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A novel of Philippe Halsman's life, from Austrian prisoner, to Paris exile, to American celebrity photographer.
Are you an artist? Do you see the world around you in a special way? I Am an Artist shows you how simply observing the delights of nature can inspire you to create. Can you name the colors inside a seashell? You're an artist!
The second journal of an artist by "an extraordinary woman: sensitive, intelligent, perceptive"--Doris Grumbach.
A dazzling story of fathers, sons, and brothers - bound by love, divided by history. The Auberons are a lovably neurotic, infernally intelligent family who love and hate each other-and themselves -- in equal measure. Driven both by grief at his young mother's death and war with his distant, abusive immigrant father, patriarch Isidore almost attains the life of his dreams: he works his way through Harvard and then medical school; he marries a beautiful and even-keeled girl; in his father-in-law, he finds the father he always wanted; and he becomes a father himself. He has talent, but he also has rage, and happiness is not meant to be his for very long. Isidore's sons, Leo and Mack, haunted by the mythic, epic proportions of their father's heroics and the tragic events that marked their early lives, have alternately relied upon and disappointed one another since the day Mack was born. For Leo, who is angry at the world but angrier at himself, the burden of the past shapes his future: sexual awakening, first love, and restless attempts live up to his father's ideals. Just when Leo reaches a crossroads between potential self-destruction and new freedom, Mack invites him on a road trip from Los Angeles to Cleveland. As the brothers make their way east, and towards understanding, their battles and reconciliations illuminate the power of family to both destroy and empower-and the price and rewards of independence. Part family saga, part coming-of-age story, In the Land of the Living is a kinetic, fresh, bawdy yet earnest shot to the heart of a novel about coping with death, and figuring out how and why to live.
"I have a theory about the Hero's Journey. We all have one. We have many, in fact. But our primary hero's journey is the passage we live out, in real life, before we find our calling. The hero's journey ends when, like Odysseus, we return home to Ithaca, to the place from which we started. What then? The passage that comes next is The Artist's Journey. On our artist's journey, we move past Resistance and past self-sabotage. We discover our true selves and our authentic calling, and we produce the works we were born to create. You are an artist too-whether you realize it or not, whether you like it or not-and you have an artist's journey. Will you live it out? Will you follow your Muse and do the work you were born to do? Ready or not, you are called."--Back cover.
Hugo Marston, head of security for the U.S. Embassy in Paris, puts his life in danger when he investigates the murder of a celebrated artist, all the while fending off an assassin looking to settle an old score against him. Hugo Marston accompanies his boss, US Ambassador J. Bradford Taylor, to the first night of an art exhibition in Montmartre, Paris. Hugo is less than happy about going until he finds out that the sculptures on display are made from his favorite medium: books. Soon after the champagne starts to flow and the canapes are served, the night takes a deadly turn when one of the guests is found murdered. Hugo lingers at the scene and offers his profiling expertise to help solve the crime, but the detective in charge quickly jumps to his own conclusions. He makes an arrest, but it's someone that Hugo is certain is innocent. Meanwhile, his best friend, Tom Green, has disappeared to Amsterdam, hunting an enemy from their past, an enemy who gets the upper hand on Tom, and who then sets his sights on Hugo. With an innocent person behind bars, a murder to solve, and his own life in danger, Hugo knows he has no time to waste as one killer tries to slip away, and another gets closer and closer.
Provides instructions for blending traditional drawing and painting skills with technological advances to create digital art.
Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.
Philippe Halsman (1906-1979) was one of the great portrait photographers of his time, with over 100 LIFE magazine covers to his name. His wife Yvonne worked by his side, taking her own photographs of him as he worked. The pictures in this book reveal the creative mind behind the camera.