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Medicine and Duty is the World War I memoir of Harold McGill, a medical officer in the 31st (Alberta) Battalion, Canadian Expeditionary Force. McGill attempted to have his memoir published by Macmillan of Canada in 1935, but unfortunately, due to financial constraints, the company was not able to complete the publication. Decades later, editor Marjorie Norris came upon a draft of the manuscript in the Glenbow Archives and took it upon herself to resurrect McGills story. Norris's painstaking archival research and careful editing skills have brought back to light a gripping first-hand account of the 31st Battalion and, on a larger scale, of Canada's participation in World War I. A wealth of additional information, including extensive notes and excerpts from letters written "from the trenches," lends a new sense of immediacy and realism to the original memoir, and provides a fascinating, harrowing glimpse into the day-to-day life of Canadian soldiers during the Great War.
The Great War is a collection of seven original essays and three critical comments by senior scholars dealing with the greatest conflict in modern history to its time - the 1914-18 World War. The Great War is edited by the distinguished historian of the First World War, R.J.Q.Adams.
Canada and the Great War explores the military and socio-cultural history of World War I, adding new dimensions not only to the history of Canada's role in the war but to the war's role in shaping Canada. The topics covered are wide-ranging and eclectic, and include, among others, studies of the Battle of Amiens, the Halifax explosion, Charlie Chaplin and wartime propaganda in the Canadian Expeditionary Force, Newfoundland's contribution to the war effort, the leadership capabilities of Brigadier General Griesbach, and the wartime poetry of John McRae. Contributors include Major John Armstrong (ret.), author many articles on military history and an administrative specialist in the Canadian Forces for thirty-two years, including stints as an instructor in history at the Royal Military College; Laura Brandon, curator of war art at the Canadian War Museum and co-author of Canvas of War: Painting and the Canadian Experience, 1914-1918; Patrick Brennan, associate professor of history at the University of Calgary; Tim Cook, archivist at the National Archives of Canada; Owen Cooke, independent researcher and former chief archivist at the Directorate of History, Canadian Department of National Defence; Andrew Horrall, archivist in charge of military records at the National Archives of Canada; John Hurst, retired administrator from the University of Guelph and head of the Ontario Branch of the WFA ; Jeff Keshen, associate professor of history at the University of Ottawa; David Parsons, Lt. Colonel with the Canadian Forces in Korea and chair of the Newfoundland Branch of the WFA; Roger Sarty, director of Historical Research and Exhibit Development at the Canadian War Museum; Christopher J. Terry, director, Canada Science and Technology Museums and chair of the Aviation Museum Group of the International Association of Transportation Museums; and Sidney F. Wise, professor emeritus in history and former dean of Graduate Studies and Research at Carleton University.
The First World War is a subject that has fascinated the public as well as the academic community since the close of hostilities in 1918. Over the past thirty years in particular, the historiography associated with the conflict has expanded considerably to include studies whose emphases range between the economic, social, cultural, literary, and imperial aspects of the war, all coinciding with revisions to perceptions of its military context. Nevertheless, much of the discussion of the First World War remains confined to the experiences of a narrow collection of European armies on the battlefields of Northern France and Belgium. This volume seeks to push the focus away from the Western Front and to draw out the multi-spectral nature of the conflict, examining forgotten theatres and neglected experiences. The chapters explore the question of what ‘total war’ meant for the lives of people around the world implicated in this momentous event, broadening current debates on the First World War as well as developing, reinforcing, and refining the existing categories of analysis. The chapters are grouped into sections that reflect neglected elements of the transnational interpretation of the conflict and aspects of the total war debate. These encompass alternative forms of mobilisation, issues of neutrality, ideas of racial identity, and the scope of violence. The volume thus not only expands First World War studies but also contributes to the wider discourse on the shifting nature of warfare in the nineteenth and twentieth centuries. With chapters by leading scholars and early career researchers, this volume draws on a diverse range of original archival research undertaken across disciplinary and national boundaries. The contributions to the volume provide an analysis of the conflict that draws out its full breadth and complexity. The First World War demonstrated the critically important relationship between national mobilisation and total war, and saw multiple mobilisations and re-mobilisations of European populations. This theme is explored at the national, regional, and local levels through examinations of the Sicilian province of Catania, the role of science in France and Britain, and the utilisation of the narrative of maritime heroism surrounding the British sailor Jack Cornwell. For Europe’s neutrals the First World War was often as total in its effects as for those states engaged in military operations. Chapters analyse the diverse range of these experiences of neutrality, from the economy and people of the Netherlands to the attitudes of Switzerland’s intellectuals. Racial interpretations of modern conflict have defined much of the historiography of total war. The complexities of racial analysis with respect to total war are highlighted in chapters dealing with white colonial internees in German East Africa, the treatment of prisoners of war in Europe, and the recruitment of India’s ‘primitive’ peoples for service in labour units. The final section of the volume considers the scale and broad scope of the violence unleashed during the First World War. Chapters on the continuation of German naval war culture after the conflict, the shaping of personal narratives of the war in the Ottoman Empire, and anti-alien violence among veterans in Canada serve to reinforce the extent to which the conflict affected wider aspects of twentieth-century history around the globe. Other Combatants, Other Fronts sheds light on the diverse experiences of neutral and belligerent states, and their combatants and civilians, during the tumultuous events of 1914-18. This brings to the fore the extent to which the mechanisms of conflict developed during the struggle had a truly global reach, and the impact this has had ever since in defining modern conflict. The collection reinforces the notion that although the First World War was a vast and often bewildering industrial conflict, it was ultimately a very human phenomenon.
