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The King's Warrant is a closer look at the struggle for the development of a new country after America declared its independence from Britain. Alfred H. Engelbach talks about the fights between New England and New France, and what came from the conflict between colonies. Excerpt: "There were, nevertheless, some circumstances in the case which led reflecting men to think that even were the troops of France commanded by another Marshal Saxe the victory might yet be doubtful. The exploits of Anson, Hawke, Boscawen, and Warren, both previously to the peace, and now again immediately on the resumption of hostilities, had established almost beyond question England's superiority at sea, and this could scarcely fail to be of incalculable advantage in a contest which would make it necessary to transport and convey land forces to a distant theatre of war."
To Michael Collins the signing of the Treaty between Ireland and Britain in 1921 was a 'stepping stone'. Eamon de Valera called it 'treason'. The controversy surrounding the Treaty which led to the Civil War of 1922-1923 is examined in this compelling study of the controversy surrounding the infamous negotiations.
When the British monarchy was restored in 1660, King Charles II was faced with the conundrum of what to with those who had been involved in the execution of his father eleven years earlier. Facing a grisly fate at the gallows, some of the men who had signed Charles I's death warrant fled to America. Charles I's Killers in America traces the gripping story of two of these men-Edward Whalley and William Goffe-and their lives in America, from their welcome in New England until their deaths there. With fascinating insights into the governance of the American colonies in the seventeenth century, and how a network of colonists protected the regicides, Matthew Jenkinson overturns the enduring theory that Charles II unrelentingly sought revenge for the murder of his father. Charles I's Killers in America also illuminates the regicides' afterlives, with conclusions that have far-reaching implications for our understanding of Anglo-American political and cultural relations. Novels, histories, poems, plays, paintings, and illustrations featuring the fugitives were created against the backdrop of America's revolutionary strides towards independence and its forging of a distinctive national identity. The history of the 'king-killers' was distorted and embellished as they were presented as folk heroes and early champions of liberty, protected by proto-revolutionaries fighting against English tyranny. Jenkinson rewrites this once-ubiquitous and misleading historical orthodoxy, to reveal a far more subtle and compelling picture of the regicides on the run.