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The great Victorian novelist's complete surviving journals - first publication of new George Eliot text.
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Ranging over all George Eliot's fiction and drawing as well on her letters, essays, and translations, in this book the distinguished critic Neil Hertz documents Eliot's lifelong questioning of the nature of authorship and of what it might mean, in the language of one of her early letters, for her "not simply to be, but to utter." Pursuing oddities of diction and figuration, of plotting and characterization, Hertz finds everywhere in Eliot's works passages of high mimetic realism that ask to be read as allegories of writing or as characters whose actions and destinies can only be understood if they are seen as disguised surrogates of their author. Each essay begins with an intriguing or problematic bit of language, then moves about within a particular work of fiction or criss-cross to other writings of Eliot's as well as to works by philosophers, psychoanalysts, and literary theorists.
This book is based on a conference held in Warwick in July 1995. It is a collection of essays which explore various aspects of George Eliot's relation to the literature and culture of Continental Europe. The essays range widely over the novelist's life and work, examining her Journals and Impressions of Theophratus Such as well as her novels, and focusing on different countries and cultures, including not only France, Germany and Italy, but also Holland and Spain. Some essays examine the complex general issues of language and culture raised in her work, while others concentrate on her response to specific European writers and texts. There are investigations of intertextualities and possibilities of influence, as well as contextual discussions and comparative readings of her novels alongside works by European writers. The overall effect is to illuminate her writing by setting it in the wider European context which, with her knowledge of languages, her travels and her extraordinary wide reading, she knew so well.