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“Oh my human brothers, let me tell you how it happened.” Dr. Max Aue, the man at the heart of Jonathan Littell’s stunning and controversial novel The Kindly Ones, personifies the evils of the Second World War and the Holocaust. Highly educated and cultured, he was an ambitious SS officer, a Nazi and mass murderer who was in the upper echelons of the Third Reich. He tells us of his experience during the war. He was present at Auschwitz and Babi Yar, witnessed the battle of Stalingrad, and survived the fall of Berlin — receiving a medal from Hitler personally in the last days of Nazi Germany. Long after the war, he is living a comfortable bourgeois life in France, married with two children, managing a lace factory. And now, having evaded justice, he speaks out, giving a precise and accurate record of his life. The tone of his account is detached, lapidary, and for the most part unrepentant, whether he is describing his participation in mass murder on the Eastern Front, his bureaucratic investigations of labour productivity in the death camps, his casual murder of civilians as he tries to break through Russian lines towards the end of the war, or his fervid and convoluted relationship with his twin sister. Over its course, by entwining Aue’s life with those of historical figures such as Eichmann and Speer, Himmler and indeed Hitler, The Kindly Ones comes to depict the entire architecture of Nazism — from its grandest intellectual pretensions to its most minute, most chilling managerial details and executions. The Kindly Ones presents — with unprecedented realism, meticulous research that is both fascinating and compelling, and brilliant literary accomplishment — the greatest horrors imaginable. “War and murder are a question, a question without an answer, for when you cry out in the night, no one answers,” Aue says. In the same way, this powerfully affecting, powerfully challenging book confronts the reader with the most profound questions about history, morality, and art without offering any easy resolution. Written originally in French, and published now in English for the first time, The Kindly Ones has already sold to date well over a million copies in Europe. In France it won two prestigious prizes, including the Goncourt, and has been compared to War and Peace and other great classics of literature.
The sixth in a sequence of novels collectively titled A Dance to the Music of Time. More than 300 characters are choreographed over a period of 70 years, starting with A Question of Upbringing.
The old world has broken down. There are two ways that the new world can go. In the aftermath of a global catastrophe, three women and a boy take shelter in a deserted village within a vast, unfathomable forest. Unknown beasts lurk on the edge of the forest and hide in the heart of this village, but Fran, Rhea, Ky and the boy called Lugh are determined to build a new society and keep the flame of civilization alive. Their refuge seems secure until the arrival of the Mann family: a pack of devout brothers and their pious mother. The new family is invited to stay and an unlikely relationship develops between Lugh and Abel, the youngest of the Mann brothers. In time, tensions grow as the newcomers impose their religious control over the life of the community. As secrets are exposed and the clash of values turns violent, chaos descends and the beast that lurks beyond the edge of civilization closes in on the village. The survivors will have to decide whether they must sacrifice their humanity to save their lives.
Unlock the more straightforward side of The Kindly Ones with this concise and insightful summary and analysis! This engaging summary presents an analysis of The Kindly Ones by Jonathan Littell, the gripping and graphic story of Max Aue, an SS officer during World War II, who is forced to bear the weight of the atrocities he has contributed to, his increasingly incestuous fantasies and even the fact that he is wanted for murder. Despite being the subject of widespread scandal and mixed critical and public opinion, the novel received two prestigious French literary prizes after it was published, including the Grand Prix du Roman de l'Académie Française. Littell is a French-American author with a Jewish background, who became known following the publication of this work, which also received the 2009 British Bad Sex in Fiction Award. Find out everything you need to know about The Kindly Ones in a fraction of the time! This in-depth and informative reading guide brings you:• A complete plot summary• Character studies• Key themes and symbols• Questions for further reflection Why choose BrightSummaries.com?Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Evil remains a primary source of inquiry in contemporary literature of French expression, even among its most secular writers. In considering French-speaking authors from France, Belgium, the United States, the Maghreb, and Sub-Saharan Africa, this collection delineates a rich international perspective on some of the most disturbing events of our time. Each essay testifies to the urgency expressed in works of fiction to give an account of human catastrophes, from the Shoah and the Rwandan genocide to the terrorist attacks of September 11, and the ongoing oppression of women in Islamic nations. Themes underlying this volume include an investigation into the origins of evil, its representations in writing, and the ethical responsibilities of authors who write on human suffering. Contemporary fiction on evil confronts us with fundamental questions: Can evil be attributed to intentionality, is evil “subconscious,” or is it the result of impersonal forces? Which styles of writing are ethically appropriate or effective for depicting evil? Can we speak of a veritable “poetics of evil” shared by contemporary authors? When does a literary text on evil become “evil”? In providing informed and nuanced answers to these important questions, the scholars engage in crucial theories of psychoanalysis, post-structuralism, and post-modernism, address a number of issues raised by trauma and genocide studies, and draw from critical frameworks in literary theory on testimony, the limits of representing the extreme, and “transgressive” writing.
Orestes was a cruel world, cold and inhospitable. Its first colonists were castaways from a crash landing, cling to survival through the institution of strict socio political pontrols. Over the generations life grew somewhat easier, but the code of honour remained. Misdeeds and errors were paid for with blood. At one time all miscreants were executed. Now a social death is imposed. Every Oresteian city has colony of “ghosts”: ostracised citizens who must survive, somehow, without help from the living. But galactic civilisation is spreading and Orestes is in its path. The old ways are under scrutiny. And though the Oresteian aristocracy will fight for the status quo, they have not reckoned on the power of a thousand ghosts.
Named one of the "100 Best Books of the Decade" by The Times of London "Oh my human brothers, let me tell you how it happened." A former Nazi officer, Dr. Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, GÖring, Speer, Heydrich, HÖss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.
In the final SANDMAN tales from issues #70-75 of the acclaimed series, Morpheus makes the ultimate decision between change and death. As one journey for the Endless ends, another begins for the Lord of Dreams and his family. It’s a wake in which friends and loved ones, relatives and rivals, fleeting lovers and immortal enemies gather to pay their respects and to mourn their loss.