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Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
"This exhibition consists of two related interdisciplinary and collaborative artist’s books, Darkfire and The Waiting Room, which explore the interface of visual art, design and creative writing. Each of these works is an unbound portfolio consisting prints by Sean Caulfield, accompanied by poems written by Jonathan Hart, with Susan Colberg designing a book consisting of a title page, text layout, colophon, and portfolio box. The exhibition is made up of a total 25 images and 25 pages of text with two title pages and two colophons. To initiate Darkfire and The Waiting Room, Caulfield, Hart and Colberg used themes and poetic images taken from Dante’s Inferno and Purgatory as a common start for each of their image/text pairings The intention was not to illustrate Inferno/Purgatory in the traditional sense, but rather to use it as a motivation from which they could find common formal and conceptual inspiration." -- publisher's website.