of the 1920s, when the great terror may have been nothing more than a twinkle in Stalin's eye, but when the revolution was accompanied by a growing sense of doom. In Malaparte's vision it is from his nightly opera box, rather than the Kremlin, that Stalin surveys Soviet high society, its scandals and amours and intrigues among beauties and bureaucrats, including legendary ballerina Marina Semyonova and Olga Kameneva, sister of the exiled Trotsky, who though a powerful politician is so consumed by dread that everywhere she goes she gives off a smell of rotting meat. Unfinished at the time of Malaparte's death, this extraordinary court chronicle of Communist life (for which Malaparte also contemplated the title God is a Killer) was only published posthumously in Italy over fifty years after Malaparte's death and appears in English now for the first time ever.
Curzio Malaparte was a disaffected supporter of Mussolini with a taste for danger and high living. Sent by an Italian paper during World War II to cover the fighting on the Eastern Front, Malaparte secretly wrote this terrifying report from the abyss, which became an international bestseller when it was published after the war. Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved. Kaputt is an insider's dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.
The real collusion in the 2016 election was not between the Trump campaign and the Kremlin. It was between the Clinton campaign and the Obama administration. The media–Democrat “collusion narrative,” which paints Donald Trump as cat’s paw of Russia, is a studiously crafted illusion. Despite Clinton’s commanding lead in the polls, hyper-partisan intelligence officials decided they needed an “insurance policy” against a Trump presidency. Thus was born the collusion narrative, built on an anonymously sourced “dossier,” secretly underwritten by the Clinton campaign and compiled by a former British spy. Though acknowledged to be “salacious and unverified” at the FBI’s highest level, the dossier was used to build a counterintelligence investigation against Trump’s campaign. Miraculously, Trump won anyway. But his political opponents refused to accept the voters’ decision. Their collusion narrative was now peddled relentlessly by political operatives, intelligence agents, Justice Department officials, and media ideologues—the vanguard of the “Trump Resistance.” Through secret surveillance, high-level intelligence leaking, and tireless news coverage, the public was led to believe that Trump conspired with Russia to steal the election. Not one to sit passively through an onslaught, President Trump fought back in his tumultuous way. Matters came to a head when he fired his FBI director, who had given explosive House testimony suggesting the president was a criminal suspect, despite privately assuring Trump otherwise. The resulting firestorm of partisan protest cowed the Justice Department to appoint a special counsel, whose seemingly limitless investigation bedeviled the administration for two years. Yet as months passed, concrete evidence of collusion failed to materialize. Was the collusion narrative an elaborate fraud? And if so, choreographed by whom? Against media–Democrat caterwauling, a doughty group of lawmakers forced a shift in the spotlight from Trump to his investigators and accusers. This has exposed the depth of politicization within American law-enforcement and intelligence agencies. It is now clear that the institutions on which our nation depends for objective policing and clear-eyed analysis injected themselves scandalously into the divisive politics of the 2016 election. They failed to forge a new Clinton administration. Will they succeed in bringing down President Trump?
In The Skin, Curzio Malaparte extends the great fresco of European society he began in Kaputt. There the scene was Eastern Europe, here it is Italy during the years from 1943 to 1945; instead of Germans, the invaders are the American armed forces. In all the literature that derives from the Second World War, there is no other book that so brilliantly or so woundingly presents triumphant American innocence against the background of the European experience of destruction and moral collapse.
Although Italy was allied with Germany in World War II, the Italian viewpoint on the war often differed sharply from that of the Germans. Malaparte was an eyewitness to the campaigns in Finland, the Ukraine, and Leningrad, and has left behind a moving account of many small incidents in the day-to-day conduct of the war
In 2014, Russia illegally annexed Crimea, bolstered a separatist conflict in the Donbas region, and attacked Ukraine with its regular army and special forces. In each instance of Russian aggression, the U.S. response has often been criticized as inadequate, insufficient, or hesitant. The Moscow Factor: U.S. Policy toward Sovereign Ukraine and the Kremlin is a unique study that examines four key Ukraine-related policy decisions across two Republican and two Democratic U.S. administrations. Eugene M. Fishel asks whether, how, and under what circumstances Washington has considered Ukraine’s status as a sovereign nation in its decision-making regarding relations with Moscow. This study situates the stance of the United States toward Ukraine in the broader context of international relations. It fills an important lacuna in existing scholarship and policy discourse by focusing on the complex trilateral—rather than simply bilateral—dynamics between the United States, Ukraine, and Russia from 1991 to 2016. This book brings together for the first time documentary evidence and declassified materials dealing with policy deliberation, retrospective articles authored by former policymakers, and formal memoirs by erstwhile senior officials. The study is also supplemented by open-ended interviews with former and returning officials.
