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This book provides a gripping account of the Johnstown flood of 1889, which killed more than 2,000 people in Pennsylvania. James Herbert Walker recounts the events leading up to the disaster and the aftermath in vivid detail. This book is a must-read for anyone interested in American history, disasters, or the power of nature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sensationalized history can be credited with inspiring generations of truth-seeking experts and enthusiasts. The tragedy of the Johnstown Flood was an oft-exploited event as writers and publishers hawked hastily written articles in original form or pirated collections. Where many of the articles lacked fact, they were rife with exaggeration and imagination. James Herbert Walker published one of the very first of these books, The Johnstown Horror, a pamphlet of some 40 pages. Experts cite the book as being sold in New York within a week of the disaster. Though the structure suggests the stories were gathered at rail stations in an apparent journey to the site, there has been debate whether Walker ever traveled to Johnstown. Yet the collection features accounts that do not appear in other publications following the flood. Later, expanded editions swelled to over four hundred pages and included well-crafted woodcuts. As the flood occurred near the end of the nineteenth century, the engraved drawings are often generously labeled as remnants of Victorian art. It is not clear whether the inclusion of the cuts was an aesthetic or monetary decision, considering the period's developments in photography. The final, massive collection of individual stories makes the book memorable, ranging from the accusations levied against wealthy Pittsburgh industrialists to the emergence of the Red Cross. So many unique details and personal chronicles capture the frantic mentality of a town, state, and nation trying to make sense of natural and yet not-so-natural disaster.
Sensationalized history can be credited with inspiring generations of truth-seeking experts and enthusiasts. The tragedy of the Johnstown Flood was an oft-exploited event as writers and publishers hawked hastily written articles in original form or pirated collections. Where many of the articles lacked fact, they were rife with exaggeration and imagination. James Herbert Walker published one of the very first of these books, The Johnstown Horror, a pamphlet of some 40 pages. Experts cite the book as being sold in New York within a week of the disaster. Though the structure suggests the stories were gathered at rail stations in an apparent journey to the site, there has been debate whether Walker ever traveled to Johnstown. Yet the collection features accounts that do not appear in other publications following the flood. Later, expanded editions swelled to over four hundred pages and included well-crafted woodcuts. As the flood occurred near the end of the nineteenth century, the engraved drawings are often generously labeled as remnants of Victorian art. It is not clear whether the inclusion of the cuts was an aesthetic or monetary decision, considering the period's developments in photography. The final, massive collection of individual stories makes the book memorable, ranging from the accusations levied against wealthy Pittsburgh industrialists to the emergence of the Red Cross. So many unique details and personal chronicles capture the frantic mentality of a town, state, and nation trying to make sense of natural and yet not-so-natural disaster.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.