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All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.
Over 1,000 jokes, 96 drawings. Index. "Gr.4-6. A gigantic compendium of rib-tickling, giggle-inspiring one liners, puns, funny stories, put-downs...Clever and witty."--SLJ. "True kid appeal."--Learning. 256 pages, b/w illus. throughout, 5 3/8 x 8 1/4.
While debating Sir Winston on the House of Commons, Lady Astor says, Sir Winston, if I were your wife, I should poison your tea. Sir Winston replies, Madam, if I were your husband, I would drink it. In 1066, a Battle of Hastings ensued in England, eventually causing two languages to merge and form modern English. In The Jokes on Me, English language aficionado Jim Purdy provides an entertaining tutorial of jokes, explanations, and associated vocabulary based on this historical transition. Purdy bases most of his jokes on sex, politics, and religion, depending on the unexpected as he leads serious students of languages to the other side of English. While including jokes not intended for the easily offended, Purdy relies on the experiences he acquired during his frequent travels throughout Europe as he shares jokes as diverse as the world around us. Purdy spares no one from his humorous jabs, including Lady Astor and Sir Winston, the Lone Ranger, and the Pope. The Jokes on Me is a step-by-step guide that will encourage both novice and experienced students of languages to gain a new appreciation of the American sense of humor while simultaneously enhancing their vocabulary and linguistics abilities.
“A sensitive and vivid study of early female stand-ups… [Levy is a] painstaking, knowledgeable guide.” —New York Times Book Review A hilarious and moving account of the trailblazing women of stand-up comedy who broke down walls so they could stand before the mic—perfect for fans of The Marvelous Mrs. Maisel and Hacks Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot. It spans decades, from Moms Mabley’s rise in Black vaudeville between the world wars, to the roadhouse ribaldry of Belle Barth and Rusty Warren in the 1950s and '60s, to Elaine May's co-invention of improv comedy, to Joan Rivers's and Phyllis Diller’s ferocious ascent to mainstream stardom. These women refused to be defined by type and tradition, facing down indifference, puzzlement, nay-saying, and unvarnished hostility. They were discouraged by agents, managers, audiences, critics, fellow performers—even their families. And yet they persevered against the tired notion that women couldn’t be funny, making space not only for themselves, but for the women who followed them. Meticulously researched and irresistibly drawn, Shawn Levy's group portrait forms a new pantheon of comedy excellence. In on the Joke shows how women broke into the boys’ club, offered new ideas of womanhood, and had some laughs along the way.
Does late night political humor matter? Are late-night comedians merely entertaining, or do they have the power to influence the way we think about politics and politicians? Politics Is a Joke! situates late night comedy in the historical context of political humor and demonstrates how the public turn to this venue for political information, and are in turn affected by it. Using exclusive data collected by the Center for Media and Public Affairs, the authors conduct a detailed and exhaustive analysis of political jokes on late night TV shows dating back to 1992 in order to pinpoint the main targets and themes of late-night comedy. Politics Is a Joke! uses a wide range of examples, from jokes about politicians' physical appearance and sex scandals to jokes about Congress and even the news media, to assess and understand the impact of political humor on political institutions, politicians and their policies and behavior. Engagingly written with analysis of jokes from comedians like Jay Leno, Conan O'Brien, Jon Stewart and Stephen Colbert, Politics is a Joke! is essential reading for anyone who wants to understand the crucial role late night comedy plays in our political universe - and anyone who enjoys a good laugh.
When Congress Makes a Joke is an engaging look at the intentional use of humor by members of Congress, exploring their humor as political communication. Highlighting several politicians noted for their use of humor--including Senators Robert Dole and Alan Simpson and Representatives Patricia Schroeder and Barney Frank, among others--this intriguing book features original personal interviews with the Congress members, allowing them to talk about their own (and others') use of humor in political ways. Yarwood also includes theories of humor as communication, a historical look at humor in Congress, the function of telling humorous stories, and the role of humor in the integration of African American and women members into the institution of Congress. Readers will find When Congress Makes a Joke an enjoyable, accessible view into humor's place in political communication--how it is created, how it is used, and what consequences may stem from it.
The Routledge Handbook of Language and Humor presents the first ever comprehensive, in-depth treatment of all the sub-fields of the linguistics of humor, broadly conceived as the intersection of the study of language and humor. The reader will find a thorough historical, terminological, and theoretical introduction to the field, as well as detailed treatments of the various approaches to language and humor. Deliberately comprehensive and wide-ranging, the handbook includes chapter-long treatments on the traditional topics covered by language and humor (e.g., teasing, laughter, irony, psycholinguistics, discourse analysis, the major linguistic theories of humor, translation) but also cutting-edge treatments of internet humor, cognitive linguistics, relevance theoretic, and corpus-assisted models of language and humor. Some chapters, such as the variationist sociolinguistcs, stylistics, and politeness are the first-ever syntheses of that particular subfield. Clusters of related chapters, such as conversation analysis, discourse analysis and corpus-assisted analysis allow multiple perspectives on complex trans-disciplinary phenomena. This handbook is an indispensable reference work for all researchers interested in the interplay of language and humor, within linguistics, broadly conceived, but also in neighboring disciplines such as literary studies, psychology, sociology, anthropology, etc. The authors are among the most distinguished scholars in their fields.
Graeme Ritchie advocates a cognitive science approach to humour research, aiming for higher levels of detail and formality than has been customary in humour research, and argues the case for analyzing jokes and humour.