Experience postwar Europe through the diary of a fascinating and witty twentieth-century writer and artist. Recording his travels in France and Switzerland, Curzio Malaparte encounters famous figures such as Cocteau and Camus and captures the fraught, restless spirit of Paris after the trauma of war. In 1947 Curzio Malaparte returned to Paris for the first time in fourteen years. In between, he had been condemned by Mussolini to five years in exile and, on release, repeatedly imprisoned. In his intervals of freedom, he had been dispatched as a journalist to the Eastern Front, and though many of his reports from the bloodlands of Poland and Ukraine were censored, his experiences there became the basis for his unclassifiable postwar masterpiece and international bestseller, Kaputt. Now, returning to the one country that had always treated him well, the one country he had always loved, he was something of a star, albeit one that shines with a dusky and disturbing light. The journal he kept while in Paris records a range of meetings with remarkable people—Jean Cocteau and a dourly unwelcoming Albert Camus among them—and is full of Malaparte’s characteristically barbed reflections on the temper of the time. It is a perfect model of ambiguous reserve as well as humorous self-exposure. There is, for example, Malaparte’s curious custom of sitting out at night and barking along with the neighborhood dogs—dogs, after all, were his only friends when in exile. The French find it puzzling, to say the least; when it comes to Switzerland, it is grounds for prosecution!
Using recently uncovered archival materials, personal interviews, and a broad familiarity with Russian history and culture, two young Russian historians have written a major interpretation of the Cold War as seen from the Soviet shore. Covering the volatile period from 1945 to 1962, Zubok and Pleshakov explore the personalities and motivations of the key people who directed Soviet political life and shaped Soviet foreign policy. They begin with the fearsome figure of Joseph Stalin, who was driven by the dual dream of a Communist revolution and a global empire. They reveal the scope and limits of Stalin's ambitions by taking us into the world of his closest subordinates, the ruthless and unimaginative foreign minister Molotov and the Party's chief propagandist, Zhdanov, a man brimming with hubris and missionary zeal. The authors expose the machinations of the much-feared secret police chief Beria and the party cadre manager Malenkov, who tried but failed to set Soviet policies on a different course after Stalin's death. Finally, they document the motives and actions of the self-made and self-confident Nikita Khrushchev, full of Russian pride and party dogma, who overturned many of Stalin's policies with bold strategizing on a global scale. The authors show how, despite such attempts to change Soviet diplomacy, Stalin's legacy continued to divide Germany and Europe, and led the Soviets to the split with Maoist China and to the Cuban missile crisis. Zubok and Pleshakov's groundbreaking work reveals how Soviet statesmen conceived and conducted their rivalry with the West within the context of their own domestic and global concerns and aspirations. The authors persuasively demonstrate thatthe Soviet leaders did not seek a conflict with the United States, yet failed to prevent it or bring it to conclusion. They also document why and how Kremlin policy-makers, cautious and scheming as they were, triggered the gravest crises of the Cold War in Korea, Berlin, and Cuba.
A penetrating account of the dynamics of World War II’s Grand Alliance through the messages exchanged by the "Big Three" Stalin exchanged more than six hundred messages with Allied leaders Churchill and Roosevelt during the Second World War. In this riveting volume—the fruit of a unique British-Russian scholarly collaboration—the messages are published and also analyzed within their historical context. Ranging from intimate personal greetings to weighty salvos about diplomacy and strategy, this book offers fascinating new revelations of the political machinations and human stories behind the Allied triumvirate. Edited and narrated by two of the world’s leading scholars on World War II diplomacy and based on a decade of research in British, American, and newly available Russian archives, this crucial addition to wartime scholarship illuminates an alliance that really worked while exposing its fractious limits and the issues and egos that set the stage for the Cold War that followed.
Chronicles the history of the Russian Empire from the Mongol Invasion, through the Bolshevik Revolution, to the aftereffects of the Cold War.