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General-of-the-Army Douglas MacArthur was a complex man whose behaviors seem contradictory on the surface. In fact, he demonstrated an enduring pattern of perceiving, relating to, and thinking about himself and his environment. This consistent personality is evident across a wide range of social and personal contexts and can be traced back to his developmental childhood and adolescent years. This research recounts MacArthur’s personality development from childhood, investigates his last military campaign, and, finally, applies the diagnosis of narcissistic personality disorder to the assembled data. Upon reflection, MacArthur’s apparent behavioral inconsistencies are reconciled within this clinical framework. Finally, organizational, heuristic and predictive implications are drawn from this research. Academic and operational military uses are suggested.
A comparison of the cultural and political/institutional dimensions of war's impact on Greece during the Peloponnesian War, and the United States and the two Koreas, North and South, during the Korean War. It demonstrates the many underlying similarities between the two wars.
Now in retirement, General Ridgway describes how he raised the morale of the troops and pushed the Reds back behind the 38th parallel. He is critical of General MacArthur and makes suggestions for other "bushfire wars."
This provocative challenge to US politics and strategy maintains that America endures endless wars because its leaders no longer know how to think about war.
Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.