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The Jungle Books can be regarded as classic stories told by an adult to children. But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther.
Drawing on distinguished review sources, this updated and expanded guide recommends more than 4,800 American and British fantasy novels and anthologies, including nearly 1,500 new to this edition. Ten topical chapters embrace the entire range of fantasy literature, from allegory to witchcraft. Detailed annotations note major awards won, review citations, suggested reading level, other related titles by the author, and more. - Back cover.
The Jungle Book is a collection of stories by British Nobel laureate Rudyard Kipling. The best-known of them are the three stories revolving around the adventures of an abandoned man cub Mowgli who is raised by wolves in the Indian jungle. The most famous of the other stories are probably Rikki-Tikki-Tavi, the story of a heroic mongoose, and Toomai of the Elephants, the tale of a young elephant-handler. As with much of Kipling's work, each of the stories is preceded by a piece of verse, and succeeded by another.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • The instant classic debut novel from the author of Inland and The Morningside, hailed as “a thrilling beginning to what will certainly be a great literary career” (Elle) “Spectacular . . . [Téa Obreht] spins a tale of such marvel and magic in a literary voice so enchanting that the mesmerized reader wants her never to stop.”—Entertainment Weekly “Not since Zadie Smith has a young writer arrived with such power and grace.”—Time ONE OF THE TEN BEST BOOKS OF THE YEAR: Michiko Kakutani, The New York Times; Entertainment Weekly; The Christian Science Monitor; The Kansas City Star; Library Journal In a Balkan country mending from war, Natalia, a young doctor, is compelled to unravel the mysterious circumstances surrounding her beloved grandfather’s recent death. Searching for clues, she turns to his worn copy of The Jungle Book and the stories he told her of his encounters over the years with “the deathless man.” But most extraordinary of all is the story her grandfather never told her—the legend of the tiger’s wife. Weaving a brilliant latticework of family legend, loss, and love, Téa Obreht, hailed by Colum McCann as “the most thrilling literary discovery in years,” has spun a timeless novel that will establish her as one of the most vibrant, original authors of her generation. ONE OF THE BEST BOOKS OF THE YEAR: The Wall Street Journal, O: The Oprah Magazine, The Economist, Vogue, Slate, Chicago Tribune, The Seattle Times, Dayton Daily News, Publishers Weekly, Alan Cheuse, NPR’s All Things Considered
hardback Ladybird Classic ebook edition of The Jungle Book by Rudyard Kipling is a perfect first illustrated introduction to the classic story for younger readers. It has been sensitively abridged and retold to make it suitable for sharing with young children from 5+, whilst retaining all the key parts of the story including Mowgli's life in the Jungle, his battle with Shere Khan, and fascinating details about learning to live with humans once more. Detailed full-colour illustrations throughout also help to bring this classic tale to life. Other exciting titles in the Ladybird Classics series include Alice in Wonderland, Gulliver's Travels, The Secret Garden, Oliver Twist, Black Beauty, Treasure Island, A Christmas Carol, Peter Pan, The Three Musketeers, Heidi and The Wind in the Willows.
Despite Kipling's popularity as an author and his standing as a politically controversial figure, much of his work has remained relatively unexamined due to its characterization as 'children's literature'. Sue Walsh challenges the apparently clear division between 'children's' and 'adult' literature, and poses important questions about how these strict categories have influenced critical work on Kipling and on literature in general. For example, why are some of Kipling's books viewed as children's literature, and what critical assumptions does this label produce? Why is it that Kim is viewed by critics as transcending attempts at categorization? Using Kipling as a case study, Walsh discusses texts such as Kim, The Jungle Books, the Just-So Stories, Puck of Pook's Hill, and Rewards and Fairies, re-evaluating earlier critical approaches and offering fresh readings of these relatively neglected works. In the process, she suggests new directions for postcolonial and childhood studies and interrogates the way biographical criticism on children's literature in particular has tended to supersede and obstruct other kinds of readings.
Tells the story of Dan and Una and their adventures with Puck as he introduces them to the nearly forgotten pages of Old England's history and to the people who had lived near Pook's Hill and helped make that history. Includes stories and poems.
Why was Rudyard Kipling so drawn in his fiction to the figure of the foreign-born Briton--what Kipling called the "native-born"? The answer lies in McBratney's "Imperial Subjects, Imperial Space, the first full-length study of a figure central to Kipling's major imperial fiction: the "native-born." In these narratives Kipling sees the native-born fulfilling two important roles: model imperial servant and ideal imperial citizen. The special abilities that allow the native-born to play these roles derive from his identity as neither exclusively British nor simply "native." This study also provides the most thorough analysis of that figure's hybrid, "casteless" selfhood in relation to shifting attitudes toward racial identity during Britain's "New Imperialism." In its endeavor to place the liminal subject within a particular moment in British discourses about race and nation, this book illuminates both the complexities of subject construction in the late Victorian and Edwardian periods and the struggles today over identity formation in the postcolonial world.