This book is based on the public career of a highly controversial Canadian, Sam Hughes 1885–1916. He is one of the most colourful, even bizarre, figures in Canadian history. Though he died in 1921, his name can still conjure up controversy and not a little misunderstanding. His long career—in so many respects the quintessential story of a poor backwoods Ontario farm boy who made good by his own efforts—continues to exert a fascination that few other Canadian political figures could duplicate. Even though there has never been a major scholarly study of Sam Hughes, historians and other writers have developed definite opinions about him, and they are held nearly as vigorously as those of his contemporaries. These vary from insisting that Hughes was mentally unbalanced to proclaiming him a genius. Hughes’ defenders have rarely been professional historians. Neither side have not produced an extensive or definitive literature on Hughes in proportion to other figures of a similar public stature. Whatever side the studies have taken, the assessments are still incomplete because they have not examined the entirety of Sam Hughes’ public life. To a large extent these limitations have allowed the folk image of him to persist. But Hughes had fibre and substance beyond this. Since historical figures must be explained in terms of their environment, this study tries to redress the previous imbalances by examining Hughes’ public career. It is the only way his historical significance can be explained and reasonable judgments made.
This captivating collection of first-hand accounts brings to life the "War to End All Wars." Personal Perspectives: World War I offers a unique and unprecedented view of the Great War through the experiences of its participants—people of all ranks and races. Focusing on 12 major groups, essays by top international scholars put readers directly into the lives of victims of gas attacks, women factory workers, African American soldiers, pacifists, medical personnel, and other groups both on the battlefield and home front. Of interest to both students and nonexperts, the work tells the stories of soldiers who suffered in the trenches, U-boat and anti–U-boat personnel, German Americans in the United States, and women activists like Florence Jaffrey Harriman. Through the perspectives of commanders, captives, civilians, and social workers, readers will learn why British soldiers in the Netherlands were called "maiden robbers," how the YMCA set up huts to care for prisoners in POW camps, and how efforts to entertain U.S. troops led to the the largest theatrical enterprise in history.
More than 16,000 Canadian soldiers suffered from shell shock during the Great War of 1914 to 1918. Despite significant interest from historians, we still know relatively little about how it was experienced, diagnosed, treated, and managed in the frontline trenches in the Canadian and British forces. How did soldiers relate to suffering comrades? Did large numbers of shell shock cases affect the outcome of important battles? Was frontline psychiatric treatment as effective as many experts claimed after the war? Were Canadians treated any differently than other Commonwealth soldiers? A Weary Road is the first comprehensive study to address these important questions. Author Mark Osborne Humphries uses research from Canadian, British, and Australian archives, including hundreds of newly available hospital records and patient medical files, to provide a history of war trauma as it was experienced, treated, and managed by ordinary soldiers.
The giant conflagration of the First World War created the world we live in today, and its history is replete with stirring battles, mind-boggling strategies, and geopolitical manoeuvring. However, the real story was lived in the trenches of Europe and the lonely households of those left behind. The stories of this period are full of tragedy, anger, and loss but also inspirational courage. This special five-book bundle presents some of these stories, from brave Canadian contributions to the battlefields at Ypres and Amiens, to the specific untold story of Canada’s unheralded 58th Division, to an analysis of the myth and legend of air ace Billy Bishop, to the voice of one single soldier, Deward Barnes, told through his diary. These books provide new and enlightening perspectives on the war. Amiens Hell in Flanders Fields It Made you Think of Home The Making of Billy Bishop Second to None
Awakened by great shouted oaths below. Peeped over the side of the manger and saw a Belgian lass milking and addressing a cow with a comprehensive luridness that left no doubt in my mind that British soldiers had been billeted here before.' - Private Norman Ellison, 1/6th King’s Liverpool Regiment Humor helped the British soldier survive the terrible experiences they faced in the trenches of the Western Front during the Great War. Human beings are complicated, and there is no set pattern as to how they react to the outrageous stresses of war. But humor, often dark and representative of the horrors around them could and often did help. They may have been up to their knees in mud and blood, soaking wet and shot at from all sides, but many were still determined to see the ‘funny side’, rather than surrender to utter misery. Peter Hart and Gary Bain have delved deep into the archives to find examples of the soldier’s wit. The results are at times hilarious but rooted in tragedy. You have to laugh or cry.