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Sir Tomas of Dierden is a knight bored with a world now absent of war. Drunken debauchery and ribaldry is all that his life consists of these days, and any sense of responsibility for his fiefdom and fellow vassals has all but disappeared. But what happens when his antics finally catch up with him, resulting in his "imprisonment" at the isolated castle of Sendavel? And to make matters worse, what happens to the knight prisoner when a dark force residing deep beneath the castle awakens, further preventing Sir Tomas from proving his worth to the kingdom he serves and-most importantly- humanity itself?
A hilarious romp through an alternative 15th century, where two great literary minds meet and pull off a jailbreak of legend. In 1470, in the great City of London, the great French poet, François Villon, was in trouble. He had a talent for it. Carted off to Newgate prison, he is thrown into the company of that master of English crime and prose, Sir Thomas Malory. This humorous medieval alternative history tale is told by Fremin—Villon’s put-upon secretary -- who has never had an adventure of his own. He tells the story of the meeting of these two masters of writing and crime, while looking back at their early criminal adventures. Both men’s lives curiously echo their literary work. It also becomes the story of Fremin himself, as he grows from being the servant of two great men, into his own manhood. The legal and romantic situations go from bad to worse until there is only one man they can turn to, the old Knight in the prison. Knight Prisoner is a delightful tale of adventure through the dark alleys and filthy taverns of pre-Renaissance London, infused with a warmth and humor worthy of Chaucer himself. Mark J. Mitchell’s Knight Prisoner is an ageless comedy, filled with clever insight into humanity, whatever the century.
A TAVERN WENCH. THE SCARRED KNIGHT WHO CAPTURES HER. Danewyn is nothing more than a tavern wench, or so she pretends. She hides her ability to see into the unknown for fear she'll be condemned by the village priests. But when she makes a prediction about the Red Fox--the lost prince and rightful heir to Britain's throne--she's overheard by one of his knights, putting her in grave danger as a suspected spy.Captured and carried off for questioning, she's held prisoner at the Red Fox's camp, under the guard of Sir Ferrum, an enormous and badly scarred knight. Sir Ferrum does not hesitate to punish her attempts to flee, but he also reveals a gentleness difficult to reconcile with the harsh discipline. As her feelings for him grow, Dani must decide whether to continue her plans for escape or accept her new role as Sir Ferrum's lady and Seer to the Red Fox.
This book explores how an audience of men serving sentences in an English prison responded to viewing five contemporary British prison films. It examines how media representations of prison vary in style and content, how film can influence public attitudes, and how this affects people in prison. The book explains the ways in which film acts as a power resource, presenting an ideological vision of criminal justice. The audience used these films to map the social terrain of prison, including issues of power and resistance; race and racism; corruption and the illicit economy; and staff-prisoner relationships, themes which are explored in the films screened. The authors argue that media consumption is one of the ways in which people in prison construct and maintain an ideal of the prisoner culture and what it is to be a ‘prisoner’. The book also reveals the ways in which audience members’ media choices and readings are part of the ongoing process of constructing their self-identity. This book illuminates the complex ways in which media consumption is an integral part of social power, cultural formation and identity construction. Recognising and engaging with audiencehood offers one potential route for supporting more progressive penal practice. This book speaks to those interested in prisons, crime, media and culture, and film studies.
This book advances conceptualisations and empirical understanding of the prison cell. It discusses the complexities of this specific carceral space and addresses its significance in relation to the everyday experiences of incarceration. The collected chapters highlight the array of processes and practices that shape carceral life, adding the cell to a rich area of discussion in penal scholarship, criminology, anthropology, sociology and carceral geography. The chapters highlight key aspects such as penal philosophies, power relationships, sensory and emotional engagements with place to highlight the breadth and depth of interdisciplinary perspectives on the prison cell: a contested place of home, labour and leisure. The Prison Cell’s empirical attention is global in its consideration, bringing together both contemporary and historical work that focuses upon the cell in the Global North and South including examples from a variety of geographical locations and settings, including police custody, prisons and immigrant detention centres. This book is an important and timely intervention in the growing and topical field of carceral studies. It presents the only standalone collection of essays with a sole focus on the space of the cell.
Letters of Juliet are meant to be read in conjunction with The Knight in Rusty Armor by Robert Fisher. These letters detail the realizations of Juliet. Read together these two works suggest solutions to problems that arrise in emotional togetherness.
Knowing she was seen as a threat to the queen she served, Lady Katherine Grey, legitimate heir to the throne, longs only for the comfort of a loving marriage and a quiet life far from the intrigue of the Tudor court. After seeing her sister become the pawn of their parents and others seeking royal power and then lose their lives for it, she is determined to avoid the vicious struggles over power and religion that dominate Queen Elizabeth's court. Until she finds love-then Kat is willing to risk it all, even life in prison.
In 1934, these were the lines which made the Librarian of Winchester College realize that he had discovered a hitherto unknown version of Sir Thomas Malorys Le Morte dArthur, a work known to all previous readers only through Caxtons 1485 edition. For it was known that Thomas Malory of Newbold Revel had been imprisoned on numerous occasions ...
The war crimes trials at Nuremberg and Tokyo meted out the Allies’ official justice; Lord Russell of Liverpool’s sensational bestselling books on Germany’s and Japan’s war crimes decided the public’s opinion. The Knights of Bushido, Russell’s account of Japanese brutality in the Pacific in World War II, carefully compiles evidence given at the trials themselves. Russell describes how the noble founding principles of the Empire of Japan were perverted by the military into a systematic campaign of torture, murder, starvation, rape, and destruction. Notorious incidents like the Nanking Massacre and the Bataan Death March emerge as merely part of a pattern. With a new introduction for this edition, The Knights of Bushido details the horrors perpetrated by a military caught up in an ideological fervor. Often expecting death, the Japanese flouted the Geneva Convention (which they refused to ratify). They murdered aircrews, bayoneted prisoners, carried out arbitrary decapitations, and practiced medical vivisection. Undoubtedly formidable soldiers, the Japanese were terrible conquerors. Their conduct in the Pacific is a harrowing example of the doctrine of mutual destruction carried to the extreme, and begs the question of what is acceptable—and unacceptable—in total war. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
The Knight of Leon is the story of old Granada and the journey of a young, handsome knight and his friend, Pedro. Excerpt: "​​GRANADA! The simple name fills the mind with ideas of romance and more than regal grandeur. Even her misfortunes are romantic, and if she once had regal sins, we are led to pity rather than censure her. The "Last Sigh of the Moor" still overlooks the home of the long line of Moslem kings, and the handiwork of those who have long since passed away from earth remains to tell us what Moorish Granada was."