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This study details the preparation, planning and execution of the invasion of Portugal in 1810 by the French Armée de Portugal under Marshal Massena, and the defensive measures taken by the British and their Portuguese and Spanish allies. It also covers the practice of all armies involved during this campaign, working from original sources. These sources provide a different interpretation of some key aspects of the campaign to those which are generally accepted. The work focusses on the strategic, operational, and tactical planning undertaken by both sides in preparation for the invasion, and the actual progress of the campaign. A narrative of the battles and sieges, with analysis at the tactical-level, also brings out the differences in planning and intelligence gathering. This particular campaign is important as it has attracted little attention from historians, and was crucial as a turning point in the Peninsular War. This was the last time that Portugal was invaded by the French during the Peninsular War, and the allies' handling of the campaign contrasted sharply with that of the French. Its success also gave Wellington political security against the 'croakers' back in England. The research demonstrates the difficulties both armies had in prosecuting their plans during the campaign, and highlights the stark differences in the approach taken by each commander.
A dramatic and intimate portrait of one of the world's great cities.
International Bestseller: “A moody, tightly constructed historical thriller . . . a good mystery story and an effective evocation of a faraway time and place.” —The New York Times After Jews living in sixteenth-century Portugal are dragged to the baptismal font and forced to convert to Christianity, many of these New Christians persevere in their Jewish prayers and rituals in secret and at great risk; the hidden, arcane practices of the kabbalists, a mystical sect of Jews, continue as well. One such secret Jew is Berekiah Zarco, an intelligent young manuscript illuminator. Inflamed by love and revenge, he searches, in the crucible of the raging pogrom, for the killer of his beloved uncle Abraham, a renowned kabbalist, discovered murdered in a hidden synagogue along with a young girl in dishabille. Risking his life in streets seething with mayhem, Berekiah tracks down answers among Christians, New Christians, Jews, and the fellow kabbalists of his uncle, whose secret language and codes by turns light and obscure the way to the truth he seeks. A marvelous story, a challenging mystery, and a telling tale of the evils of intolerance, The Last Kabbalist of Lisbon both compels and entertains. “The story moves quickly . . . a literary and historical treat.” —Library Journal ''Remarkable . . . The fever pitch of intensity Zimler maintains is at times overwhelming but never less than appropriate to the Hieronymous Bosch-like landscape he describes. Simultaneously, though, he is able to capture, within the bedlam, quiet moments of tenderness and love.” —Booklist (starred review)
A proofreader realizes his power to edit the truth on a whim, in a “brilliantly original” novel by a Nobel Prize winner (Los Angeles Times Book Review). Raimundo Silva is a middle-aged, celibate clerk, proofing manuscripts for a respectable publishing house. Fluent in Portuguese, he has been assigned to work on a standard history of the country, and the twelfth-century king who laid siege to Lisbon. In a moment of subversive daring, Raimundo decides to change just one single word of text—a capricious revision that completely undoes the past. When discovered, his insolent disregard for facts appalls his employers—save for his new editor, Maria Sara. She suggests that Rainmundo take his transgressions even further. Through Rainmundo and Maria’s eyes, what transpires is an alternate view of history and a colorful reinvention of a debatable truth. It’s a serpentine journey through time where past and present converge, fact becomes myth, and fiction and reality blur—especially for Rainmundo and Maria themselves, who begin to find themselves erotically drawn to each other. “Walter Mitty has nothing on Raimundo Silva . . . this hypnotic tale is a great comic romp through history, language and the imagination.” —Publishers Weekly Translated by Giovanni Pontiero
The Lisbon Route tells of the extraordinary World War II transformation of Portugal's tranquil port city into the great escape hatch of Nazi Europe. Royalty, celebrities, diplomats, fleeing troops, and ordinary citizens desperately slogged their way across France and Spain to reach the neutral nation. As well as offering freedom from war, Lisbon provided spies, smugglers, relief workers, military figures, and adventurers with an avenue into the conflict and its opportunities. Yet an ever-present shadow behind the gaiety was the fragile nature of Portuguese neutrality.
This study details the preparation, planning and execution of the invasion of Portugal in 1810 by the French Armée de Portugal under Marshal Massena, and the defensive measures taken by the British and their Portuguese and Spanish allies. It also covers the practice of all armies involved during this campaign, working from original sources. These sources provide a different interpretation of some key aspects of the campaign to those which are generally accepted. The work focusses on the strategic, operational, and tactical planning undertaken by both sides in preparation for the invasion, and the actual progress of the campaign. A narrative of the battles and sieges, with analysis at the tactical-level, also brings out the differences in planning and intelligence gathering. This particular campaign is important as it has attracted little attention from historians, and was crucial as a turning point in the Peninsular War. This was the last time that Portugal was invaded by the French during the Peninsular War, and the allies' handling of the campaign contrasted sharply with that of the French. Its success also gave Wellington political security against the 'croakers' back in England. The research demonstrates the difficulties both armies had in prosecuting their plans during the campaign, and highlights the stark differences in the approach taken by each commander.
Gois was a Portuguese humanist, a friend of Erasmus and his circle, and a writer imbued with the classical learning of his day. His "Description" was written in 1554 at the height of the city's commercial and cultural influence. It places the city in its geographical and historical setting, surveys its topography and environs, and reviews its major architectural attractions. Ruth's introduction places Gis in the intellectual and historical context of the age, summarizes previous scholarship on the author and his work, and provides useful notes. This edition also includes reproductions of the full 1598 map of Lisbon published by Braun & Hogenberg and a complete English transcription of their numbered key: an indispensable tool for the topography of the Renaissance city. The electronic version allows the reader to magnify these images for closely detailed views of the Renaissance city and its monuments and buildings. Introduction, notes, bibliography, index, illustrations, maps.
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The introduction and the prologue detail quite explicitly what my novel is about. My book is based on a true story and lead characters, several of whom I knew personally in the late 1960s and early 1970s before they passed away. I never did meet Ian Fleming, the creator of the James Bond novels, as he left the UK for the West Indies after the end of World War II. My book is therefore a historical novel with hitherto largely untold aspects based on my own personal knowledge, research, and professional experience. It’s a great novel because as several reviewers have pointed out no one has ever told the story of how Room 39, Ian Fleming, and his boss and colleagues worked to undermine the Nazis in Portugal, and Lisbon specifically, and the ending with the meeting in NYC with Wild Bill Donovan. My novel shows how Fleming used his experiences in Room 39 as the basis for his postwar Bond novels.
The Lisbon Earthquake of 1755 was no run-of-the-mill misfortune-it was a watershed moment that shook the pillars of an inveterate social order and sent reverberations throughout the Western world. Earth, water, wind, and fire all conspired to produce a hellish catastrophe that lasted for a full five days and left Lisbon thoroughly annihilated. Nicholas Shrady's unique account of this first modern disaster and its aftereffects successfully articulates the outcome of the earthquake-the eighteenth-century equivalent of a mass media frenzy giving rise to a host of other fascinating developments, such as disaster preparedness, landmark social reform, urban planning, and the birth of seismology.