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A blisteringly funny, heart-scorching tale of remarkable kids shattered by tragedy and finally brought back together by love."—People Somehow, between their father’s mysterious death, their glamorous soap-opera-star mother’s cancer diagnosis, and a phalanx of lawyers intent on bankruptcy proceedings, the four Welch siblings managed to handle each new heartbreaking misfortune together. All that changed with the death of their mother. While nineteen-year-old Amanda was legally on her own, the three younger siblings–Liz, sixteen; Dan, fourteen; and Diana, eight–were each dispatched to a different set of family friends. Quick-witted and sharp-tongued, Amanda headed for college in New York City and immersed herself in an ’80s world of alternative music and drugs. Liz, living with the couple for whom she babysat, followed in Amanda’s footsteps until high school graduation when she took a job in Norway as a nanny. Mischievous, rebellious Dan, bounced from guardian to boarding school and back again, getting deeper into trouble and drugs. And Diana, the red-haired baby of the family, was given a new life and identity and told to forget her past. But Diana’s siblings refused to forget her--or let her go. Told in the alternating voices of the four siblings, their poignant, harrowing story of un­breakable bonds unfolds with ferocious emotion. Despite the Welch children’s wrenching loss and subsequent separation, they retained the resilience and humor that both their mother and father endowed them with--growing up as lost souls, taking disastrous turns along the way, but eventually coming out right side up. The kids are not only all right; they’re back together.
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.
I thought my place in the world was gone, but the world is so much bigger than I ever realized. Evan Townshend is just one of many who lost everything during Meteorfall two years ago, and like the others, he has had to rebuild his life. In his case, this means working for Mireille's Investigative Services, a small company that tracks down missing friends and family. But when a case of mistaken identity drags him into a run-in with the Shinra Company's intimidating Administrative Research Department (better known as the Turks), Evan and his fellow investigator Kyrie Canaan begin ajourney to discover the truth-about both the world around them and themselves. And the truths they uncover may run deeper than they expect... Experience another side of the world of FINAL FANTASY VII with this prequel to Advent Children!
Enriched with anecdotes from ethnography and the daily media, this revised edition examines family structure, reproduction, profiles of children's caretakers, their treatment at different ages, their play, work, schooling, and transition to adulthood. The result is a nuanced and credible picture of childhood in different cultures, past and present.
Teenage Wasteland provides memorable portraits of "rock and roll kids" and shrewd analyses of their interests in heavy metal music and Satanism. A powerful indictment of the often manipulative media coverage of youth crises and so-called alternative programs designed to help "troubled" teens, Teenage Wasteland draws new conclusions and presents solid reasons to admire the resilience of suburbia's dead end kids. "A powerful book."—Samuel G. Freedman, New York Times Book Review "[Gaines] sheds light on a poorly understood world and raises compelling questions about what society might do to help this alienated group of young people."—Ann Grimes, Washington Post Book World "There is no comparable study of teenage suburban culture . . . and very few ethnographic inquiries written with anything like Gaines's native gusto or her luminous eye for detail."—Andrew Ross, Transition "An outstanding case study. . . . Gaines shows how teens engage in cultural production and how such social agency is affected by economic transformations and institutional interventions."—Richard Lachman, Contemporary Sociology "The best book on contemporary youth culture."—Rolling Stone
Bleu L. Finnegan is a teenager and getting Adam Ant tickets is the most important thing in her life. Along with that, she must deal with the travails of adolescence, from prank-playing porn-addicted boys to convincing her dreamy substitute teacher that she is his perfect mate.
Details the possibilities and challenges of intergenerational activism and social movements Since 1976, the Peruvian movement of working children has fought to redefine age-based roles in society, including defending children’s right to work. In The Kids Are in Charge, Jessica K. Taft gives us an inside look at this groundbreaking, intergenerational social movement, showing that kids can—and should be—respected as equal partners in economic, social, and political life. Through participant observation, Taft explores how the movement has redefined relationships between kids and adults; how they put these ideas into practice within their organizations; and how they advocate for them in larger society. Ultimately, she encourages us to question the widely accepted beliefs that children should not work or participate in politics. The Kids Are in Charge is a provocative invitation to re-imagine childhood, power, and politics.
Today’s classrooms reimagined If you’re looking for a book on how to "control" your students, this isn’t it! Instead, this is a book on what classroom learning could be if we aspire to co-create more culturally responsive and equitable environments—environments that are safe, affirming, learner-centered, intellectually challenging, and engaging. If we create the kind of places where our students want to be . . . A critically important resource for teachers and administrators alike, "These Kids Are Out of Control" details the specific practices, tools, beliefs, dispositions, and mindsets that are essential to better serving the complex needs of our diverse learners, especially our marginalized students. Gain expert insight on: What it means to be culturally responsive in today’s classroom environments, even in schools at large How to decide what to teach, understand the curriculum, build relationships in and outside of school, and assess student development and learning The four best practices for building a classroom culture that is both nurturing and rigorous, and where all students are seen, heard, and respected Alternatives to punitive disciplinary action that too often sustains the cradle-to-prison pipeline Classroom "management" takes care of itself when you engage students, help them see links and alignment of the curriculum to their lives, build on and from student identity and culture, and recognize the many ways instructional practices can shift. "These Kids Are Out of Control" is your opportunity to get started right away!
A New York Times Bestseller • A Read with Jenna Today Show Book Club Pick! Named a Best Book of the Year by The New York Times Book Review, The Washington Post, People, Entertainment Weekly, USA Today, TIME, The A.V. Club, Buzzfeed, and PopSugar “I can’t believe how good this book is.... It’s wholly original. It’s also perfect.... Wilson writes with such a light touch.... The brilliance of the novel [is] that it distracts you with these weirdo characters and mesmerizing and funny sentences and then hits you in a way you didn’t see coming. You’re laughing so hard you don’t even realize that you’ve suddenly caught fire.” —Taffy Brodesser-Akner, author of Fleishman is in Trouble, New York Times Book Review From the New York Times bestselling author of The Family Fang, a moving and uproarious novel about a woman who finds meaning in her life when she begins caring for two children with a remarkable ability. Lillian and Madison were unlikely roommates and yet inseparable friends at their elite boarding school. But then Lillian had to leave the school unexpectedly in the wake of a scandal and they’ve barely spoken since. Until now, when Lillian gets a letter from Madison pleading for her help. Madison’s twin stepkids are moving in with her family and she wants Lillian to be their caretaker. However, there’s a catch: the twins spontaneously combust when they get agitated, flames igniting from their skin in a startling but beautiful way. Lillian is convinced Madison is pulling her leg, but it’s the truth. Thinking of her dead-end life at home, the life that has consistently disappointed her, Lillian figures she has nothing to lose. Over the course of one humid, demanding summer, Lillian and the twins learn to trust each other—and stay cool—while also staying out of the way of Madison’s buttoned-up politician husband. Surprised by her own ingenuity yet unused to the intense feelings of protectiveness she feels for them, Lillian ultimately begins to accept that she needs these strange children as much as they need her—urgently and fiercely. Couldn’t this be the start of the amazing life she’d always hoped for? With white-hot wit and a big, tender heart, Kevin Wilson has written his best book yet—a most unusual story of parental love.