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Describes the voyage of the First Fleet, Smyth's stay in Australia and his return voyage via Tahiti and China. Details are given of treatment of the women convicts during the voyage and events in the first three months of the new colony, including comments on the behaviour of convicts and marines, encounters with the Aborigines and the fauna and flora of the mainland, Lord Howe and Norfolk Islands. Contains detailed lists of the ship's company, officers stationed in N.S.W., female convicts aboard the Lady Penrhyn together with a list of children on board.
Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women eagerly spreading commerce and civilization around the globe, this thoroughly researched, engagingly written, and lavishly illustrated account suggests instead that boredom was central to the experience of empire. Combining individual stories of pain and perseverance with broader analysis, Professor Auerbach considers what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India. He reveals that for numerous men and women, from explorers to governors, tourists to settlers, the Victorian Empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, Imperial Boredom demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work tedious and unfulfilling. The empire s early years may have been about wonder and marvel, but the Victorian Empire was a far less exciting project. Many books about the British Empire focus on what happened; this book concentrates on how people felt.
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
The Archaeology of Difference presents a new and radically different perspective on the archaeology of cross-cultural contact and engagement. The authors move away from acculturation or domination and resistance and concentrate on interaction and negotiation by using a wide variety of case studies which take a crucially indigenous rather than colonial standpoint.
In a single leather-bound volume of 238 unlined pages of parchment, Surgeon Arthur Bowes Smyth describes his two-and-a-half year journey with the First Fleet from Portsmouth in England to the new colony in Australia and back. He is a frank, articulate and observant writer, and his diary, a treasure of the National Library of Australia, covers life at sea, stopovers in the slave port of Rio de Janeiro and the tropical paradise of Tahiti, and three months of early settlement in Australia. As surgeon to more than 100 convict women on the Lady Penrhyn, Bowes Smyth gives an insight into the plight of these women, sentenced to transportation, and their children. Their voyage was marked by seasickness, miscarriage, infant deaths, a diet of salted meat and dry hardtack biscuits, and cruel punishment from thumb screws to gagging and flogging with a cat-o’-nine-tails. When they finally set foot on Australian soil, their travails did not end, being set upon by drunken sailors and crew in a ‘scene of debauchery and riot’. Bowes Smyth also describes medical incidents that would make a modern reader squirm, from extracting a ‘jigger worm’ from his own foot to a scurvy outbreak which resulted in bleeding noses, contracted muscles, emaciated bodies and swollen, blackening limbs. There are moments of high drama when mountainous seas threaten to overturn the ship or when passengers fall overboard, as well as calm days at sea spotting porpoises, whales, seals and all manner of sea birds. Upon finally reaching Botany Bay, Bowes Smyth describes ‘the joy which possessed every breast upon so long wished for an event’. He details early encounters with Aboriginal people and the struggles in setting up the new colony, which was plagued from the outset by food shortages, outbreaks of disease and crop failures. He also describes the promiscuity and lax morals of the convicts with typical flair, declaring their audacity ‘not to be equalled amongst a set of villains in any other part of the globe’. In First Fleet Surgeon, author David Hill brings to life the voyage of the Lady Penrhyn and the early months of settlement at Port Jackson (modern-day Sydney) through Bowes Smyth’s colourful language and frank anecdotes. Each chapter includes a page of Bowes Smyth’s handwritten diary entries accompanied by a full transcript, and is richly illustrated with paintings, lithographs and maps from the National Library of Australia’s collection. Information boxes on subjects such as eighteenth-century medical knowledge, brewing beer on board, and a surgeon’s typical day provide context to Bowes Smyth’s story.
In this spirited history of the remarkable first four years of the convict settlement of Australia, Thomas Keneally offers us a human view of a fascinating piece of history. Combining the authority of a renowned historian with a brilliant narrative flair, Keneally gives us an inside view of this unprecedented experiment from the perspective of the new colony’s governor, Arthur Phillips. Using personal journals and documents, Keneally re-creates the hellish overseas voyage and the challenges Phillips faced upon arrival: unruly convicts, disgruntled officers, bewildered and hostile natives, food shortages, and disease. He also offers captivating portrayals of Aborigines and of convict settlers who were determined to begin their lives anew. A Commonwealth of Thieves immerses us in the fledgling penal colony and conjures up the thrills and hardships of those first four improbable years.
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
' Anthony Brown's ingenious interweaving of the tales of these two very different expeditions brings the story of Australia's exploration to life in a riveting and insightful new narrative.' Tim Flannery Amid the Napoleonic Wars, France and Britain launched rival voyages of discovery to the Antipodes. Led by the outstanding naval captains Nicolas Baudin and Mathew Flinders, these expeditions were seen as vital for gathering geographical and scientific knowledge, yet both expeditions ended in personal disaster for their commanders. Drawing extensively on original eye witness accounts, logs and journals, Ill Starred Captains brings to life the tragic histories of the two men for whom 'Fortune had changed seemingly beyond recall, from smiling goddess to right whore.' With a foreword by Tim Flannery, Ill-Starred Captains tells the riveting story of a remarkable competition between two warring colonial nations and provides a major contribution to Australian, British and French history.
The intriguing cultural history of the piano in Australia From the instruments that floated ashore at Sydney Cove in the late eighteenth century to the resurrection of derelict heirlooms in the streets of twenty-first-century Melbourne, A Coveted Possession tells the curious story of Australia’s intimate and intrepid relationship with the piano. It charts the piano’s fascinating adventures across Australia – on the goldfields, at the frontlines of war, in the manufacturing hubs of the Federation era, and in the hands of the makers, entrepreneurs, teachers and virtuosos of the twentieth history – to illuminate the many worlds in which the ivories were tinkled. Before electricity brought us the gramophone, the radio and eventually the TV, the piano was central to family and community life. With its iron frame, polished surfaces and ivory keys, an upright piano in the home was a modern industrial machine, a musical instrument and a treasured member of the household, conveying powerful messages about class, education, leisure, national identity and intergenerational history. ‘Michael Atherton cleverly weaves visual, sensual and sonic elements into the piano’s sociocultural history, adding a rich layer to our knowledge of the piano in Australia.’ —Professor Julia Horne, historian
In Bligh, the story of the most notorious of all Pacific explorers is told through a new lens as a significant episode in the history of the world, not simply of the West. Award-winning anthropologist Anne Salmond recounts the triumphs and disasters of William Bligh's life and career in a riveting narrative that for the first time portrays the Pacific islanders as key players. From 1777, Salmond charts Bligh's three Pacific voyages – with Captain James Cook in the Resolution, on board the Bounty, and as commander of the Providence. Salmond offers new insights into the mutiny aboard the Bounty – and on Bligh's extraordinary 3000-mile journey across the Pacific in a small boat – through new revelations from unguarded letters between him and his wife Betsy. We learn of their passionate relationship, and her unstinting loyalty throughout the trials of his turbulent career and his fight to clear his name. This beautifully told story reveals Bligh as an important ethnographer, adding to the paradoxical legacy of the famed seaman. For the first time, we hear how Bligh and his men were changed by their experiences in the South Seas, and how in turn they changed that island world forever. 'Remarkable . . . The mutiny has inspired some marvellous books, of which this is possibly the finest.' --Jim Eagles, New Zealand Herald