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In 481 CE, the salian Franks crowned Clovis I their king. At the age of fifteen, the young monarch set about uniting all the Franks-barbarian tribes that inhabited much of the region that became modern-day France and Germany. A fierce warrior and an astute administrator, he expanded his originally modest kingdom in northeast Gaul (France) by all possible means, including conquest, marriage, diplomacy, and deception. When he married Clotilda, a devout Roman Catholic, he converted to Catholicism and became instrumental in spreading his new religion across Europe. By the time Clovis died in 511, his domain covered most of Western Europe, from the North Sea to the Mediterranean, and from the Atlantic Ocean to the source of the Danube River. The French regard him as the founder of their monarchy. Book jacket.
This early work by H. H. Munro was originally published in 1911 and we are now republishing it with a brand new introductory biography. 'The Chronicles of Clovis' is a collection of short stories, including 'The Great Weep', 'Tobermory', 'Adrian', and many more. Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical 'Alice in Westminster' political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, 'Saki', Munro is now considered a master of the short story, with tales such as 'The Open Window' regarded as examples of the form at its finest.
This volume highlights the heretofore largely neglected Battle of Vouillé in 507 CE, when the Frankish King Clovis defeated Alaric II, the King of the Visigoths. Clovis’ victory proved a crucial step in the expulsion of the Visigoths from Francia into Spain, thereby leaving Gaul largely to the Franks. It was arguably in the wake of Vouillé that Gaul became Francia, and that “France began.” The editors have united an international team of experts on Late Antiquity and the Merovingian Kingdoms to reexamine the battle from multiple as well as interdisciplinary perspectives. The contributions address questions of military strategy, geographical location, archaeological footprint, political background, religious propaganda, consequences (both in Francia and in Italy), and significance. There is a strong focus on the close reading of primary source-material, both textual and material, secular and theological.
Sixteen astonishing tales from European history, each dealing with a great clash between two mighty forces, described by the other either as barbarians or nobles. Originally written for younger readers, this work tells the story of, among others, the Roman advance into Germany under General Drusus, the sack of Rome by the "barbarian" Goths under Alaric, the attack upon Europe by Attila the Hun, the inter-Gothic wars and Theodoric, the emergence of the Franks under Clovis, the wars against the Moors ("Saracens") under Roderick, the Viking invasions, St. Winfred's death at the hands of German tribes he was trying to convert to Christianity, and the great Crusade against the Muslim invasion of Palestine, led by England's Richard I. At the end of the book, the author inserted guide notes for teachers, suggesting themes for educating the young, and further reading suggestions. This work contains all the original text and its accompanying beautiful woodcut illustrations, and has been complete reset and digitally restored to better than original quality. Cover image: "Germania Stays the Romans."
At the center of the legends stand three kings whom the monks favored as founders: Clovis, Pippin the Short, and, above all, Charlemagne. Remensnyder reveals the many implications of this legendary affection for kings, a startling predilection on the part of monks living in a region where actual rulers hardly ventured during the period.
Long, long ago the land which we now call France was called Gaul. Gaul was much larger than France is to-day, although north, south, and west France has the same boundaries now as Gaul had in the far-off days of which I am going to tell you. What these boundaries are, many a geography lesson will have shown. But, lest you have forgotten, take a map of Europe, and you will see that on the north France has to protect her the English Channel, on the south she is guarded by the Mediterranean and the Pyrenees, while on her west roll the waters of the Atlantic. These mountains and waters were also the bulwarks of ancient Gaul.
The transformation from the classical period to the medieval has long been associated with the rise of Christianity. This association has deeply influenced the way that modern audiences imagine the separation of the classical world from its medieval and early modern successors. The role played in this transformation by Constantine as the first Christian ruler of the Roman Empire has also profoundly shaped the manner in which we frame Late Antiquity and successive periods as distinctively Christian. The modern demarcation of the post-classical period is often inseparable from the reign of Constantine. The attention given to Constantine as a liminal figure in this historical transformation is understandable. Constantine’s support of Christianity provided the religion with unprecedented public respectability and public expressions of that support opened previously unimagined channels of social, political and economic influence to Christians and non-Christians alike. The exact nature of Constantine’s involvement or intervention has been the subject of continuous and densely argued debate. Interpretations of the motives and sincerity of his conversion to Christianity have characterized, with various results, explanations of everything from the religious culture of the late Roman state to the dynamics of ecclesiastical politics. What receives less-frequent attention is the fact that our modern appreciation of Constantine as a pivotal historical figure is itself a direct result of the manner in which Constantine’s memory was constructed by the human imagination over the course of centuries. This volume offers a series of snapshots of moments in that process from the fourth to the sixteenth century.
This study describes for the first time the ritual purposes, symbolic vocabulary, and quasi-dramatic form of one late medieval courtly festival, the royal entry. Although the royal entry as a formal ceremony can be traced back as an unbroken tradition from late Classical times through to the Renaissance, Kipling begins where the royal entry adopts pageantry as its essential medium in the late fourteenth century.