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The definitive account of one of the twentieth century’s most brutal, yet least examined, episodes of genocide and detention The Killing Season explores one of the largest and swiftest, yet least examined, instances of mass killing and incarceration in the twentieth century—the shocking antileftist purge that gripped Indonesia in 1965–66, leaving some five hundred thousand people dead and more than a million others in detention. An expert in modern Indonesian history, genocide, and human rights, Geoffrey Robinson sets out to account for this violence and to end the troubling silence surrounding it. In doing so, he sheds new light on broad, enduring historical questions. How do we account for instances of systematic mass killing and detention? Why are some of these crimes remembered and punished, while others are forgotten? Based on a rich body of primary and secondary sources, The Killing Season is the definitive account of a pivotal period in Indonesian history.
The first thing you should know about me is that my name is not Carter Blake. That name no more belongs to me than the hotel room I was occupying when the call came in. When Caleb Wardell, the infamous 'Chicago Sniper', escapes from death row two weeks before his execution, the FBI calls on the services of Carter Blake, a man with certain specialised talents whose skills lie in finding those who don't want to be found. A man to whom Wardell is no stranger. Along with Elaine Banner, an ambitious special agent juggling life as a single mother with her increasingly high-flying career, Blake must track Wardell down as he cuts a swathe across America, apparently killing at random. But Blake and Banner soon find themselves sidelined from the case. And as they try desperately to second guess a man who kills purely for the thrill of it, they uncover a hornets' nest of lies and corruption. Now Blake must break the rules and go head to head with the FBI if he is to stop Wardell and expose a deadly conspiracy that will rock the country. Slick, fast-paced and assured, THE KILLING SEASON is the first novel in the gripping new Carter Blake series.
New York Times bestselling author Faye Kellerman delivers an electrifying novel of suspense as a young man’s investigation into his sister’s death draws him into the path of a sadistic serial killer. He went searching for the truth. Now a killer has found him. The more you know, the more there is to fear… Four years ago, fifteen-year-old Ellen Vicksburg went missing in the quiet town of River Remez, New Mexico. Ellen was kind, studious, and universally liked. Her younger brother, Ben, could imagine nothing worse than never knowing what happened to her—until, on the first anniversary of her death, he found her body in a shallow grave by the river’s edge. Ben, now sixteen, is committed to finding the monster who abducted and strangled Ellen. Police believe she was the victim of a psychopath known as the Demon. But Ben—a math geek too smart for his high-school classes—continues to pore over the evidence at the local police precinct, gaining an unlikely ally in his school’s popular new girl, Ro Majors. In his sister’s files, Ben’s analytical mind sees patterns that don’t fit, tiny threads that he adds to the clues from other similar unsolved murders. As the body count rises, a picture emerges of an adversary who is as cunning and methodical as he is twisted. At first the police view Ben’s investigation with suspicion. Soon his obsession will mark him as a threat. But uncovering the truth may not be enough to keep Ben and those he loves safe from a relentless killer who has nothing left to lose.
A New York Times–bestselling journalist traces a string of unsolved murders—and the botched investigation that let the New Bedford Highway Killer walk away. Over the course of seven months in 1988, eleven women disappeared off the streets of New Bedford, Massachusetts, a gloomy, drug-addled coastal town that was once the whaling capital of the world. Nine turned up dead. Two were never found. And the perpetrator remains unknown to this day. How could such a thing happen? How, in what was once one of America’s richest cities, could the authorities let their most vulnerable citizens down this badly? As Carlton Smith, a Pulitzer Prize finalist for his coverage of the Green River Killer case, demonstrates in this riveting account, it was the inability of police officers and politicians alike to set aside their personal agendas that let a psychopath off the hook. In Killing Season, Smith takes readers into a close-knit community of working-class men and women, an underworld of prostitution and drug abuse, and the halls of New England law enforcement to tell the story of an epic failure of justice.
