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Ariesa Pandanwangi Nuning Yanti Damayanti Arleti Mochtar Apin Belinda Sukapura Dewi Ayoeningsih Dyah Woelandhary Endang Caturwati Erni Suryani Gilang Cempaka Niken Apriani Nina Irnawati Rina Mariana Siti Sartika Sri Rustiyanti Vera Utami Gede Putri Wanda Listiani

Published: 2021-12-31

Total Pages: 131


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Indonesian has been very attached with textile in their daily life for along time, perhaps this is the reason why The Nusantara has a wide range of textile, from materials, techniques, and products.
It is well-known that Indonesia is blessed with very rich and varied cultural traditions. From Aceh in West to Papua in the East, one finds spectacular creativity expressed through song, dance and in particular, art. It is only in recent years that the international art market has awakened to these treasures created throughout the archipelago, but due to the scarcity of well-developed and properly-maintained public museums, the majority of these masterpieces are obtained by private collectors for their homes. This results in scores of private museums scattered around the country where the treasures are carefully preserved in the notoriously humid tropical climate. In the past, the only way to view these artworks would be via a personal invitation to these private homes. This book, Indonesian Odyssey, opens the doors to these collections for the world to see and enjoy. Dr. Helena Spanjaard, one of Indonesia¿s most respected art historians, has gained unprecedented access to twenty-one of the country¿s most avid collectors, gathering extraordinary insight into their collecting history and philosophy. Indonesian Odyssey profiles each collector and walks the reader through their favorite pieces, assembling an unparalleled anthology of more than 100 artists: from local masters such as Affandi and Hendra Gunawan, and their Indo-European counterparts like Rudolf Bonnet and Willem Hofker; to leaders of the contemporary movement like Rudi Mantofani and I Nyoman Masriadi. Lavishly illustrated with full-color reproductions of more than 230 paintings, Indonesian Odyssey provides a comprehensive catalog of Indonesian art and is a required resource for all collectors - both those with established collections and those just embarking on their own individual journey.
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
This book presents the essence of Werner Kraus's many years of research and studies. It contains a fascinating essay about Raden Saleh's spectacular life as a painter, scholar, art & education reformer, collector & preserver, and combines it with a rich documentation of his works providing a whole host of illustrations, pictures and portraits of Raden Saleh - many more than those shown in the exhibition, and some of them published for the first time.
The 26 scholars contributing to this volume have helped shape the field of Indonesian studies over the last three decades. They represent a broad geographic background—Indonesia, the Netherlands, the United Kingdom, Australia, the United States, Canada—and have studied in a wide array of key disciplines—anthropology, history, linguistics and literature, government and politics, art history, and ethnomusicology. Together they reflect on the "arc of our field," the development of Indonesian studies over recent tumultuous decades. They consider what has been achieved and what still needs to be accomplished as they interpret the groundbreaking works of their predecessors and colleagues. This volume is the product of a lively conference sponsored by Cornell University, with contributions revised following those interactions. Not everyone sees the development of Indonesian studies in the same way. Yet one senses—and this collection confirms—that disagreements among its practitioners have fostered a vibrant, resilient intellectual community. Contributors discuss photography and the creation of identity, the power of ethnic pop music, cross-border influences on Indonesian contemporary art, violence in the margins, and the shadows inherent in Indonesian literature. These various perspectives illuminate a diverse nation in flux and provide direction for its future exploration.
Batik occupies a special place in Indonesian culture. Each fabric has a rich story to tell--as a reflection of the nation's religious beliefs, sophisticated court cultures and cosmopolitan history. The extraordinary textiles in this book are from the collections of Rudolf Smend and Donald Harper. Most date from the period 1880 to 1930 when the art of batik reached its apogee. Having collected historical batik for over thirty years and published two books on the subject, Rudolf Smend has invited his friend and fellow batik specialist Donald Harper to contribute his fine collection to this publication as well. None of the batik in this book have been published before. They represent an exquisite cross-section of the batik production of Java--the most important batik-producing region in the world. The cloths are complemented by vintage photographs from the first quarter of the 20th century demonstrating how the batik were worn at court and at home. Three are from museums in Dresden and Cologne, while three are from the private collection of Leo Haks. The others have been collected over the past 30 years from private sources in Java. The captions are by Maria Wronska-Friend, an ethnologist and batik expert who frequently visits Indonesian batik centers and has worked for many years as an anthropologist in Papua New Guinea. Her contributions provide fundamental knowledge for lovers of this art form while at the same time providing new insights for experts. Rudolf Smend has invited other batik aficionados of his generation to share their passion for batik in this book. Inger McCabe Elliott, author of the bestselling Batik: Fabled Cloth of Java has contributed her lifelong experience. Other authorities like Annegret Haake, Brigitte Khan Majlis and Jonathan Hope share their views and expertise in these pages. This book represents a labor of love and a lifetime of friendship for the two authors, who hope it will provide inspiration to a whole new generation of batik lovers.
This new collection of essays explores questions of subjectification, selfhood and identity in the contemporary Asia Pacific, examining the way that migrant lives express the complex interplay of local and global processes in the post-Cold War era, and collectively questioning the novelty of the 'global age' in this region.