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The classic resonator guitar sound is currently popping up in all types of music ranging from country to bluegrass to blues to rock. Resonator Guitar is a fun instrument to play. Janet Davis has taught people of all ages to play resonator guitar and in her own words, They all have a good time pickin' and grinnin'. This is a very easy method to follow and it will teach you basics of resonator performance including both chording and single note playing using the slide bar. Also, you will play bluegrass, old-time country, blues, Hawaiian, fiddle tunes, folk songs and more. This method covers an extremely wide and diverse array of topics. If you want to play Dobro, this book will show you how! In tablature only.
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
The first book clearly showing the beginner how to play the fiddle. Includes many illustrations showing how to hold the bow and fiddle properly and many exercises to develop good bowing technique and learning how to play in tune. Great beginnner fiddle lessons.
"Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse. A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies. Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music. Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html
Among the few truly experimental composers in our cultural history, Harry Partch's life (1901–1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.
At last, here is a method book for the upright string bass or "dog house bass" as it is affectionately known in bluegrass circles. Although bluegrass bass has a style of its own, the knowledge gained through this method is applicable to virtually any musical genre. This book addresses the elements of tuning, hand positions, essential chord theory, slap bass technique, and playing in positions 1-10. A handy chart is provided for transposing chord progressions from one key to another. Written in standard notation only.
The Harmonica Primer Book for Beginners with Video Access by Tom Wolf is designed for the beginning harmonica player. This course starts by teaching proper hand positions, mouth positions, blowing, and drawing. You'll quickly learn more advanced concepts like scales, chords, double stops, vibrato, trills, cross harp, and bends. After covering techniques, you will learn how to play over 30 songs like Amazing Grace, Oh When the Saints..., and Will the Circle Be Unbroken. All songs are demonstrated at two different speeds (slow for practicing and performance tempo).This course also includes online access to video lessons and audio tracks for each exercise and song.
(Book). Another entry in the Fretmaster series, this book teaches you both the history and technique of slide guitar's masters, such as Brian Jones, Lowell George, Bonnie Raitt, and Robert Johnson. While exploring their musical lives and legacy, Slide Guitar provides lessons that give you the skills and encouragement you need to emulate these musical heroes.
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.