Step into the world of laughter and light-hearted fun with The Big Book of Bad Dad Jokes: Jokes Dads Will Love and Families Will Love to Hate, your go-to source for the most groan-worthy, eye-rolling, and surprisingly witty dad jokes ever compiled! This book isn't just a collection; it's a journey through the joy of classic humor that exasperates generations.

From family life and the quirks of the office to the thrills of travel and the hilarity of daily life, this treasury packs in jokes for every occasion and mood. Whether you're a dad looking to expand your comedic repertoire, a family member in search of the perfect eye-rolling comeback, or simply a humor enthusiast, this book has got you covered.

Highlights:

  • Over 500+ Jokes: Dive into a vast collection of dad jokes, including family-friendly quips, work-related chuckles, and puns that play on words in the most delightful way.
  • Categorized for Easy Reading: The jokes are thoughtfully divided into categories like family, work, technology, travel, and more, making it easy to find the right joke for any occasion.
  • Perfect Icebreakers: Use these jokes to lighten the mood in meetings, gatherings, or even as a fun way to engage with your kids.
  • Timeless Humor: Enjoy a blend of classic and contemporary jokes that will be appreciated by readers of all ages.

Immerse yourself in this ultimate dad joke treasury, where every page promises a grin, a groan, or a hearty laugh. It's the perfect gift for dads, joke enthusiasts, or anyone who appreciates the lighter side of life. Get ready to embrace the dad joke spirit—no eye-rolling necessary (but highly encouraged)!

Pick up your copy today and start spreading the joy one dad joke at a time!

Notice: No dad was embarrassed in the making of this book. Satisfaction and groans are guaranteed.

Drawing on ethnographic fieldwork in Belarus, an example of an authoritarian state, Humor and Rumor in the Post-Soviet Authoritarian State presents over one hundred contemporary political jokes in the contexts of their performance. Throughout, Anastasiya Astapova demonstrates the salience of the joke genre, the multiplicity of humor manifestations, and the fundamental presence of intertextual links between jokes and another folk genre—rumor. Informed by real-life fieldwork in an authoritarian regime, Humor and Rumor in the Post-Soviet Authoritarian State challenges many common theories of political humor, including the interpretation of political jokes as weapons of the weak. It illustrates how jokes and rumors remind communities of their fears, support paranoia, shape conformist behavior, and, consequently, reinforce the existing hegemony. In this rare study on everyday life in and reactions to repressive regimes, Astapova unveils political humor as it is lived.