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"In the remote Bocas del Toro, Panama, William Dathan Holbert, aka 'Wild Bill,' is awaiting trial for the murder of five fellow American ex-patriots. Holbert's first victims were the Brown family, who lived on a remote island in the area's Darklands. There, Holbert turned their home into the 'Jolly Roger Social Club,' using drink- and drug-fueled parties to get to know other ex-pats ... But this is not just a book about what Holbert did and the complex financial and real estate motives behind the killings; it is about why Bocas del Toro turned out to be his perfect hunting ground, and why the community tolerated--even accepted--him for a time"
The first volume in this two-part oral history brings to life the experiences of British Army soldiers during the Troubles in the mid 1970s. British Army veteran Ken Wharton has written extensively on the bitter conflict in Northern Ireland, shedding light on the experiences and sacrifices of British military and police. Though often overlooked by historians, many of these committed soldiers and peacekeepers lost their lives in the fighting. Combining his own personal experience with meticulous research and firsthand testimonies from fellow soldiers, Wharton takes reders into the dangerous streets of the Ardoyne and New Lodge, of Andersonstown, Turf Lodge and Ballymurphy, and of the Creggan in Londonderry and the Derrybeg in Newry. He is equally candid and critical of the Loyalist paramilitaries and the Republicans, as well as the Irish-Americans and their political stooges in the US Government. This book is for anyone who wishes to look back and try to understand the madness inflicted upon several generations of innocent Irish and British people.
Comic strips starring Linus, Sally, Snoopy, Charlie Brown, and more beloved characters—“relevant and funny for all ages generation after generation.” —Good Comics for Kids, a School Library Journal Blog Everyone’s favorite classic characters are back: Peppermint Patty enrolls in a private school to end her academic troubles—only to discover she’s just graduated from obedience school. Linus finds himself entangled in a love triangle (and stuck on top of a snow-covered roof). And Charlie Brown runs away from the law and becomes a vagrant baseball coach. The Peanuts crew is lovable, popular, and charming, but please, whatever you do, don’t call Linus “My Sweet Babboo”!
Murder at Roaringwater is the inside story of the final days of young Frenchwoman, Sophie Toscan du Plantier. This is a violent, unresolved murder, where the victim seemed to have a premonition of her own terrible end.For six years, Nick Foster has been piecing together the life and death of Sophie, who was brutally killed outside her cottage in rural West Cork in 1996. He also developed an ongoing friendship with the Englishman long-suspected of her murder, Ian Bailey, and his partner, Jules, the couple at the centre of the case. This story is as fascinating as it is tragic. It follows Nick in Paris and Ireland during his dedicated investigation into the circumstances surrounding Sophie's murder, his quest to reveal her killer and efforts to understand what the motive could have been for such a terrible crime. Ian Bailey was recently found guilty of Sophie's murder 'in absentia' in a French courtroom.
Des Measures has broad shoulders but even they are beginning to buckle under the burden he is being forced to bear, through caring for his elderly uncle. Des feels duty-bound and morally obliged, but the trials and tribulations related to his relation are testing him to the very end of his tether, and then some. The old adage says that blood is thicker than water, which makes Des's situation even more dire, since he is related to the old man through marriage, not blood. So when someone suggests that if his uncle was a poorly pet, he would be put to sleep, Des is faced with a crisis of conscience, and his family loyalties are tested to the limits in this black comedy - riddled with puntastic one liners - of the ages. Or of the aged!
In 1804, fifteen-year-old Jacky Faber heads back to sea where she gains control of a British warship and eventually becomes a privateer.
As far as I've been able to determine, giants come in roughly three sizes: 'Very' big, 'Way, WAY' big, and 'Good grief, would you look at THAT!' big. It is possible there there may be even larger ones, but I've never personally seen any. A few folks, mostly adults, contend that there are no such things as giants. I will not waste your time nor mine disputing such radical theories. They probably don't believe in the Easter Bunny or Tooth Fairy either. Blasphemy. In addition (and you may not believe this) there are folks who dispute the fact that hamburgers grow on bushes. Good grief...doesn't anyone major in agriculture anymore? I know for a fact that a certain fast-food chain started this rumor. Want scientific proof? Well, there are pictures of several hamburger bushes in this very book. Jolly Roger
An astonishing portrait of a murderer and his complex relationship with a crusading journalist Michael Ross was a serial killer who raped and murdered eight young women between 1981 and 1984. In 2005, the state of Connecticut put him to death by lethal injection. His crimes were horrific, and he paid the ultimate price for them. When journalist Martha Elliott first heard of Ross, she learned what the world knew of him—that he had been a master at hiding in plain sight. Elliott, a staunch critic of the death penalty, was drawn to the case when the Connecticut Supreme Court overturned Ross’s six death sentences. Rather than fight for his life, Ross requested that he be executed because he didn’t want the families of his victims to suffer through a new trial. Elliott was intrigued and sought an interview. The two began a weekly conversation—and developed an odd form of friendship—that lasted over a decade, until Ross’s last moments of life. Over the course of his twenty years in prison, Ross had come to embrace faith for the first time in his life. He had also undergone extensive medical treatment. The Michael Ross whom Elliott knew seemed to be a different man from the monster who was capable of such heinous crimes. This Michael Ross made it his mission to share his story with Elliott in the hopes that it would save lives. He was her partner in unlocking the mystery of his own evil. In The Man in the Monster, Martha Elliott gives us a groundbreaking look into the life and motivation of a serial killer. Drawing on a decade of conversations and letters between Ross and the author, readers are given an in-depth view of a killer’s innermost thoughts and secrets, revealing the human face of a monster—without ignoring the horrors of his crimes. Elliott takes us deep into a world of court hearings, tomblike prisons, lawyers hell-bent to kill or to save—and families ravaged by love and hate. This is the personal story of a journalist who came to know herself in ways she could never have imagined when she opened the notebook for that first interview. Praise for The Man in the Monster: “Sturdily written and well researched . . . The book will appeal to those curious about why killers kill, and those who can stomach what they learn.” —The Boston Globe “A fascinating, in-depth analysis for true-crime buffs, sociologists, and others grappling with nearly impossible-to-comprehend actions and their consequences.” —Booklist
George Bernard Shaw's public career began in arts journalism - as an art critic, a music critic, and, most famously, a drama critic - and he continued writing on cultural and artistic matters throughout his life. His total output of essays and reviews numbers in the hundreds, dwarfing even hisprolific playwriting career. This volume of Shaw's Major Cultural Essays introduces readers to the wealth and diversity of Shaw's cultural writings from across the breadth of his professional life, beginning around 1890 and ending in 1950.Topics covered include the theatre, of course, but also music, opera, poetry, the novel, the visual arts, philosophy, censorship, and education. Major figures discussed at length in these works include Ibsen, Wagner, Nietzsche, Shakespeare, Wilde, Mozart, Beethoven, Keats, Rodin, Zola, Ruskin,Dickens, Tolstoy, and Poe, among many others. Coursing with Shavian flair and vigor, these essays showcase the author's broad aesthetic sensibilities, trace the intersection of culture and politics in Shaw's worldview, and provide a fascinating window into the vibrant cultural moment of the latenineteenth and early twentieth centuries.