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This book is fiction. The story that inspired it was not. In 1990, a box of very old documents was found on a small farm in the west of Ireland. They had been stored for well over a hundred years and told an incredible story of suffering, of love and of courage. In 1846, a young couple met during the worst days of the Great Irish Famine. The Killing Snows is a way to imagine what led to their meeting and what followed from it.
'The Exile Breed' is a story of the Irish Famine in Ireland, Canada, England and the USA. The Famine intensified in 1847. Many left, but hunger and fever followed them. Thousands died in the Irish ghettoes of Liverpool, Manchester and London. Many more died in the ships on the Atlantic, in the emigrant hospitals of Quebec and Montreal, in the forests and along the back-roads of Canada, and in the slums of New York and other American cities. Those who survived went on to build new lives in the lands of the Irish Diaspora.
***Please note that the photos that appear in the print edition of the title do not appear in the e-book.*** Washington Township, Michigan: Valentine's Day, 2007. Stephen Grant filed a missing person's report on his beloved wife, Tara. The stay-at-home father of two was beside himself with despair. Why would Tara abandon him and their family? Was she involved with another man? Stephen's frantic, emotional search for Tara made national headlines, and the case was featured on Dateline among other television shows and news outlets. But key elements in Stephen's story still weren't adding up: Why did he wait five days to go to police? What was the nature of his relationship with his children's beautiful, nineteen-year-old babysitter? Why did Stephen have cuts on his hands, and random bruises? Then, the police made a gruesome discovery. Parts of Tara Grant's body started turning up around the woods near the Grant's home. The truth was finally coming to light...and, after a two-day manhunt, Stephen admitted to having killed Tara—first strangling her, then cutting her body into fourteen pieces before burying them. This is the shocking true story about a bitter, cheating husband whose crimes were revealed by the BLOOD IN THE SNOW.
Ireland in the mid-1800s was primarily a population of peasants, forced to live on a single, moderately nutritious crop: potatoes. Suddenly, in 1846, an unknown and uncontrollable disease turned the potato crop to inedible slime, and all Ireland was threatened. Index.
‘Fear the north wind. Because no one will hear you scream...’ A family is gunned down in the snow but one of the children survives. Three years on, that child takes revenge and the Snow Killer is born. But then, nothing - no further crimes are committed, and the case goes cold. Fifty years later, has the urge to kill been reawakened? As murder follows murder, the detective team tasked with solving the crimes struggle with the lack of leads. It’s a race against time and the weather – each time it snows another person dies. As an exhausted and grizzled DI Barton and his team scrabble to put the pieces of the puzzle together, the killer is hiding in plain sight. Meanwhile, the murders continue... The first in a new series, Ross Greenwood has written a cracking, crackling crime story with a twist in its tale which will surprise even the most hardened thriller readers. Perfect for fans of Mark Billingham and Stuart MacBride. Praise for The Snow Killer 'Move over Rebus and Morse; a new entry has joined the list of great crime investigators in the form of Detective Inspector John Barton. A rich cast of characters and an explosive plot kept me turning the pages until the final dramatic twist.' author Richard Burke 'Ross Greenwood doesn’t write clichés. What he has written here is a fast-paced, action-filled puzzle with believable characters that's spiced with a lot of humour.' author Kath Middleton ‘With The Snow Killer, master of the psychological thriller genre Ross Greenwood once again proves his talent for creating engrossing and gritty novels that draw you right in and won’t let go until you’ve reached the shocking ending.’ Caroline Vincent at Bitsaboutbooks blog What readers think of The Snow Killer: 'Absolutely brilliant!!' 'A crime novel with a social conscience.' ' It grabbed me a few pages in and wouldn't let go' 'Great stuff dripping with tension and intrigue.' 'it was so easy to get inside each characters head and it felt almost like I was part of the story' 'Ross Greenwood takes us on a journey that is both full of thrills and emotion. I absolutely loved it.' 'It was a story which gripped me from the off and kept me glued to the page right' 'The book had a feeling of authenticity about it, and was full of surprises and genuine emotion'
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
A gripping historical novel following the men and women of the Irish diaspora.
A powerful tale of the Pacific Northwest in the 1950s, reminiscent of To Kill a Mockingbird. Courtroom drama, love story, and war novel, this is the epic tale of a young Japanese-American and the man on trial for killing the man she loves.
Blood always leaves the brightest stains where the snow falls. Fresh out of lockup, Kazimir Markovic is focused on two things only—having Violet Gallucci back at his side, and putting his father in the ground. With his plans already in motion the very second he’s free, Kaz goes after what’s most important. Violet first. Vasily second. The Russians are out for blood. The Italians want their blood back. It’s only a matter of time before someone comes for Kaz and Violet—hiding was never in their plans. And they’ve been waiting for this … The game they’re playing is dangerous. Someone always has to lose. From authors London Miller (Den of Mercenaries) and Bethany-Kris (The Chicago War) comes the second installment in the Seasons of Betrayal series that has readers calling it “A modern day Romeo and Juliet.”
An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.