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In this two-in-one, legendary detective Luke Starbuck finds himself in the dead-center of a murder mystery. In "The Last Stand" it's up to Deputy U.S. Marshal Owen McLain to hunt down Chitto Starr, a full-blood Cherokee, and his rebels, and bring justice to the land. Reissue.
Greed has turned Virginia City into a mother lode of murder and Luke Starbuck knows the only way to clean up the town is to wash it down with blood. But with a trigger-happy sheriff, a saloon-keeper who serves up treachery, and a lawyer who lies as easily as he breathes, Luke wonders if he has enough bullets.
Luke Starbuck encounters a trigger-happy sheriff, a vigilante leader, a scheming lawyer, and a murderous saloon owner in Virginia City; and, a reluctant Deputy Marshall Owen Jordan takes on an armed Cherokee rebellion aimed at recovering land stolen from the Five Civilized Tribes in Oklahoma.
Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations. In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details include film summary nation represented image portrayal production details DVD availability Many of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volumeoffers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema.
DODGE CITY Matt Braun The cattle trail from Texas to Kansas was long, hot and dangerous. And by the time cowboys got there, they had the money and means to make a boomtown explode—and make Dodge City a great place to be a defense attorney...as long as you weren't looking for an innocent man. Harry Gryden believes in the kind of justice that only happens in a courtroom. In Dodge, it's his job to make sure that the accused get their fair trial. But Harry is a little too good at what he does. And with the Masterson brothers, Wyatt Earp and Doc Holiday laying down their own brand of law, being a courtroom legend is turning Harry into the rarest of Dodge City men: one who doesn't carry a gun, but is in a fight for his life...
The Brannocks Matt Braun Earl Brannock was a gambling man who fled the fires of the Civil War and found a boomtown called Denver—in a land being built on dreams, luck, and gold. Virgil Brannock joined him next, fresh from Lee's surrender at Appomattox, determined to rise to the top of the frontier's rough and treacherous business world. Finally, Clint came riding a trail of revenge: a fiery young Brannock who dared to wear a badge...The three brothers were reunited once again. And on a frontier brimming with opportunity and exploding with danger, vicious enemies would test their courage—and three beautiful women would claim their love...