Australians came to the ABC's The Killing Season in their droves, their fascination with the Rudd–Gillard struggle as unfinished as the saga itself. Rudd and Gillard dominate the drama as they strain to claim the narrative of Labor's years in power. The journey to screen for each of their interviews is telling in itself. Kevin Rudd gives his painful account of the period and recalled in vivid detail the events of losing the prime ministership. Julia Gillard is frank and unsparing of her colleagues. More than a hundred people were interviewed for The Killing Season—ministers, backbenchers, staffers, party officials, pollsters and public servants—recording their vivid accounts of the public and private events that made the Rudd and Gillard governments and then brought them undone. It is a damning portrait of a party at war with itself: the personal rivalries and the bitter defeats that have come to define the Rudd–Gillard era. "The making of The Killing Season matched the drama on screen and that’s a story we wanted to tell. And now we have a place for the episodes of rich material we could have put into a 5-part series." — Sarah Ferguson
Stripping away the stigma of addiction through stories that are hard-hitting, poignant, sad, confessional, funny, and overall, human, Killing Season will change minds about the epidemic, help obliterate stigma, and save lives.
In their isolated country house, a mother and her two children prepare to wait out a blinding snowstorm. Two violent predators walk through the door. Nothing will ever be the same.
For the past half century, the Indonesian military has depicted the 1965-66 killings, which resulted in the murder of approximately one million unarmed civilians, as the outcome of a spontaneous uprising. This formulation not only denied military agency behind the killings, it also denied that the killings could ever be understood as a centralised, nation-wide campaign. Using documents from the former Indonesian Intelligence Agency’s archives in Banda Aceh this book shatters the Indonesian government’s official propaganda account of the mass killings and proves the military’s agency behind those events. This book tells the story of the 3,000 pages of top-secret documents that comprise the Indonesian genocide files. Drawing upon these orders and records, along with the previously unheard stories of 70 survivors, perpetrators, and other eyewitness of the genocide in Aceh province it reconstructs, for the first time, a detailed narrative of the killings using the military’s own accounts of these events. This book makes the case that the 1965-66 killings can be understood as a case of genocide, as defined by the 1948 Genocide Convention. The first book to reconstruct a detailed narrative of the genocide using the army’s own records of these events, it will be of interest to students and academics in the field of Southeast Asian Studies, History, Politics, the Cold War, Political Violence and Comparative Genocide.
An in-depth, authoritative account of the First Battle of Ypres, an early turning point in World War I that irrevocably changed the course of modern warfare—by the founding editor of MHQ: The Quarterly Journal of Military History The Marne may have saved Paris and prevented a humiliating setback for the Allies, but it did not spell eventual defeat for Germany. Ypres did. The final months of 1914 were the bloodiest interval in a famously bloody war, truly a killing season. They ended in the First Battle of Ypres, a struggle whose importance has been too long overlooked, until now. Robert Cowley’s fresh, novelistic account of this crucial period describes how German armies in France were poised to sweep north to capture the Channel ports and knock England out of the war. Would France then be next? What changed everything, and what the Germans did not count on, was a brilliant surprise improvisation by a cobbled-together handful of British troops. It was a demonstration characterized as “the strength of despair.” Weaving together a wide array of source materials, with rich descriptions of the Belgian landscape and sharp portrayals of both leaders and the men they led, Cowley explores the dismal failures of commanders who had never been under fire as well as the determination of Albert of Belgium, the world's last warrior king, to preserve what remained of his nation. We follow the unlikely progress of French General Ferdinand Foch, the former professor of military science, who actually practiced what he taught. Memorable characters include Hendrik Geeraert, the alcoholic barge keeper, who emerged to mastermind what was literally Albert’s last ditch effort, and Sir John French, the British commander, who displayed his greatest talent for maneuver in the bedroom. And here is a young Adolf Hitler, who received a formative experience at Ypres, and Winston Churchill, who showed up uninvited at the siege of Antwerp and bought the time that may have saved the Allies. The vast brawl of four armies in Flanders was not only a turning point but one that irrevocably changed the nature of modern warfare. In this visceral account, based on thirty years of research and picking up where Barbara Tuchman’s The Guns of August left off, Robert Cowley details the crucial decisions and twists of fate that set the course of the Great War.
Meet Pete Razanskas, 22-year veteran homicide cop and Marcella Winn, a rookie detective who grew up in the 'hood. They're an unlikely partnership whose job it is to attempt to close some of the hundreds of murder cases that happen every year in the gang-infested streets of South-Central LA. Crime reporter Miles Corwin gained unprecedented access to shadow them for the usual hot summer of endless homicide. We meet the cops, the victims and the murders (Crips and Bloods, drug dealers, psychopaths and even killer kids), witness their incredible daily lives and hear their stories in intimate detail. The Killing Season is a raw, shocking and riveting story of an extreme place not far from the ordinary world where war rages on the streets and life has little value.