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Making use of recent masculinity theories, Joseph A. Kestner sheds new light on Victorian and Edwardian adventure fiction. Beginning with works published in the 1880s, when writers like H. Rider Haggard took inspiration from the First Boer War and the Zulu War, Kestner engages tales involving initiation and rites of passage, experiences with the non-Western Other, colonial contexts, and sexual encounters. Canonical authors such as R.L. Stevenson, Rudyard Kipling, Joseph Conrad, and Olive Schreiner are examined alongside popular writers like A.E.W. Mason, W.H. Hudson and John Buchan, providing an expansive picture of the crisis of masculinity that pervades adventure texts during the period.
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A Honeybee Heart Has Five Openings begins as Helen Jukes is entering her thirties and struggling to settle into her new job and home. Then friends gift her a colony of honeybees—a gift that, according to folklore, brings good luck—and Jukes embarks on the rewarding, perilous journey of becoming a beekeeper. Jukes writes about what it means to "keep" wild creatures and to live alongside beings whose laws of life are so different from our own. She delves into the history of beekeeping, exploring the ancient—and sometimes disturbing—relationship between keeper and bee, human and wild thing. And as her colony grows, the very act of beekeeping seems to open new perspectives, making her world come alive again. A beautifully wrought meditation on uncertainty and hope, feelings of restlessness and home, and how we might better know ourselves, A Honeybee Heart Has Five Openings shows us how to be alert to these small creatures flitting among us that are yet so vital a force for the continuation of life.