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The Two Faces of American Freedom boldly reinterprets the American political tradition from the colonial period to modern times, placing issues of race relations, immigration, and presidentialism in the context of shifting notions of empire and citizenship. Today, while the U.S. enjoys tremendous military and economic power, citizens are increasingly insulated from everyday decision-making. This was not always the case. America, Aziz Rana argues, began as a settler society grounded in an ideal of freedom as the exercise of continuous self-rule—one that joined direct political participation with economic independence. However, this vision of freedom was politically bound to the subordination of marginalized groups, especially slaves, Native Americans, and women. These practices of liberty and exclusion were not separate currents, but rather two sides of the same coin. However, at crucial moments, social movements sought to imagine freedom without either subordination or empire. By the mid-twentieth century, these efforts failed, resulting in the rise of hierarchical state and corporate institutions. This new framework presented national and economic security as society’s guiding commitments and nurtured a continual extension of America’s global reach. Rana envisions a democratic society that revives settler ideals, but combines them with meaningful inclusion for those currently at the margins of American life.
The Hollows is on the brink of civil war as brother and sister vie for the throne in the second novel of the trilogy which Brandon Sanderson called “excellent.” “Simply put, this series is a master class in grand-scale storytelling. The future of epic fantasy is here—and this saga is it.” —Kirkus Review (starred review) Michael Kingman thought he was going to die by the executioner’s axe, forever labeled as a traitor. Still alive, and under the protection of the Orbis Mercenary company, Michael and his family and friends are deeply involved in the seemingly rival conspiracies that are tearing The Hollows apart. With the death of the King, both the Corrupt Prince and his sister Serena are vying for the throne, while the Rebel Emperor is spreading lies amongst the people, and all of them want Michael dead. This is a story of betrayal, murder, and rebellion, and in this direct sequel to the debut novel The Kingdom of Liars, also some hope for justice. For readers who love the intrigue and widening scope of epic fantasy like Brandon Sanderson’s Mistborn and Brent Weeks’s The Black Prism, you will find your next must-read fantasy series in The Legacy of the Mercenary King.
Sophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl.Balancing poetry and clarity, yet staying scrupulously close to the original texts, Ahl's English versions are designed to be both read and performed, and are alert to the literary and historical complexities of each. In approaching Sophocles anew, Ahl is careful to preserve the richly allusive nature and rhetorical power of the Greek, including the intricate use of language that gives the original its brilliant force. For Ahl, Seneca's tragedy is vastly and intriguingly different from that of Sophocles, and a poetic masterpiece in its own right. Seneca takes us inside the mind of Oedipus in ways that Sophocles does not, making his inner conflicts a major part of the drama itself in his soliloquies and asides. Two Faces of Oedipus opens with a wide-ranging introduction that examines the conflicting traditions of Oedipus in Greek literature, the different theatrical worlds of Sophocles and Seneca, and how cultural and political differences between Athenian democracy and Roman imperial rule affect the nature and conditions under which the two tragedies were composed. This book brings two dramatic traditions into conversation while providing elegant, accurate, and exciting new versions of Sophocles' and Seneca's tragedies.
The historical narratives of the Inca dynasty, known to us through Spanish records, present several discrepancies that scholarship has long attributed to the biases and agendas of colonial actors. Drawing on a redefinition of royal descent and a comparative literary analysis of primary sources, this book restores the pre-Hispanic voices embedded in the chronicles. It identifies two distinctive bodies of Inca oral traditions, each of which encloses a mutually conflicting representation of the past that, considered together, reproduces patterns of Cuzco’s moiety division. Building on this new insight, the author revisits dual representations in the cosmology and ritual calendar of the ruling elite. The result is a fresh contribution to ethnohistorical works that have explored native ways of constructing history.