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A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.
Kathleen “Kick” Kennedy was the incandescent life-force of the fabled Kennedy family, her father’s acknowledged “favorite of all the children” and her brother Jack’s “psychological twin.” She was the Kennedy of Kennedys, sure of her privilege, magnetically charming and somehow not quite like anyone else on whatever stage she happened to grace. The daughter of the American ambassador to the Court of St James’s, Kick swept into Britain’s aristocracy like a fresh wind on a sweltering summer day. In a decaying world where everything was based on stultifying sameness and similarity, she was gloriously, exhilaratingly different. Kick was the girl whom all the boys fell in love with, the girl who remained painfully out of reach for most of them. To Kick, everything about this life was fun and amusing—until suddenly it was not. For this is also a story of how a girl like Kick, a girl who had everything, a girl who seemed made for happiness, confronted crushing sadness. Willing to pay the price for choosing the love she wanted, she would have to face the consequences of forsaking much that was dear to her. Bestselling and award-winning biographer Barbara Leaming draws on her unique access to firsthand accounts, extensive conversations with many of the key players, and previously-unseen sources to transport us to another world, one of immense wealth, arcane rituals and rules, glamour and tragedy, that has now disappeared forever. It was a world of dukes and duchesses, of grand houses, of country house weekends, and of wild rich boys. But it was also a world of blood and war, and of immeasurable loss. It was a time of complete upheaval, as reflected in the life of this most unlikely and unforgettable central character. Kick Kennedy reveals her story, that of a young girl learning about love, sex, and death—and doing it all at warp speed as the world races toward war and then reels in the war’s chaotic aftermath. This is the coming-of-age story of the female star of the Kennedy family, and ultimately a tragic, romantic story that will break your heart.
In a future where human nature remains as predictable as death, a killer plays God and puts innocent lives in the palm of his hand in this novel in the #1 New York Times bestselling In Death series. With the precision of a surgeon, a serial killer preys on the most vulnerable souls of the world’s city streets. The first victim: a sidewalk sleeper, found dead in New York City. No bruises, no signs of struggle. Just a laser-perfect, fist-sized hole where his heart had once been. Lieutenant Eve Dallas is assigned to investigate. But in the heat of a cat-and-mouse game with the killer, Dallas’s job is suddenly on the line. Now her hands are tied...between a struggle for justice—and a fight for her career...
Assigned to find the source of a dangerous new drug called White Queen, DEA deep-cover agent Rene Villarino has vanished. Levine, his closest friend and fellow agent, embarks upon his own personal mission of retribution, going undercover as an Arab businessman to infiltrate the largest criminal organization in the world--The Triangle of Death.
FACE IT. WE CAN GO ANYTIME. BUT IN SO MANY DIFFERENT WAYS! Death becomes you, and it's just another fact of life explored in Cause of Death, a revealing abundance of startling data, false perceptions, bizarre fallacies, and some totally unexpected statistics about how, why, when, and where we all bite the dust, check out, buy the farm, kick the bucket, and all those other euphemisms for perishing after falling out of bed (roughly 1,800 fitful sleepers a year). It also answers questions most people never even consider (but should): Do crocodiles kill more people than alligators? Are we more prone to commit suicide or murder? How many still die from leprosy? Does salmonella have anything to do with salmon? Can the condition of your toenails predict your mortality? What's the connection between kitty litter and brain damage? Has irony ever killed anyone?* Disease, accidents, occupational hazards, poisons, plagues, infections, murder, fauna and fungi, insect bites, war, and even bison. What's the most popular killer of the decade? The rarest? How many deaths per year by age? Gender? Location? Time of day? Stupidity? All this and more in a book you really shouldn't be living without. * Yes! While experimenting with the safe preservation of food in snow, Sir Francis Bacon caught a cold and died.
In a series of enlightening and wide-ranging discussions, all published here for the first time, Chomsky radically reinterprets the events of the past three decades, covering topics from foreign policy during Vietnam to the decline of welfare under the Clinton administration. And as he elucidates the connection between America's imperialistic foreign policy and the decline of domestic social services, Chomsky also discerns the necessary steps to take toward social change. With an eye to political activism and the media's role in popular struggle, as well as U.S. foreign and domestic policy, Understanding Power offers a sweeping critique of the world around us and is definitive Chomsky. Characterized by Chomsky's accessible and informative style, this is the ideal book for those new to his work as well as for those who have been listening for years.
The Nobel Prize winner Elias Canetti all his life declared himself a “mortal enemy” of death—and here, in English at last, is his landmark book on the subject The Book Against Death is the work of a lifetime: a collection of Elias Canetti’s powerful, disarming, and often bleakly comic observations, diatribes, musings, and commentaries on and against death. Evoking despair, melancholy, and fury, Canetti examines the inevitable demise of all beings—from the ant, the fish, and the worm to an executioner, a court painter, and a Greek god—while fiercely protesting the mass deaths incurred during war and the willingness of the despot to wield death as power. Interspersed with material from philosophers and writers such as Goethe, Walter Benjamin, and Robert Walser, The Book Against Death is ultimately a moving affirmation of the value of life itself. Canetti famously refused to die before he’d read all his obituaries and corrected them. “I accept no death.”—Elias Canetti (1905–1994)
Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Stanley Noseworthy is, at best, a serial monogamist. At worst, a faithless rake. Now his record-breaking long-term lover (“1001 better-than-Arabian nights”) Nina is fed up with his “inimitable bull%#$#” and threatening to end their relationship. “Show us there is some good in you,” Stanley’s best friend urges. “Show us there is a brain.” But Stanley’s decisions do not tend to be made by his brain. He has profoundly mixed feelings about losing Nina, for he is nothing if not a profoundly mixed (up) fellow. Stanley is either a dedicated artist or a posturing fraud, a charming rogue or a shallow lothario, tragic victim or pathetic loser—or all of the above. (“Vote Online!” Stanley might well say to this, for he is always prepared to satirize his own life as sharply as the life around him.) Meanwhile, Stanley’s beloved artists’ cooperative, The “Hotel Beaux-Arts” (hence Bozarts) to its inhabitants, is also under threat. Since its endowment a quarter-century ago by the august Canterbury Institute of Technology, the “Bozarts” has had a frequently glorious, always rambunctious, character-rich history. Lately, mysteriously, it has been dwindling toward extinction. Stanley (who may or may not be paranoid) fears the reason for this is either that the Institute wants its building back for more profitable use, or that George W. Bush has declared an end to Art and Thought in America—or both of the above.