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A terrifying virus. A global tyranny. Humanity remembers no better life. It's time to give them one. Troy Kandoya wants nothing to do with his brother's Kota movement. But when the DRK virus threatens mankind and strange portals open in the sky, the Kota are the only people with answers. Troy becomes Trok, the immortal Kota Interceder, and he soon finds himself responsible for more than he ever imagined. After 500 years of war, genetic manipulation, viral plague, and the Dominion tyranny, Trok must unite four prophesied Kota Warriors destined to save Earth. But nothing about these heroes is what Trok expected. Loree is an assassin with the ability to dematerialize. Zaak is forced to grow up on an alien planet. Alex is a telepath missing a year of her life. Ryu has incredible mutate-genes of strength. Together, the Warriors join Earth's rebels and use their abilities to fight the Dominion. But rebel politics are complicated. And always, the Dominion threatens its subjects with an unstoppable weapon - the dehumanizing DRK virus. For centuries, no one's been able to stop the Dominion and the DRK. Can four Warriors really make a difference?
Straddling the equator, Borneo is the third largest island in the world. Largely covered in rainforest, with a magnificent coastline, it is easy to see what attracts visitors. Comprised of Sabah, Sarawak and Brunei, Borneo's unique biodiversity and cultural kaleidoscope appeals to both adventurers and those looking for a unique cultural experience. Updated throughout, this revised guide caters for all with information on how to trek through one of the region's national parks, catch a glimpse of an orang-utan, spend the night in a longhouse, or shop in the bustling markets. From the highlands and islands of Sabah and Sarawak, to the mosques and mysticism of the Sultanate of Brunei, Borneo is a mesmerizing mix of cultures, endangered animals, tropical rainforest and carnivorous plants. This new edition of Borneo provides the most comprehensive information available on the island, from its ethnographic and natural history, to accommodation and tours.
In this era of globalization, International Law plays a significant role in facing rapid development of various legal issues. Cultural preservation has emerged as an important legal issue that should be considered by States. This book consists of academic papers presented and discussed during the 9th International Conference of the Centre of International Law Studies (9th CILS Conference) held in Malang, Indonesia, 2-3 October 2018. The title of the book represents the major theme of the conference: "Culture and International Law." It is argued that along with globalization, cultural preservation is slowly ignored by States. Various papers presented in the book cover five topics: cultural heritage; cultural rights; culture and economic activity; culture and armed conflict; and a general topic. The authors of the papers are outstanding academics from various countries, Lithuania, United States of America, Australia, Thailand and Indonesia. The conference was organized by Universitas Indonesia in collaboration with Brawijaya University. This book aims to give a useful contribution to the existing literature on International Law, specifically focussing on cultural issues from the perspective of cultural heritage and rights, economic as well as armed conflict.
This is the first of a series of volumes that will assess key lacustrine sequences worldwide.
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.
At the beginning of the 21st century, alcoholism, transnational drug trafficking and drug addiction constitute major problems in various South Asian countries. The production, circulation and consumption of intoxicating substances created (and responded to) social upheavals in the region and had widespread economic, political and cultural repercussions on an international level. This book looks at the cultural, social, and economic history of intoxicants in South Asia, and analyses the role that alcohol and drugs have played in the region. The book explores the linkages between changing meanings of intoxicating substances, the making of and contestations over colonial and national regimes of regulation, economics, and practices and experiences of consumption. It shows the development of current meanings of intoxicants in South Asia – in terms of politics, cultural norms and identity formation – and the way in which the history of drugs and alcohol is enmeshed in the history of modern empires and nation states — even in a country in which a staunch teetotaller and active anti-drug crusader like Mohandas Gandhi is presented as the ‘father of the nation’. Primarily a historical analysis, the book also includes perspectives from Modern Indology and Cultural Anthropology and situates developments in South Asia in wider imperial and global contexts. It is of interest to scholars working on the social and cultural history of alcohol and drugs, South Asian Studies and Global History.