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'The King's Men: A Tale of To-morrow' is a novel written by Robert Grant, John Boyle O'Reilly, Frederic Jesup Stimson, and John T. Wheelwright. The story unfolds as a youth named Geoffrey Ripon sits in an old room in a gatekeeper's lodge near Ripon House, an old feudal palace in England. He is a member of the aristocracy but has fallen on hard times, losing his job when the government changed and being fined for fishing on his former estate. He came from a family who were once important and influential figures in society. Now he lives in the gatekeeper's lodge and his title is all that remains of his once great estate.
Moondyne by John Boyle O'Reilly is a semi-autobiographical novel which has much to say about the evils of transportation and the whole 19th century criminal justice system.
Willie Stark's obsession with political power leads to the ultimate corruption of his gubernatorial administration.
Much has been written recently about the important changes in understandings of authorship and literary labour in the late Nineteenth and early Twentieth centuries. Collaborators in Literary America, 1870-1920 argues that the collaborative novels of this period were instrumental to that reconstruction. More than just a gimmick, these novels (there were dozens published between The Gilded Age (1873) by Mark Twain and Charles Dudley Warner and The Sturdy Oak (1917) by Mary Austin, Kathleen Norris, Dorothy Canfield Fisher, Henry Kitchell Webster, et. al. ) were a serious attempt to work through the anxieties authors faced in an ever more competitive and business-like market. By examining the issues surrounding collaborative production of writers such as Henry James, Mark Twain, and William Dean Howells, Ashton demonstrates that in union there was strength.